If there’s something strange in your neighborhood, you can call on these ghost-busting manga titles to help you through the night.
The first day of panels at NYCC/NYAF was certainly full of surprises. And it started right off first thing in the morning for me, at 6:30 am (PST) when news started on Twitter about Viz Media’s big announcement. Weekly Shonen Jump Alpha will be a digital manga magazine that will run new chapter of the manga Bakuman, Bleach, Naruto, Nura, One Piece, and Toriko two weeks after they run in Japan. The magazine will be available through Vizmanga.com and through the iOS apps. The price is $25.99 for 48 issues, or you can rent single issues for .99 for 4 weeks. I’m a little confused on the .99 rental though. I’ve seen it described as .99 a month, which implies only paying .99 for four issues which is a lot better than 25.99 for a year, unless of course, the year subscription means you can keep the issues permanently. Whether the weekly issues are for keeps or for a limited time as the Nura serialization is now hasn’t been clarified. The digital magazine will start in January 2012, with the print magazine ending with the March issue.
I can’t say I’m thrilled with the new line up. One Piece and Bakuman are the only ones I’m interested in, and the fact that I can only stream the titles, since no one wants to even try to make an android tablet app (hint: if it’s so hard to do an app with all the different flavors of Android, then just do what most pub do now anyway; make just a tablet app on Honeycomb), this severely limits my ability to take the mag and “read anywhere”, something I can currently do with my print mag. I’m going to need more details before I decide to stay with the digital magazine. I’ll also admit that I’ll miss reading Psyren and Yu-Gi-Oh 5Ds. They aren’t titles I want to actively go after, but I enjoyed reading them in the magazine. Now, Shonen Jump is returning to it “only the top sellers can appear” approach, which is a shame, since going digital should be the opportunity to experiment. And I agree with others on Twitter, that a Shojo Beat digital magazine would be awesome.
Next came Yen Press and Seven Seas with new license announcements. Yen Press announced Soul Eater Not, a side story to Soul Eater. I wasn’t impressed with the first series, so I don’t anticipate caring much for this one. They’ve also announced it will appear in the current issue of Yen Plus, but is that going to be permanent, or just a couple of chapters to push the series as High School of the Dead Color was, and a way to pad the scant Japanese side? I like that Yen is continuing to adapt YA novels, the newest editions being Infernal Devices, which sounds interesting, and a Dark Hunters side story Infinity. And I’ll admit to some curiosity to the Japanese licenses Madoka Magica and Until Death Due Us Part. I might check out Alice in the Country of Hearts, a Tokyopop license rescue (that they said they wouldn’t do…) I missed it the first time around.
Then Seven Seas hints at a new license through anagrams again on Twitter, which turns out to be the sequel to Alice in the Country of Hearts, Alice in the Country of Clover. This was a pleasant surprise and a boon for AitCoH fans. Seven Seas also announced the new title from the creator of Dance in the Vampire Bund. Angel Para Bellum takes on christian mythology with a battle between heaven and hell brewing and only a boy named Mitsuru holds the key to preventing it. I think Supernatural has killed my interest in such stories, but I’ll check ou the first volume if given the chance.
Kodansha announced two new licenses, Attack on Titan and Miles Edgeworth. I don’t know how much Attack on Titan will appeal to me, but if I like the Phoenix Wright manga, I might check out the Miles Edgeworth. They also announced omnibuses of former Del Rey titles Genshiken and Kitchen Princess, two good titles to keep in print. And then there was the obligatory iOS app announcement (yawn).
Vertical had the biggest surprises for me. The licenses lately haven’t been my cup of tea, with Princess Knight being the only new title I really wanted to read. But in their announcements at their panel, they had two that really piqued my interest. I”ve heard a lot about Osamu Tezuka’s Adolf (Messages to Adolf), but it’s been out of print for so long, I didn’t hold by breath at ever reading it. Until now. It will be releases in 2 hardback volumes next year. Sakuran really looks intriguing too. It’s a historical title about courtesans in the Edo era. And I can’t resist historical titles.
While all of these announcements sound great, I’m going to remain cautiously optimistic about them. What looks good in a press release might not be so great in reality. So I’ll watch and wait for now. Most of the books announced won’t be out until next summer, so there’s plenty of time for things to change. Only the digital announcements have any immediacy, and only Viz’s really concerns me. But it’s still nice to see things to get excited about again.
A mysterious illness is spreading rapidly through the halls of Fujimi High School. In a matter of hours, the campus is transformed from a place of learning into a hive of nightmares, as the infected students collapse and are reborn as flesh-hungry zombies! Only a handful of students escape the outbreak – among them Takashi Komuro and his childhood friend Rei. He manages to protect Rei from the initial onslaught, but how long can Takashi and the other students hope to survive when the whole school – maybe the whole town – is out for their blood?!
Highschool of the Dead is “interesting” in the same way that we are currently living in “interesting times.” It all depends on how you look at it. There were times when I was really interested in the story it was telling, as well as the characters. At other times I just wanted to roll my eyes, put the book down and walk away. And that is what made this series so frustrating to me. It has a real story to tell, if you can get past the rampant fan service and blood.
Let’s look at the good points about this series. First and foremost, there is a fascinating story being told in these pages. As the infected start to outnumber the uninfected, you can see the fabric of society start to break down. This is shown through the monologues Takashi often goes into, and the obstacles our heroes face. Throughout the volumes, Takashi is constantly commenting on how quickly he and his friends adapt to a new world where the old rules no longer apply, like smashing a cash register for cash is acceptable for survival, and the worse thing you can do to an enemy is to NOT kill them. In just 12 hours they can go from running for their lives to happily taking on a group of zombies without a second thought. It was these observations that drew me into the story most. But even as our heroes seemed to start to lose their humanity, they do find ways to reclaim it, such as in their saving of the young girl Alice.
Another aspect I really liked was the denial about the reality of the situation. When the outbreak first starts, Takashi comes right out and says they aren’t in a movie or video game, and yet everyone is behaving like a zombie from one. Though, he never gets to say the whole word “zombie”. He gets cut off. And later Hisashi, his friend and Rei’s boyfriend, dubs them all “they” because he can’t bring himself to believe they are something from the movies, and this is how they are referred throughout the books. No one wants to cross that line.
I also really appreciated that there are so many female characters that are smart and self-reliant. Rei, Takashi’s childhood friend is full of fire, and is bashing heads with her mop handle/spear. She also recognizes the danger Shidou poses and would rather take her chances with the zombies than him. Saeko is everything you would expect from the captain of the kendo club. Wielding her wooden sword, she is calm and cool in the face of danger, and always ready to protect the a person’s honor. Saya is constantly proclaiming that she is a genius, but it isn’t just boasting from her. She is the first to figure out that it’s sounds that attract the zombies. And even though she hides behind Hirano, she will get her hands dirty when necessary. The guys aren’t so bad either. Takashi shows a lot of leadership, even though he would say he’s just trying to keep him and Rei alive. And Hirano is hesitant at first, but once he gets a gun in his hand, he really proves his worth.
The biggest downside of this series is also the women. It’s not the way they act, but the way they are drawn. All of them are drawn with big breasts, with the school nurse Shizuka having back breakers. I’m not sure which is more unbelievable, the breast sizes or the zombies. It gets worse in volume 2 when all the women take a bath together, and they are comparing sizes and feeling each other up. It’s like a pseudo lesbian love fest. All through these three volumes, almost every other page has a panty shot. It gets really close to being overwhelming. It also takes all the wind out of the more serious elements of the story. You can have this wonderful monologue from Takashi about how they world they knew was gone on one page, to the women half-naked and bouncing around in the next. It’s hard to take the series seriously with gratuitous breast grabs going on.
The art is fairly standard for a shonen series. The characters are rather generic looking, though they are just distinct enough to tell apart at sight. I was much more impressed with the horror side of it. There were a lot of nice details on the zombies, with chunks of flesh torn out and bones sticking out. While graphic horror isn’t usually my thing, I found I could appreciate the look of the zombies. They are just what you’d expect for a zombie apocalypse.
Highschool of the Dead isn’t going to be a title for everyone. Both the horror and fan service will keep some readers from even picking up the volumes. But I think the story of society collapsing and how people react to it is an interesting one, and worth digging through the gore and gratuitous boob and panty shots to get to. I would recommend Highschool of the Dead to veteran manga readers and horror fans. Anyone easily offended or disturbed need not apply.
Everyone loves a good scare. Whether it’s from the unknown darkness or from the known serial killer that stalks the night, everyone has something that scares them. Through books and movies, we can enjoy those scares from the safety of our homes. This month’s Manga Movable Feast features not a single title, but the whole genre of Horror. So any title that makes your hair stand on end, makes you want to keep the light on after reading before bed, or hide behind the sofa while watching is fair game!
It’s been a year since Yen Plus went digital and things don’t seem to have changed much, at least not for the Japanese side of the magazine. It’s still meager at best, and is losing another title this month with the final chapter of The Innocent appearing. We can hope Yen Press will be able to announce something soon, otherwise having the two sides of the magazine is going to be pretty pointless.
Lonely Mitamura may be a teacher at the exclusive Sheol Soul School – an academy dedicated to the afterlife – but he has a lot to learn about human emotions and helping others. In fact, his star pupil Tsuru thinks she’ll teach him a little lesson by running off during a field trip in the living world. Now, Mitamura has only seven days to track Tsuru down with the help of a brand-new (deceased) sidekick. Will the clock run out before they find her?
Arrr, guess what time of year it be again. That’s right! It be International Talk Like a Pirate Day! And that means lot’s of “Arrrs” and “ye bes” and “yo ho ho”ing and sounding like ye should have a parrot on yer shoulder. A few years ago I did a post about pirate manga what was available to help enjoy the day. Normally I would do a post updating what’s new, but sadly, there hasn’t been any new additions in the last three years, except one.
With the new release of Sailor Moon by Kodansha coming out this week, my Twitter feed has been full of tweets from people really excited by it. I know Sailor Moon is a big deal to a lot of people. It’s a classic in the magical girl genre, and it was a gateway to anime and manga for many folks. But it wasn’t for me. I never watched the anime, and new nothing about the manga release, as it was before I started reading manga seriously. I knew about it of course. I first heard about it from a friend in the 90s. He was reading the Japanese manga volumes obsessively at SDCC. I didn’t get the appeal for it then, and I still don’t get the appeal for it now.
Anyway, I had the chance recently to pre-order the first volume. Twice, in fact. But, I just couldn’t do it. I will admit to some curiosity about the series. I know basically what it’s about, but I have too much doubt about how I would react to it. I’ve never been impressed by the synopses I’ve read about it. And the last thing I need is to buy a book that I don’t know if I’m going to like. My time and space is already very limited. Adding Sailor Moon, with my mind already fairly set against it isn’t going to help things. Now, I know I can be wrong. I thought I would hate Yu-Gi-Oh!, thanks to the TCG hype and anime, but I actually ended up really liking the manga. I know Sailor Moon could turn out to be like that, but I just couldn’t get myself to take the chance.
It’s Ryuji’s first day as a junior in high school and it seems as if things are looking up. He gets to sit in between his only friend, Yusaku, and, more importantly, the girl he’s secretly crushing on, Minori Kushieda. But just when he thinks the stars are aligned in his favor, he unwittingly crosses the most feared girl in school, Taiga Aisaku, making her onto his arch enemy. To top it off, Taiga has moved in right next door to Ryuji and happens to be Minori’s best friend! Can this school year possibly get any worse?!
Toradora, like most romantic comedies, depends on its lead characters to sell the series. If you don’t like the leads, you aren’t going to care who they get together with, or if they get together at all! Unfortunately, that’s exactly how I feel about the leads and this story.
Toradora starts out by introducing Ryuuji Takasu. He’s a second year high school student who has squinty eyes that makes all of his peers think he’s glaring at them, and a flaky mother who couldn’t take care of herself if she were on her own. He has an accidental run-in with Taiga Aisaku, the “palmtop tiger”, called that because of her small size and fierce attitude. These two become entangled because they have crushes on each other’s best friends. But Taiga won’t let Ryuuji near Minori until she can get with Yusaku. So it’s hair-brained schemes and missed opportunities as Ryuuji tries to get Taiga and Yusaku together.
Right from the start, I didn’t like Taiga. I don’t mind the “tsundere” type, but she goes to an extreme that I don’t like. She is physically and verbally abusive to Ryuuji, calling him a “dog,” or “mangy mutt.” She’s pushy and demanding and a serious clutz. I know these traits are supposed to be funny and cute, but they really aren’t. Not to me anyway. Ryuuji isn’t a complete push-over. He takes on Taiga’s unspoken challenge to get her and Yusaku so he can try to get Minori, but he takes on the “dog” role too quickly for my taste. The banter between them just isn’t interesting. It’s either her telling him what to do, or him yelling at her and she ignores him. These two just didn’t appeal to me.
There’s nothing new or different about the story. As a rom-com, it has to really on the characters to give it life, and as I’ve said, they don’t work for me, so the story really fell flat. I didn’t find any of the physical comedy funny, especially Taiga clutzy moments. But Ryuuji’s reaction to Taiga’s kitchen did get a smile out of me. I have no complaints about the story, it’s just, without interesting characters it feels “been there, done that.”
Zekkyo’s art is very well done. Even if I didn’t like the characters, I did like their designs. There’s a good mixture of designs among the characters, and their attitudes really come through in the art. From Ryuuji’s squinty eyes, which I personally didn’t see as troublesome, but that just me, to Taiga switching from cute and vunerable to a mean and determined, there was no ambiguity about what anyone was feeling. I really could have done without Ryuuji’s mom. Her only purpose seems to be for fanservice, which along with her ditzy personality makes her very unappealing to me.
Overall, Toradora isn’t a bad title, it just got a “meh” reaction from me. Without liking the characters, I just can’t get into the story. I know I’m in the minority with regards to my opinion about this title, but that’s nothing new. I may give it another volume to see if anything changes, but as it stands, it’s a series I’m not going to follow regularly.