Explore our solar system, the Milky Way, and faraway galaxies with your intrepid heroines, Gloria, Kanna, and Yamane, in The Manga Guide To The Universe. Together, you’ll search out the universe’s greatest mysteries: dark matter, cosmic expansion, and the big bang itself. As you rocket across the night sky, you’ll learn about modern astrophysics and astronomy, as well as the classical findings and theories on which they’re built. You’ll even learn why some scientists believe finding extraterrestrial life is inevitable!
Rikuo has successfully defended his classmates from the vicious Inugami’s mad-dog attack. But that battle is just a hint of what’s to come. The sinister Tamazuki has remained in his human form so far, but now he’s unleashing his true form: a ferocious yokai leading the 88 Demons of Shikoku, a disciplined demon horde hell-bent on taking the Nura clan out. With Nurarihyon missing, Rikuo must step up as a warrior and a leader.
Rikuo really starts to step up as under-boss in this volume. With his grandfather, the Nurarihyon, gone, it’s up to him to defend the Nura territory. He finally shows some initiative when he sends Gozumaru and Mezomaru to infiltrate a Shikoku yokai gathering to gather intelligence. And he acts on that intelligence by taking the fight to Tamazuki rather than waiting for him and his forces to attack the Nura Main house. He’s pretty impressive in his night form during this fight until he gets blindsided, literally.
This battle with Tamazuki really shows the cycle of the generations within the Yokai clans. Tamazuki is ambitious and hungers for power, just as his father, Inugamigyobu once was, reaching out into Nura territory, while Rikuo considers creating a new 100 demon parade rather than working so hard to keep his Grandfather’s retainers together. Both young yokai can be seen as walking in their predecessor’s footsteps, while still making their own mark.
This volume of Nura was better in terms of moving the plot forward. It isn’t just about Rikuo having to deal with some threat and having his Night Form save the day. There is a confrontation between Tamazuki and Rikuo, but it and the events that lead up to it carry some weight. Yukki-Onna might even prove to be worth something more than a maiden-in-distress, though I don’t’ think I’ll hold my breath on that one.
Nura: Rise of the Yokai Clan continues to be a series that I don’t mind reading online for free (as part of a Shonen Jump subscription), but it still hasn’t shown itself to be a series worth keeping on the shelf.
Inspired by the Japanese thriller, these pages hold the macabre tales of a mother’s psychological torment in a rundown apartment complex, another man’s terror upon the open sea, and a message from a watery grave. A haunting will begin, and these people will learn that no one is safe from the mysteries that lie within the murky depths of Dark Water.
I picked up Dark Water, expecting another single story adaptation of a novel by Koji Suzuki. This impression is really emphasized by the cover text that claims it’s the book that inspired the “major motion picture.” So I was really surprised when I discovered it was only the first story of four that “inspired” the movie. A movie that was decent, and didn’t need a Hollywood adaptation that couldn’t improve on it any.
I was actually kind of disappointed when I discovered that Dark Water was just a short story, and not a full novel like The Ring. I really enjoyed the manga adaptation of that novel, and was hoping for another experience like that. While “Dark Water” was a tighter read, it wasn’t as interesting or scary as the longer movie. It really needed more disturbing moments to make what happened hit home. It’s not a bad story, but a few more scenes could have made it better.
Of the remaining three stories, the only one with a good “creepy” factor was “Island Cruise”. It did a good job of balancing the supernatural with the non-believer, who must hold on to his non-belief at all costs, or be literally dragged down into the water. “Adrift” was the shortest and left me scratching my head about what happens in it. I’ve read it several times now, and while I think I get the idea Suzuki was trying to get across, it was lost in the manga adaptation. “Forest Beneath the Waves” really doesn’t have anything dark or scary about it. It’s a story about a son connecting to a father he never knew through the place where the father died. This story really doesn’t seem to fit in a volume that is otherwise filled with menaces coming from the water.
Dark Water isn’t a title that will keep you up at night or make you wary of taking a bath. It’s isn’t dark so much as it is murky. It wants to drag you to the bottom, but instead ends up losing its way. I really can’t recommend this book to anyone but Koji Suzuki fans.
I’ve been a fan of Shonen Jump ever since it came out in 2002 (technically), and still have every single issue. I admit I have mixed feelings about this move to digital. The good: don’t have to store all those magazines anymore. The bad: can’t just pick it up and read it anywhere. But, I’ll stick with this first year of digital and see if I can keep up.
Somewhere in Japan there’s a cabin in which you might watch a program that will change your life…in fact, it will take your life. She will take your life. She calls out from the afterlife, from the dark bottom of a forgotten well. And if she calls you, one week is all you have left to find the answer to her curse.
In the late 90s to early 2000s, Japanese horror, also known as J-horror was really popular in the US, and the title to start it all was The Ring. Based on a novel, the original movie was so popular, it was remade with American actors for wide release. Of course, publishers were ready to cash in on the action with releases of manga adaptations of the novels and/or movies.
The Ring series starts off with a great creepy premise, but seems to lose steam with each volume. The first volume is a nice and thick and stays true to the novel. This first story was more compelling and didn’t make Dr. Ikuma into the villain the movies did. It has a good pace and makes the feeling of time running out seem real. The first volume was a great read, and I would recommend it even if you’ve seen the movie.
The Ring 2 follows the plot of the movie instead of the book, and isn’t nearly as compelling as first story. It recaps the first movie before replacing the lead with Takayama’s assistant Takano as she tries to stop Sadako from taking over Yoichi, Takayama and Asakawa’s son. The story doesn’t have the same creepy feeling and the art just looks bad at times. Birthday is a prequel that continues to follow the movie’s plot line and shows Sadako’s life just before she died. It’s sad but not really creepy. Spiral is an adaptation of the novel sequel of The Ring, and takes Sadako’s story in a more scientific direction. The idea behind the replication is interesting, but the overall story wasn’t.
The big problem all three of these volumes had was the constant re-telling, and re-writing of the original Ring story. The first third of The Ring 2 is a compacted retelling of the movie version of the story. Spiral completely ignores most the original characters of The Ring to tell it’s own version of Sadako’s story, and The Ring 0 goes with another modified version of the movie. All these different versions of the same story got confusing and really monotonous after the second version.
The Ring is a good, suspenseful manga, but keep your reading to the original. The rest really don’t add much to the overall story, and will leave you scratching your head more than worrying about that static-filled TV.
When the Straw Hats encounter a mysterious barrel on the open sea, little do they know that it’s a trap. Losing control of their ship, they’re steered toward Thriller Bark. Any rational sailor would think twice before going ashore on an island full of zombies. But with Luffy at the helm, the Straw Hats are in for a scare as they become the targets of the dreaded Gecko Moria!
After the long and emotionally draining Water Seven arc, Thriller Bark makes for some spooky fun with zombies, ghosts and a talking skeleton. But the story feels drawn out and really seems to drag on, as does the bittersweet background story for Brook. It feels more like a filler arc and an excuse to throw in some Zombies.
The Thriller Bark story arc starts out as a light-hearted story filled with lots of humor. Luffy is excited at the prospect of seeing ghosts and is inviting Brook, a walking talking skeleton to join the crew without knowing anything about him. The gags really run amok when the Straw Hats reach Thriller Bark itself, with Nami, Usopp and Chopper seeing zombies one minute and then gone the next. And the arrival of Luffy, Zolo, Sanji, Robin and Frankie is funny as they first tame a Cerberus-like zombie and then beat up all the zombies that pop out of the graveyard, and leaving them stick out of their graves, feet first. Oda does a really good job in the beginning of creating a spooky atmosphere with zombies popping out of pictures and stuffed animal heads on the wall coming to life.
The fun doesn’t stop there. Usopp gets a great spotlight in this arc, as his super-pessimistic attitude is finally shown to have a use. When faced with the Ghost Princess Perona and her negative energy ghosts, Usopp is invincible, since he already has such a low opinion of himself, he can’t be brought down any further. His battle with her was the best of the volume. The giant zombie Oars running around talking and acting like Luffy was pretty funny too.
All this humor is overshadowed by Brooks and the padding of the story to stretch it out. Thriller Bark is supposed to take place in the course of a single night, but it goes on for 5 volumes! It’s too long and too much is going on. The entire plotline with Absalom and Nami was clichéd and got boring fast. In arcs such as Alabasta and Waters Seven, the battles that each Straw Hat was in was entertaining. But they really weren’t in this arc. Brook’s background story wasn’t just tragic, it was downright depressing. While Robin’s back story, which was shown before Brook’s, was really tragic, there was still a ray of hope with Robin trying to continue the work of the Ohara clan. But there isn’t any feeling like that with Brook. The more your see of his story, the more down you feel. There doesn’t ever seem to be a light at the end, even when he joins the Straw Hats. It’s more like relief that such a dark period is over, and after all the humor the arc started out with, the darkness of Brook’s back story just doesn’t feel right.
The arc redeems itself at the end with a return to World Government story line. Kuma, another Warlord of the Sea comes to check on Moria, and possibly kill Luffy. But the Straw Hat’s loyalty and Zolo’s belief in Luffy saves him. The scenes with Kuma only increases my curiosity about the World Government and what their true motives are.
The Thriller Bark story arc has a good beginning and good ending, but too much filler going on in-between. This is still a good arc, with lots of great scenes for the characters. It just would have been better if it had been pared down. Three volumes would have been just right.
Masterless samurai Akitsu Masanosuke is a skilled and loyal swordsman, but his naive, diffident nature has more than once caused him to be let go by the lords who employ him. Hungry and desperate, he agrees to become a bodyguard for Yaichi, the charismatic leader of a group calling itself “Five Leaves.” although disturbed by the gang’s sinister activities, Masa begins to suspect that Yaichi’s motivations are not what they seem. And despite his misgivings, the deeper he’s drawn into the world of the Five Leaves, the more he finds himself fascinated by these devious, mysterious outlaws.
I love historical dramas, especially those set in Japan, so it should be little surprise that I like House of Five Leaves. But after reading the first two volumes, I find there is much more here than just seeing the characters in Edo-period costumes. House of Five Leaves is a character drama, with Masanosuke as the focus to introduce us to an interesting group of individuals.
Let’s look first at the focus. Masanosuke is not your typical samurai. He has a strong sense of honor and the skills one would expect from one born in the samurai class. It’s his demeanor that makes him so different. He is very shy and doesn’t have a lot of self-confidence. He walks slouched over, making himself appear smaller than his true height. He doesn’t like confrontations, and when faced with an audience, he gets stage fright and runs away. This last trait may have a lot to do with why he is like he is.
So it’s little wonder that he looks up to Yaichi, a man with a lot of self-confidence, and who can talk himself out of a confrontation. He moves through the world with an ease that Masa envies. He is also a very private and mysterious man. No one in the group knows much about him, and that just intrigues Masa even more. By the same token, Yaichi is amused by Masa’s seemingly contradictory nature. He chooses Masa at first because he knows his nature and honor will keep him from reporting their activity. But the timid samurai quickly intrigues Yaichi, who then tries to get Masa to join their gang.
While Masa fence-sits about joining, he is slowly drawn in, both by Yaichi’s machinations, and by others in the gang. Okate, a beautiful woman who has known Yaichi for a long time, is kind and patient with Masa. Umezo, the owner of the izakaya where the gang hangs out is gruff toward Masa at first, but warms up to him slowly, though his daughter Okinu likes him from the start. Matsukichi is the loner of the group and isn’t too impressed with Masa, though he goes along with Yaichi’s decision. An unofficial member of the gang, Goinkyo, helps out by letting them hide their hostages on his farm. He also helps out Masa, letting him stay with him when he falls ill, and tries to warn Masa away from Yaichi and the gang’s activities.
But even as Masa is drawn in by his new “friends” so it seems members are drawn to Masa. Both Umezo and Goinkyo tell Masa about their connection to each other, and why Umezo continues to work with the gang even though he doesn’t need the money. Both comment on how they talk too much when telling it all to Masa. Neither intended to tell Masa so much, but there just seems to be something about him that makes people want to unburden themselves. Perhaps it is the same thing that Yaichi finds so fascinating about Masa.
I really enjoyed these first two volumes. The characters are interesting, and the mystery around Yaichi is intriguing. Just like Masa, I want to find out more about him and his past, as well as that of the rest of the gang. I really like Masa too. He isn’t arrogant like many of the other ronin seen in Edo. And he likes cats, so he has to be a good person. The old Edo setting
Ono’s art is very distinctive. The facial expressions of her characters are very revealing. It’s easy to tell what they are feeling or in some cases thinking. I really like the way she does the eyes. They can be big, or droopy. They can really define a character. She also has a knack for making older men look rather attractive.
House of Five Leaves isn’t a story filled with action or intrigue. It’s a slow-moving story with a lot of talking. But don’t think for a moment that’s a bad thing. The characters are engaging and the historical setting just adds to their charm. Add an immersing story and you’ve got a gratifying reading.
When one thinks of the holiday season, it tends to be of being merry, giving gifts, and celebrating the end of the old year and the beginning of the new. But the holiday season also has a history of ghostly stories and ghoulish things. Here are two Del Rey Manga titles that try to fit into the Comeuppance Theater genre, but just don’t quite make the grade.
Continue reading Season’s Screaming: Only One Wish and xxxHolic
Zombies, once creatures of voodoo, have evolved into something more sinister and scary ever since George Romero got a hold of them and created Night of the Living Dead. Ever since the introduction of the slow-moving, decaying, brain-eating monsters, they have grown in popularity, until the turn of the 21st century when they started popping up in hordes everywhere; movies, books, comics, and manga!
It’s the night before Halloween, with parents heads filled with all the little monsters that will be coming to their doors and children dreaming of the haul of candy that also fills the dreams of dentists. But here at the Manga Movable Feast, Horror is still at the forefront.
Yokai are traditional monsters of Japanese folklore. The can range from mischievous to down-right terrifying! They are such an integral part of Japanese culture, that it’s no wonder that they populate a lot of manga! In many of the manga that have been translated here, the yokai can either be the leads or they can be helping a human interact with the yokai world.