Wish List: Ai Yazawa’s Shared Universe + 1

Finally getting to read another Ai Yazawa series and seeing how connected her characters are in her world, really makes me crave more! There are at least 3 of her previous titles that I would love to see licensed, two in her shared universe and one with a supernatural twist.

Tenshi Nanka Ja Nai – This series was originally serialized in Ribon magazine starting in 1991 and was the beginning of the shared universe that would soon grow. It’s a high school slice of life/romance about Midori Saejima and Akira Sudo that chonicles their four years in school, both their relationship and adventures with friends. Seeing how addicting Nana is with young adults as the leads, I would love to see what she does with teens.  This title kicks off what becomes a series of connected titles through its characters without being a sequel or focusing on the characters. It’s 8 volumes and in 1994 got an anime OVA adaptation. It’s the start of Yazawa’s world, where characters get to roam and mess with each other in and out of the stories.

Gokinjo MonogatariDavid Welsh of Manga Curmudgeon has already made a plea for this series, but I’d like to do it in the context of its relationship to both Tenshi Nanka Ja Nai and Paradise Kiss. This series also ran in Ribon and went from 1995 to 1998. It ran for 7 volumes. Even though this series is about a whole new cast of characters with Mikako Koda and Tsutomu Yamaguchi as the leads, the main characters from Tenshi Nanka Ja Nai make an appearance, and the lead vocalist Tsutomu is supposed to resemble, Ken Nakagawa, was Midori’s friend. It’s another slice of life/romance which Yazawa has shown to have a such a good grasp of. It got a 50 episode anime series in 1995.

Kagen no Tsuki – This series doesn’t connect to the universe of the other two. It’s just a 3 volume series that ran in Ribon between Gokinjo Monogatari and Paradise Kiss from 1998-1999. It’s a supernatural romance that straddles the line between dream and reality. Only read the wikipedia entry if you want to be spoiled about this series, but even so it sounds to be an intriguing read even before meeting Yazawa’s characters. It got a live action movie made out of it, which was licensed here by Geneon. It seems to be out of print unfortunately.  A search for used DVDs in the usual places should bring it up.

I really hope publishers give these titles some serious consideration (I’m looking at you Viz!) Ai Yazawa has a real gift for creating engaging characters and interesting situations. It would be so cool to see her shared universe all in English, so an omnibus of Paradise Kiss would be in order, so they all look so nice lined up on a bookshelf. With Nana doing so well, and Paradise Kiss getting so much love recently, it’s hard to believe that more of Ai Yazawa’s work hasn’t been licensed yet. That really needs to be fixed.

This Week in Manga: 8/14-8/20/10

Hetalia: Axis Powers Does Digital

Tokyopop, who has tried to be a leader in digital manga, takes a step to try to reclaim that title. Hetalia: Axis Powers is a title that been highly anticipated by fans, but the print copy won’t be out until Sept 21. But if you don’t mind reading manga on a computer screen, you can get it now through the Zinio service. Tokyopop has made this title available early through the download service and for about half the price, $5.99. But that not all! Hetalia will also be available through the Overdrive, the digital checkout service for libraries. If you’re library uses Overdrive, but doesn’t have Hetalia, tell Tokyopop. They get a digital copy to them for free! I was going to pass on this title initially, but if I can check out a digital copy from my library, yeah, that would be worth it. It would be nice if publishers made more titles available digitally through Overdrive. With libraries budgets getting slashed by cities, online will be about the only way 9-5 workers can get library books. I know I can’t get to my local library now with their hours slashed to closing at 5PM most days.

Where Do They All Keep Disappearing To?

With digital rights being a big deal, not just with books and publishers now, but with music and movies for over 10 years now, you would think a publisher like PC World would know a copyright infringing site when it saw it. Apparently, even the tech industry has no respect for manga. I guess that makes them no different from most other manga fans. On their website they ran a review of an android app, Manga Browser. Now, normally I wouldn’t expect a tech journalist to know everything about the manga world, but this guy sounds like a manga fan. He’s familiar with what manga is, where to find it online, and what some of the most popular titles are. And what’s his biggest complaint of the software? It relies on scanlation sites. And he’s not upset that it’s scanlation sites it’s linking to, he upset because sites go down and are “unreliable”. Yeah, good sense of reporting there, guy. No mention that the titles he’s mentioning and reading are illegally posted, just that it’s a lot more work to get to them. And if he’s been reading on OneManga (which he bemoans the loss of at the beginning of the review), he surely knows why OneManga went down. But like so many other fans, he just doesn’t care, and gives the scan sites just that much more legitimacy to the rest of the world who doesn’t know better.

Bad Manga Fans!

Black Butler is a popular manga and anime series in both the US and Japan. And for good reason; it’s a fun title. But when mangaka Yana Toboso calls foul on fans that send her letters saying how much they enjoyed reading and/or watching her series for free on streaming/scan sites, what is the reaction from fans in the US on the ANN Forums? To completely diss the mangaka and call her things like “Overly dramatic”, a “complete idiot” and my personal favorite “…insane catlady.” Yeah, good job US manga fandom. You have succeeded in making me ashamed to even be associated with you. Really? You are going to diss on a creator who makes something you like just because she wants to defend her work? How absolutely self-centered and entitled can you be? Honestly? She has to be crazy to want to make money from her hard work? And you call yourself fans? The thread for this story went 28 pages before being locked. But one commenter went through the trouble to translate the original blog post, which you can see here. There’s nothing there that makes me think she’s an idiot or insane. Just very upset. And I certainly don’t blame her.

Called It!

Spotted on Twitter first. Entries for Nura: Rise of the Yokai Clan have been spotted on both Simon and Schuster’s website as well as Amazon.com. Tentative release date is set for February 2011 from Viz Media. I’ve been saying since they announced the streaming of the anime at SDCC, that there had to be an announcement of the licensing of the manga. There is no way Viz would release an anime and not have the rights to the manga as well. These entries pretty much prove I was right. But with a release of the first volume in February kills my hopes that it would be added to Shonen Jump. It’s a WSJ title with an anime showing in the US. It just screams SJ material. I was really hoping it would give me another reason to keep subscribing to SJ. Oh well.

NYT Best Seller List

Both of Tokyopop’s gains from last week are gone this week. Twilight is still hanging on the Hardback list. It moves up 2 to #6. With the Scott Pilgram craze slowing down, Twilight seems to be move slowly back up. Guess who rules the manga roost. No, it’s not Naruto. Last week’s #2, Rosario + Vampire: Season II vol 2, moves into the #1 spot vacated by Warriors: Ravenpaw’s Path vol 3. Black Bird vol 5 stays right behind its fellow blood sucker to #2. Naruto vol 48 moves up 4 to #3 and Bakuman vol 1 moves to #4, also just vacated by Return to Labyrinth vol 4Negima! Magister Negi Magi vol 27 holds on to #5 while Fullmetal Alchemist vol 23 moves back up 3 to #6. D. Gray-Man vol 18 moves up 1 to #7 and Skip Beat vol 21 moves up 2 to #8. Returning to the list are two titles never far away, Vampire Knight vol 10 comes in at #9 and Black Butler vol 2 at #10. Once again Viz Completely dominates the list taking 8/10 spots. Tokyopop is removed completely and Yen Press and Del Rey just hold on with their biggest sellers.

NYT List: Second Opinion

What’s Matt Blind’s list got to say about all that? Not too much. The top two are the same and one the list only three titles are different. His list still favors Maximum Ride over Black Butler from Yen, and Tsubasa: Reservoir Chronicle seems to do better in his numbers than the NYT’s.

1. Rosario+Vampire Season II 2
2. Black Bird 5
3. Negima! 27
4. Naruto 48
5. Fullmetal Alchemist 23
6. Maximum Ride 3
7. Maximum Ride 1
8. Vampire Knight 10
9. Tsubasa: Reservoir Chronicle 27
10. Skip Beat! 21

And if you’re interested in how Yen Press is doing over all, check out Matt’s breakout of that publisher by manga, manhwa and OEL.

This Week At Manga Village

What I’m Reading

  • One Piece vol 45

How Do You Say Good-bye?

[Warning: Contains spoilers for One Piece volume 44]

It’s hard to lose a character you love in a series. It’s even harder when you don’t realize how much you’ll miss that character until you see them go. Creators kill off characters all the time, sometimes it’s because they don’t know what to do with them anymore, sometimes it’s just for the shock it creates in readers, and sometimes, though rarely,  it’s even to move the story along.

In volume 44 of One Piece, a very important character is lost. A companion and shipmate that has been with the crew since the 3rd volume; the Merry Go. That’s right, the Straw Pirate’s ship is lost forever. You normally wouldn’t think of a ship as a character. There didn’t seem to be anything special about the Merry Go. It was a small ship compared to many of the other pirate and marine ships. Its figurehead looks like a smiling ram. There’s nothing magical about it except that it kept surviving all the punishment the Luffy and his crew put it through. It was just a ship, right? Not in the hands of Eiichiro Oda.

At the start of the “Water Seven Arc”, the Straw Hats take the Merry Go to the Shipwrights of Water Seven to have her repaired. There they find out the Merry Go is no longer seaworthy, and it is thought lost in the Aqua Laguna. But before the crew can do anything about her, they are distracted by having to save Robin from CP9. It’s an epic battle that levels Enies Lobby, and by the end, Luffy is unable to move after his battle with Lucci, the leader of CP9, and the rest of the crew is surrounded by Marines with no way out.

And then the Straw Hats seem to hear a voice that calls out to them. A voice from the sea that beacons to them. It is their way out, with their last shipmate. It is the Merry Go. She has appeared, as if out of nowhere to help with the rescue. And with Nami navigating, their escape is complete. But all is not well, as the front of the Merry Go breaks away just as they meet up with a ship from Galley-La. It is here that we learn how the Merry Go was able to reach and help her shipmates on her final voyage.

All of this happens in only the last few chapters at the end of the volume. But what’s really amazing about the whole thing is the range of emotions that Oda-sensei is able to evoke throughout them. There’s the joy the whole crew feels when they are not just rescued from certain doom, but rescued by the Merry Go. Then there’s relief and comfort after they are safe from the navy and Luffy takes his “seat” on the Merry Go’s figurehead. Then it is shock and finally acceptance that it’s time to let her go. And then there are the final heart-breaking moments of the Merry Go before she is sent to her final rest.

Oda-sensei uses the visuals to great effect to really bring these emotions home. He interjects panels showing the Merry Go’s figurehead, essentially the face of the ship, in the scenes where it’s prominent or when someone is talking about the ship. It’s amazing how a single expression, a gentle smile, can be used to inspire hope, joy and sadness. It really hits you at the end, as the ship is burning, and the panels alternate between memories from the crew of their time with her and the ship in flames. If you don’t have at least a tear in your eye during these last pages, you ARE NOT HUMAN!

Another thing that really makes these scenes believable is how sparingly Oda-sensei uses the Merry Go talking. The ship doesn’t come alive, it’s more of a disembodied voice that speaks only when she needs to be heard. Before the crew realizes the Merry Go has come for them, they all hear a voice calling to them, telling them to look down, but it’s not shown. Only the crew’s reactions to the voice is shown. She was only shown speaking when she begged Iceberg to fix her, once during the rescue and at the end when she said her final farewell to the crew, her shipmates, her friends.

The final chapter of this volume is heart-breaking, but not in a melodramatic way. You don’t expect to have cared so much for the Merry Go. It was just the Straw Hat Pirate’s ship. It’s after you see her going that you realize how much she really meant to both them and the reader. As Usopp says, “We must all part someday,” but there’s nothing unnatural or forced about this parting. The Merry Go had a good life with shipmates who cared about her. And she was able to get her final wish, to sail the seas one last time with them. It was a fitting end to a well-lived life.

As sad as it is to see The Merry Go go, it is a satisfying closure to a character’s story. How do you say goodbye?  Just like this.

Gone But Not Forgotten

Even though CMX was taken from us so swiftly, they still live on through the many titles they released for the last four years. If you missed out on CMX when it was around, now is a good time to catch up with Rightstuf having a sale on their titles from now until Thursday. Some of the titles I would personally recommend are Canon, Kiichi and the Magic Books, King of Cards, Lizard Prince, Two Flowers for the Dragon,  and one-volume-wonders My Darling! Miss Bancho and Stolen Hearts.

But a sale like this is a good time to check out new titles and get a taste of some of the titles people have been talking about. For me, that would be these titles:

CMX titles ran the gambit of all different genres and age ratings. Just in that list there’s fantasy, sci-fi, romance, historical, and action all with age ratings ranging from Everyone to Mature. CMX had so much potential once it was put into the hands of people who knew what to do with it. Too bad DC and many fans didn’t realize it soon enough.

The sad thing about this sale is the low availability of titles. Since DC has discontinued the CMX line, there are no new stock coming in to replace the old, so order now, or else they’ll all be gone. Already you can see on the list that there are volumes missing within some series’ such as Emma Moon Child and Name of the Flower, and even some of those that do show up aren’t in stock and have to be hunted down. You can get 6-8 titles for around $50 and then get free shipping (US), and with some of these series’ that could be a couple of them complete! Don’t let these fun and entertaining books pass you by.

This Week in Manga: 8/7-8/13/10

Too Much Good Stuff!

Deb Aoki of Manga.About.com continues posting her coverage of panels from SDCC. This week she adds an entry for the Best and Worst Manga panel including comments from the panelists. There are more Best and Worst and a whole page dedicated to Most Anticipated. It’s interesting that Twilight made the Best list, but Maximum Ride got put in the Worst. Both make tons of money for Yen Press, so yah there. And the cat manga Chi’s Sweet Home and Cat Paradise both definitely deserve to be in the Best list. I don’t know what I would add to this list. I have hard time saying something is the Best or Worst. Except One Piece. That’s definitely a Best!

Also added to her coverage is a complete transcript of the Online Piracy Panel. It’s NINE PAGES. The front page to it give the topics covered in the discussion, but getting the full transcript is almost the same as being there! Definitely thank Deb for her hard work in getting this up for everyone to read. This is a very relevant topic right now as fans and publishers bash heads over the best way to get comics and manga online. It’s going to continue to be a bumpy road for a while.

Del Rey: Will They or Won’t They?

News of more cancellations of books has people once again questioning Del Rey’s commitment to publish manga. Brigid Alverson over at Robot 6 put the question to Associate Publisher Dallas Middaugh. Middaugh’s response sounds a lot like a non-denial denial. He defends Del Rey by say they are publishing the same number of pages a year, but at the same time pushes their OEL titles, which isn’t what most fans want to here. They are supposed to have a panel NYCC, so we’ll have to wait and see if they make any announcements then.

Pet Peeves #1: Publisher Web Sites

As a blogger, fan and parent, trying to get information on publisher websites can sometimes feel like pulling teeth, when there is anything to find in the first place. Apparently, I’m not the only one to feel this way. Brigid Alverson expresses her own displeasure over at Robot 6 in a wonderfully worded rant that hits all the problems I and from the comments others have with publishers. The big question is, will it do any good. We can hope, but I’m not holding my breath. I’d like to add one more problem I have, mainly with Marvel and relates to the search and links. When I finally do find the link for the comic I’m looking for, usually a new release on the front page, it should send me to a page with information and age rating on the issue and not A BLANK PAGE! For heavens sake, you’ve had months to get the page ready, or worse, if it’s a coding issue (which is probably more likely considering how convoluted that page is already), then you’ve got some major problems.  FIX THEM! I want to read your comics, but if you can’t get me the information I need easily, then I don’t need to read your stuff!

Pet Peeves #2: Scanlations Sites ≠ Libraries

With the demise of OneManga, people are still whining about it being gone and trying to justify that reading manga there is the same as checking out a manga from the library. Librarian Robin Brenner has something to say about that. Four somethings actually, as she explains why libraries are not just relevent, but also why they are legal for reading manga for free, and Scanlations sites are not. Most of the commentors to the post are in answer to Deb’s request for a list of 10 manga every library should carry, but one (#21) argues:

The manga world is changing. We can keep up with it or fall behind trying to desperately keep the copyright alive.

While there is an argument for digital manga, it shouldn’t, and doesn’t have to be at the cost of copyright.

NYT Best Seller List

Wow! What a change in the list this week! Two OEL’s make it to the list this week, including one to take the top spot! Ravenpaw’s Path vol 3, an original story in the popular Warriors series takes the #1 spot. Never underestimate the power of cats! Rosario Vampire Season II vol 2 debuts at #2. Never underestimate the power of cute vampire girls either. Black Bird vol 5 debuts as well at #3 and the OEL series Return to Labyrinth vol 4 debuts at #4 and finishes the series as well. At #5 is Negima! Magister Negi Magi vol 27, hanging one through its second week, and Bakuman vol 1 charts at #6 on its first week. Naruto vol 48 finally makes its appearance at #7 while D.Gray-Man vol 18 debuts at #8. Fullmetal Alchemist vol 23 sadly falls back to #9 and the rare shojo title sans vampires makes its appearance with Skip Beat vol 23 coming in at #10. This is quite a turmultuous week with 7 debut titles. Tokyopop takes 2 of the top 5 spots with its debuts with Viz sandwiching 2 more debuts in between. Del Rey keeps a space on the spot, but Yen Press has been ousted completely. It’s nice to see some OEL chart though, especially an adaptation. I would like to see more adaptations, but for the older crowd. Cozy mysteries anyone?

NYT List: Second Opinion

Matt Blind’s chart for the top 10 sellers from Rocket Bomber looks very different from the NYT, but not so much so from last week:

1. Negima! 27
2. Naruto 48
3. Fullmetal Alchemist 23
4. Vampire Knight 10
5. Tsubasa: Reservoir Chronicle 27
6. Black Bird 5
7. Ouran High School Host Club 14
8. Maximum Ride 1
9. Rosario+Vampire Season II 2
10. Shugo Chara! 9

Only four titles changed hands on Matt’s list from last week; Tsubasa: Reservoir Chronicle, Black Bird, Rosario+Vampire Season II and Shugo Chara! replaced Hellsing, Bleach, and second volumes of Maximum Ride and Naruto. But compared to the NYT list, only two of the debuting titles match up; Black Bird and Rosario+Vampire Season II. Check out his full post for all the specifics.

Broader Best Sellers

Matt is now taking requests for analysis on titles as he compiles his weekly lists. Follow him on Twitter at ProfessorBlind to make your request. This week he got a request for Viz’s Signature line, which he provided, and went ahead and did a few other popular genre: manhwa and global manga. Check them out to see what are the best sellers in these categories.

Manga For Your Ears

Sci-Guys Podcast

Sesho’s Anime and Manga Reviews

This Week At Manga Village

What I’ve Been Reading

  • Tena on S-String vol 3
  • Mixed Vegetables vol 7
  • Black Jack vol 8
  • Gentleman’s Alliance Cross vol 11
  • Alice the 101st

Shonen Jump September 2010

It’s a new month, so that means a new Shonen Jump. Too bad there’s nothing new inside the pages of this mag. There was nothing new announced at SDCC, which was disappointing to say the least. I was so sure Nura: Rise of the Yokai Clan would have been announced as a new title. Oh well, maybe at NYCC. It was hinted that changes may be coming at the end of the year. I sure hope so. The page count is slightly up this month with a Spotlight chapter on Shaman King, a graduate from these very pages.

The issue starts off with a better organization of their promotion of all the anime titles playing of the SJ properties. It’s now divided up by Streaming, TV Broadcast and DVDs. The Naruto TCG and video game info-ads are at the beginning as well, so you don’t just skip them after reading the manga. No, if you’re like me, you skip them to get to the manga.

This issue starts out with Naruto, and continues the battle between Sasuke and Danzo. It’s a lot of sharingan one-upmanship,right up to the very end. Sasuke takes his jutsu to the next level of Susano’o during the battle, and shows his dark side at the end. Honestly, there wasn’t anything interesting in this battle as Sasuke and Danzo keep trying to outdo each other. This is the very thing I hate about battle tournament manga. It’s also what keeps Naruto on it’s downward spiral.

Bleach then steps up with even more prolonged battles. Renji and Uryu are still fighting Szayelaporro. Only now they have to fight duplicates of themselves. Yeah. That’s original. Ichigo continues his fight Nnoitora, which is basically him being a punching bag again. This is so Nel can return to her old espada self. While I’m interested in finding about Nel’s past, I can’t say I have hope it will help the series as a whole.

The shining light in this mostly dark magazine is One Piece, and it really shines this time! Luffy and the escapees from Impel Down interrupt the battle momentarily as they every one regroups and takes on new opponents. The exchange between Luffy and Whitebeard is especially fun, with Luffy being himself as he stands next to the most powerful pirate in the world and telling him not ot get in HIS way. It’s just great! There is just too much going on to even explain. You have to read it to believe it! It all ends with Luffy facing off against Hawkeye, a Warlord of the Sea.

Ultimo surprisingly didn’t disappoint me this time. Ultimo awakens in time to save Yamato, which turns into a battle between him and Jealousy. Murayama appears to hold them off so that Yamato and Ultimo can go back in time, to the 12th Century to find out what really happened back in that time. Finding out about everyone’s backstory has me more interested in the title now. I don’t really care about their current reincarnations, but the glimpses to the past have been the most interesting parts of this title so far, so I’m hoping a marked improvement with this jump back in time.

The spotlight title this month is Shaman King. The chapter comes from volume 30, which is nearing the end of the title. It only went 32 total, so hopefully the fight gets resovled before the title does. Though, with talk of a second round starting, that’s probably not going to happen. This is a typical hot spring chapter, with everyone wandering about in just towels (no girls in this chapter, btw), including Hao, who pops in to enjoy the spring as well. Yoh, in his typical, laidback fashion, isn’t bothered by his rival’s appearance. It’s a nice filler chapter, and makes me want to catch up on Shaman King.

The issue ends with it’s usual Yu-Gi-Oh! free card and strategy article, video game article and brain teaser. For next issue, the spotlight will be on new series Genkaku Picasso, a title some in the mangasphere has been looking forward to. It’s drawn by the same mangaka as the ill-fated 51 Ways to Save Her that people were also looking forward to from CMX. That’s at least something to look forward to, other than just One Piece.

Yen Plus: 2 Years Later

It was starting to become a tradition for me. Going to San Diego Comic Con and by Saturday afternoon, stopping by the Yen Press booth and picking up the anniversary issue of Yen Plus. I didn’t go to SDCC this year, and by the same token, Yen Plus wasn’t given out this year. It had gone digital, with a free preview available until September 9th, so I am still able to do my annual One Year Later post.

So, what’s changed in the move from print to digital? First off, the August/Preview issue has no Japanese-licensed titles in it. It’s all Korean/OEL manga. Compared to the last two years, this isn’t necessarily a bad thing. I didn’t care for the Japanese offerings in the premiere issue, but there was definite improvement by the 1st anniversary (namely Black Butler and Hero Tales). But the Korean/OEL side still held sway over me, so having this issue be mostly that didn’t bother me.

One of the things about going digital that might not be as Yen Press planned is how much easier it is for me to skip over the titles I don’t want to read. In print form, I would generally start at the beginning and read through all the chapters, whether I really liked them or not. I’m going through every page, whether I’m actually reading them or not. I’ll skim the things I’m not all that interested in, but that usually ended up with me reading the whole chapters anyway. This meant I gave titles I wasn’t too interested in more of a chance, because I’d at least read them. With the digital version, I had no problem just skipping past Maximum Ride, a title I have read chapters from and didn’t really care for, and Gossip Girl, one I haven’t even tried to give a chance.

Actually, my reading of the this issue had me skipping all around, something I don’t think I’m going to do again. The way the digital magazine is set up is identical to the print version, with articles and ads interspersed between chapters, and as I prefer to read print, this made the flow of the digital version much easier to get into. It felt like the print magazine on the screen which is an experience I prefer. So, let’s take a look at the chapters I did read.

This title continues to be a strong anchor for the magazine. Even though I haven’t read vol 3 yet, reading this chapter made me want to go out and get it. The sohrem and their hosts, Alex and Ronee had been captured and nearly had the power sucked from them by Night Lords, but they are rescued by Marina also a sohrem host, and some of the Hunters. The person responsible their capture is also responsible for breaking their seal. He is caught when things don’t go according to plan and turns out to have an interesting connection to Mr. Roi, who had sealed the sohrem away in the first place. Very good chapter that kept the action and story going.

This is a new title based on another series by James Patterson. It’s got a sci-fi feel to it. As this was the debut of the series, we get to chapters to introduce Daniel and his special powers. He can change his shape as well as create people and things out of thin air. And not just holograms, real, flesh and blood people with independent thought and memories. The story has Daniel going after Most Wanted #6, Ergent Seth, who is currently in Malibu, CA, working in the film industry. Daniel enrolls in a local high school as a cover and is distracted by a girl, Phoebe. Meanwhile Ergent Seth strikes, and there’s a cat in his house. The story has me intrigued, so I’ll keep reading it. The characters are interesting too, and the art is really nice. I’m taking to this one much better than Maximum Ride.

This story is a one shot by Madeliene Rosca, the creator of Hollow Fields, a OEL series published by Seven Seas. It’s about a young girl, Catherine, who is learning to be a Ghost Hunter, like her father. One night when he goes out to work, the police come looking for her father, but Catherine decides to take on the haunting herself. With her book, lantern and bell, she pieces together what’s really going on. It’s a cute story with a funny ending. I don’t know that I’d want to see more of these characters, but more from Rosca would most certainly be welcome!

This is a color 4-koma, or comic strip, series. It’s about a rich, spoiled young man who decides to become a pirate. His only crew is Robin, a guard from Aron’s estate that will do anything for money. He is a good fighter, and quickly increases the crew after a show of force when another pirate ship tries to take them over. It’s cute and funny, in the way that clueless leads who beleaguer their smarter subordinates can. It’s good for a quick read, but it’s not anything I would want to keep for the long run.

I’ve read the first three volumes of this title and it’s still just as awesome. This is the best of the manhwa titles. Baek-On Ju is a traveling exorcist who is accompanied by Ho-Yeon Won, his bodyguard. The tales in this title are mostly episodic, with Baek-On being presented with a problem, and him solving it without making a bit of trouble for Ho-Yeon along the way. The overarching stories in this title have to do with the main characters past. This chapter relates to a past wrong Baek-On committed and can’t forgive himself for. It’s an emotional chapter as are most of the chapters dealing with him. It’s an excellent read, and a series that is easy to jump into at any time.

Not a great title, but one of the originals from the magazine’s beginning. Jack Frost is a horror title that likes lots of gore and panty shots, but not so much on plot. This chapter has the North side recouping from an attack from the South Side and Helmina and Jack scheming for more fighting. And a new character Avid decides to going to battle to take on Jack Frost for title of most powerful in Amityville. I’m not sure why I keep reading Jack Frost, for all the lackluster writing and characters and fanservice, but I think I’m being hopelessly optimistic for a real story to come out. Well, since it comes with the magazine, I guess I’ll keep following it. Just on the off-chance it surprises me.

The reading experience wasn’t as bad as I thought it might be. I’ve tried Yen Plus out on three different monitors. My 19″ LCD at home, 17″ CRT at work and my 4.3″ HTC HD2 phone. All the regular manga chapters looked good on all three screens. Yes, surprisingly, even the HD2 was readable. The popout window made everything crystal clear, and zooming on the HD2 worked well. The only problem I had was with Aron’s Absurd Armada. The only way to be able to clearly read this title was by going Full Size in the popout window, and even then I was scrolling up and down and back and forth on the screen, especially on the 17″ monitor at work. It’s enough to give one carpel tunnel! So Yen, even if it’s on a desktop computer, Zoom is a necessary option, especially with a 4-koma where the windows are smaller and the text gets lost in the background. The reading experience needs to be at least as good as the print, in that it shouldn’t feel like work for me to read the pages. If I have to get closer because of my eyesight, that’s one thing, but if it’s blurry even then, then the problem is on your end.

Other issues I had were also minor, such as a page “sticking” in Daniel X. The previous page appeared twice, but after going out and going back it fixed itself. And some screentone just doesn’t work online. If you want to go blind, just view the Jack Frost chapter. The plaid screentone used through most of it is painful.

I like the navigation bar on the side for chapters and the pulldown menu at the top that also lists the articles. The side bar is only available in main browser window. If you go to the popout window, you will have to use the pulldown menu. There is a minor page turn animation as you flip through the magazine which you can do with a click on the page. It will take you back and forth through the magazine, though jumping chapters was easiest with the side bar. There are arrows at the top that will also control page turns, but the most ideal would be arrow keys on the keyboard.

And as for archiving, I don’t think that’s necessary. The digital magazine is for marketing. To make an archive available would be the same as saying “Don’t buy the books, just read your manga here for super cheap”, and I don’t think that is Yen Press’ intention. Now, I could see them selling digital copies of the books when they come out at a discount for Yen Plus subscribers. Maybe as a bonus for being a subscriber. But I don’t see a reason for Yen archiving the issues themselves. I did once, but with years of Shonen Jump and the thought of digging them out to read One Piece doesn’t make it worth it. I would rather buy the collected books than try to read a series through the mags.

Overall, this first version of a digital Yen Plus isn’t bad. Neither is the price. At $2.99 a month, I don’t mind paying to read even just the three titles I enjoyed the most.  It’s still a good deal as far as I’m concerned.  And with more on the way, Yotsuba!& has been hinted at, there is a lot of potential here. I think I’m going to stick it out this time and see how it progresses.

This Week in Manga: 7/31-8/6/10

And the Con Goes On

It’s been two weeks since Comic-Con, but reports are still coming out with video and transcripts from the manga panels that were held that. While that might be bad (and stressful) for the writing and transcribing them, it a bonus for those us of who couldn’t go! Deb Aoki posts about the manga events on Friday and takes a closer look at the Yen Press announced titles. Comics Journal has video of the Manga for Grown-Up panel and Carlo Santos from Anime News Network talked with guest Moto Hagio. And yes, there will be more links coming. But if you couldn’t make it to the con, they will be worth it.

Stuck in SDCC’s Shadow

One week after SDCC was Otakon over on the East Coast, in Baltimore, MD.  There wasn’t a huge manga presence there in either publishers or journalists. Ed Sizemore of the Manga Worth Reading blog not only held his own panel on Anime Journalism, but he also did writes up on Manhwa at the con for Manhwa Bookshelf, and days Friday, Saturday and Sunday. Audio from his panel can be found here, a transcript from Anime Diet here, and a report from Animemiz on it. Otakon also had a spin-off con: Baltiport. Comprised of Otakon attendees who were stuck in the Baltimore Airport, the 5 hour impromptu gathering also resulted in a license announcement. Bandai Entertainment will be releasing the Code Geass spin-off manga A Record of the Strange Tales of the Bakumatsu Era: Code Geass. You just never know when or where a new con will pop up.

Digital Manga Roundup

Yen Press’ move of their magazine Yen Plus to the digital world has really had people talking. Deb Aoki had a Q&A session JuYoun Lee, the Senior Editor about the changes in the magazine and some readers concerns. Brigid Alverson of Robot 6 then took on Kurt Hassler, the Editorial Director and pressed for more, specifically about whether any of the Japanese titles such as Black Butler would be returning…. OneManga did indeed do what they said they would, and pulled all manga from the site by Monday morning. Manga Fox is still going strong as of this writing… BL Manga Kindle readers can rejoice as Animate USA puts up another round of digital manga from Broccoli and CPM’s former catalog. I’ll have my own review of the new Yen Plus this week, but let me just preface it by saying thank you Yen Press for making your site readable on mobile devices. I will be more likely to keep up with your releases than the others you use flash.

NYT Best Seller List

So, what does the New York Times list have in store for us this week? Starting with the hardbacks, the sparkly-vampires are getting their butts beat by guys with sparkly rings as Twilight vol 1 remains at #9, well behind several Green Lantern books. Over on the manga list, there’s been quite a shake up! Del Rey finally decided to release some books and 3 of the 5 top spots are filled by them. Negima! Magister Negi Magi vol 27 debuts at #1. Right behind it is the CLAMP title Tsubasa: Resevoir Chronicle vol 27 debuting at #2. Naruto vol 48 at least keeps a top 5 spot by coming in at #3, followed by Fullmetal Alchemist vol 23 at #4. Shugo Chara! vol 9 takes up the #5 spot with Ouran High School Host Club vol 14 falling another three to #6. Vampire Knight vol 10 takes #7, staying ahead of Megatokyo vol 6 which is now at #8. Debuting at #9 is vol 2 of the Spice and Wolf manga, and the apocalypse is averted as Black Butler vol 2 returns at #10.

NYT Best Seller: Second Opinion

The manga rankings have gone up over at Rocket Bomber. Let’s see how the top ten stack up:

1. Naruto 48
2. Fullmetal Alchemist 23
3. Ouran High School Host Club 14
4. Vampire Knight 10
5. Maximum Ride 1
6. Hellsing 10
7. Negima! 27
8. Naruto 47
9. Maximum Ride 2
10. Bleach 31

Only 5 of the 1o titles between the two lists are consistent. Four of the Viz titles and 1 Del Rey. Once again, the NYT list features more of the newly released Del Rey titles than RB. If you remove the Del Rey titles then the NYT would match RB’s top four. RB does have Negima charting, but it’s the only Del Rey title to make it to the list.  Maximum Ride and Hellsing continue to hold on in RB’s list, but not Black Butler or Spice and Wolf. They don’t show up until 22 and 48 respectively. If the RB list only gets its data from the three biggest sellers online and retail (Amazon, Barnes & Noble, and Borders), where is the NYT data coming from to skew their list so far toward new releases?

Manga For Your Ears

Sesho’s Anime and Manga Reviews

Spiraken Manga Review

This Week at Manga Village

What I’ve Been Reading

  • Paradise Kiss vol 2
  • One Piece vol 43-44
  • Natsume’s Book of Friends vol 2
  • Himeyuka and Rozione’s Story
  • My Cat Loki vol 2
  • Yen Plus vol 3 issue 1
  • Shonen Jump  September 2010

20th Century Boys Volume 9

The year is 2014, and Neo Tokyo is completely under the control of the Friend. Kanna has decided to stand up and avenge Kenji-will she be able to muster up enough support for her cause? Kanna makes her way to a mafia-operated casino and quickly finds herself at a high stakes table. Is she lucky (and smart) enough to turn the odds in her favor at the bizarre and fast-paced game of Rabit Nabaokov?

While Kanna marshals her forces, Koizumi Kyoko experiences true horror at the reeducation camp known as Friend Land. Going back in time in their “Virtual World”, she meets Kenji and his pals as boys in 1971 and sees something that is strictly taboo: the Friend’s childhood face! Will she live to report back on the Friend’s identity?

By Naoki Urasawa
Publisher: Viz Media – Signature
Age Rating: Teen+
Genre: Thriller
Price: $12.99
Rating: ★★★★☆
Buy This Book

The more Urasawa reveals in 20th Century Boys, the less we know about what’s really going on. What seemed obvious a couple of volumes ago now gets turned on its head, making you doubt everything you’ve seen up to now.

In this volume, Kanna, who Kenji and Shogun believed to be “the last hope”, decides it’s time for her to take matters into her own hands and steps out into the spotlight. Back at the beginning of the series, it was set up that Kanna had an uncanny ability, possibly a psychic power to guess what people were thinking. We finally get to see this come into play as she goes to a mafia-run casino to try to enlist more people to the cause. Showing some amazing leadership skills, she is able to bring together warring factions of Chinese, Thai, and Japanese gangs and get them to agree to work together for her cause. When she’s speaking to the gang members, she seems to be more charismatic than usual. This other side to Kanna makes her a more interesting character than just the rebellious, hot-headed teen looking for revenge for her uncle that she appeared to be in previous volumes.

But, in usual Urasawa fashion, he shakes things up and they many not be what they seemed at the beginning. A New Book of Prophecy is introduced in this volume. One of the prophecies from it tells of a public meeting in a church in 2014 where the “savior” will be killed. Every sign points to Kanna and her gathering of the gangs. But, by the end, you’re left feeling not so sure about Kanna and her role. Everything we’ve been led to believe up to now may be completely wrong. It’s an eerie feeling have the rug seemingly pulled out from under you after 9 volumes.

This is one of the things that makes Urasawa’s titles so compelling. The ease with which he turns the whole story on its head and leaves you wondering “What now?”, just increases that need for the next volume to find out what’s gonna happen next. It’s his ability to keep the mystery going even when he’s giving up more information, such as with the Friend’s identity. More information was given about who or what he might be, but there are many reasons to doubt the source of the information. But then again, there are just as many reasons not to. Koizumi did see the Friend’s face, but also suffered brain damage when she was pulled from the virtual world. Can we believe what Koizumi saw? I’m inclined to think so, but there’s just enough uncertainty that I can’t say for sure. This uncertainty is what makes the story so infuriating, but at the same time, addicting.

Overall, this volume of 20th Century Boys was a great read. Seeing Kanna in action at the casino made for some very compelling scenes, and there was a lot of anticipation built over Kanna’s biggest gamble, whether anyone would show up the next day. This is the kind of drama I enjoy. The end of the volume created some real shock and awe as characters and readers alike are informed of the return of a surprise character that up until now has only been seen in memories or flashbacks. Oh, and Shogun is still cool. I’m really looking forward to the next volume now.

Straight Up Great Titles

I was sorely tempted by the last Rightstuf sale of Viz titles, but RL is kicking my checkbook with back-to-school stuff for the kids. Their newest sale is on Vertical titles, and even though I can’t really dive into this sale either, that doesn’t mean I can’t try to convince the rest of you to spend YOUR hard-earned money!

Veritcal has really been doing a good job of building a quality and diverse selection of titles. Sci-fi, action, horror, drama and even cuteness can be found in their growing selection. Here are just a few of my favorites that I would gladly recommend.

Andromeda Stories – I really enjoyed this sci-fi story, that one the surface appears to be a story of man vs. machine, but by the end becomes something different. The first volume can seem a little slow and without direction, but once you get into volume 2, the ride really starts bringing you to a satisfactory end in volume 3.

Black Jack – You hear people say how great this series is (including me) but you really don’t get it until you read it. There’s just something about the rogue doctor that’s really appealing. Whether it’s the comeuppance that he likes to deal the legitimate medical community, the rights he wrongs or the hard-as-steel surgeon with a heart of gold, Black Jack is a great character and the stories Tezuka puts him in makes any volume of this series a great read.

Dororo – Staying with the Tezuka theme, Dororo is an action series that is criminally short at 3 volumes. It easily could have gone 10.  Hyakkimaru’s and Dororo’s adventures in feudal Japan are filled with action as Hyakkimaru battles demons to regain his stolen body parts and some of the usual Tezuka examination of the human condition.

Chi’s Sweet Home – One of Vertical’s newest titles, Chi is one of the funnest titles you will read, all the more if you’re a cat lover. Flipped and in color, watch as Chi first wins the hearts of the Yohei and the Yamada family and then as she wins yours! The stories are short, but can be laugh out loud funny. Kanata’s art is cute without being cutesy. One of the best new titles of the year.

Cute Dogs/Cute Pups – These are part of Vertical’s craft line. Both books feature cute dogs and puppies, and even accessories for them that you can make on your own. The designs are fairly simple and everything is hand-sewn. Kids 10 and up can enjoy making these as well as the crafty dog lover.

Guin Saga/The Seven Magi – If you miss fantasy stories with big burly men with leopard heads than the Guin Saga is for you! The original novels tell a sweeping story of Guin and the two twins he is protecting from the evil Mongauli empire. The manga, a side story set sometime after the first five novels has some great art, and a fast-moving story that can feel a little daunting without knowing much about the world, but still enjoyable none the less.

Twin Spica – This coming of age space story has some strong characters and great drama. It looks at the realities of becoming an astronaut with Asumi, and upbeat and earnest girl who has dreamt of going to the stars ever since she was little. The first volume really draws you in and a great story and some flashback short stories that have tragic elements without become melodramatic. I can’t NOT recommend this title highly.

These are just a few of the titles from Vertical that I’ve read and have enjoyed. What are some of your favorites, or are you looking forward to buying?

Cross My Heart

I had intended to talk about this in my Comic-con post, but as I don’t read many comics, it slipped my mind as I was ranting on other things. This was one of the few good announcements I heard come from Comic-con. Marvel is going to be bringing back the CrossGen Universe.

What’s the big deal you ask? Well, CrossGen was a big deal for me. It’s what led me back to comics and subsequently into manga. Back in 2001 (I think), my husband and I wanted to get back into collecting comics. My husband had read several superhero titles in the past, so it was easy for him to find titles he wanted to get back into. My comic reading had been mostly Elfquest, X-men, Blue Devil, Amethyst and various tv/movie tie-ins such as Dark Shadows. But in 2001, these titles either weren’t available, or didn’t really interest me.  So every trip to the comic shop was a wistful look at what was available, and my eventual walking out with nothing. Until, that is, my husband put an issue of Mystic, one of the first titles from CrossGen in front of me. I’d always been interested in fantasy, so I gave it a try. I figured it couldn’t hurt. And I loved it. Finally, I had found something in the comic store that I wanted to read!

From Mystic I moved on to The First, Crux, and Sojourn. My husband was familiar with writer Mark Waid, so we started picking up Ruse as well. Back in the day, the first issues of Ruse were hard to find and expensive! I think we eventually found those issues. Harder to find proved to be the first issue of Sojourn. I never did get that one. I liked the shared universe concept they used for the series, and it was fun sometimes trying to find the sigil or figure out how the series fit into the universe. I stuck with CrossGen until the very end and was disappointed when it finally folded. I wasn’t involved in the internet comic community at the time, so I was surprised by all the news that came out about what was happening behind the scenes. It was a real shame to see what I thought was a well crafted universe go down in flames like that.

Fortunately for me though, at about that time, manga was starting on the rise, and I started looking at it more seriously. I mean, I had nothing else to read now. Most of my titles were gone. I was still finding comics to read, but most were either mini-series’ or got cancelled soon after I got interested in them. So, manga became more and more my staple in the comics world, and has led to where I am today.

CrossGen showed that there was an audience out there for genre stories out there. I liked so many of their titles because they delved into genres I enjoy; fantasy, pseudoscience, and mythology. No other comic company has been able to do that since. Manga has been the only reliable genre comics that continue to appeal to me series after series.

Now, news has come out that Marvel, owned by Disney, who had purchased the rights to the CrossGen universe is resurrecting parts of the universe. My first worry was that they would try to force them into the Marvel Universe, which is already convoluted enough as it is. But in its latest Cup ‘O Joe post, CBR spoke with Marvel’s Vice President Executive Editor Tom Brevoort and he spoke a little more about the CrossGen project. This is the part that I found the most encouraging and just might be able to draw me back into the comics market:

Pretty much all of the CrossGen properties are not the kinds of things that we typically do. That is to say, they didn’t publish anything that was a traditional super hero until the very, very end where they dabbled a little bit. Everything they did was “genre publishing” whether it was fantasy or science fiction or super-spy or western or barbarian or whatever. They did a wide range of material, not the kind of thing that Marvel has never done – but it’s not what we typically do. So this also gives us the potential to try some different genres and to scratch an itch that people in our editorial group and amongst our creators may have had.

Wow. Marvel is realizing that there are readers out there that are interested in more than superheroes! And more than that, they are actually going to try to do something about it!! I’m ready to give Marvel a lot of kudos for this move. A lot more than DC, who is culling titles and lines left and right. It’s taken a long time, and might just be a tiny step, but it’s a step I’m happy to see Marvel finally take. With Pet Avengers and now CrossGen returning, Marvel has a good shot at taking back some of my manga bucks.

This Week In Manga: 7/24-7/30/10

San Diego Comic Con Con’t

San Diego Comic Con wrap-up dominated the news this week. But this shouldn’t be too surprising considering the size and breath of the con. Friday night ended with the Eisners, where manga may have had great representation in nominations, but in the end, it was only Yoshihiro Tatsumi’s A Drifting Life that was able to take away anything, and saw Naoki Urasawa shut out once again.  A Drifting Life won for Best U.S. Edition of International Material – Asia as well as Best Reality-Based Work. While I’m happy for Tatsumi and Drawn And Quarterly for their win, I think Pluto deserved more recognition than it got, and the Eisners need to look beyond tradition comic publishers for good titles.

Saturday brought the Tokyopop and Viz Media: Shonen Jump panels, the only other two publishers to have panels at SDCC. Tokyopop’s panel was filled with lots of announcements, including a new title from Min-Woo Hyung, the creator of the Priest manhwa, called Ghostface. They will be making more of their titles available digitally, including through Zinio and Overdrive. They announced three new licenses, Sakura no Ichiban, Pavane for a Dead Girl and Mr. Clean: Fully Equipped as well as providing more information on other titles previously announced/discovered. It’s good to see Tokyopop getting back into the swing of things, and I have to say I’m interested in all the new Yuna Kagesaki material. I really enjoyed Chibi Vampire.

The Viz Media: Shonen Jump panel didn’t have any new licenses to announce, which quick frankly surprised me. I was sure there would be an announcement for Nura: Rise of the Yokai Clan. Maybe they’re saving it for NYCC. Most of the panel seemed to be about SJ branding and tie-in products which is disappointing to me. I want SJ to be more than just a marketing tool for things OTHER than manga. There are supposedly changes coming to the magazine, but none of them sound all that great. I don’t need more information on anime tie-ins. New, better manga would be nice. The panel also covered already announced titles, and announced a new omnibus edition of Death Note. Hiroyuki Takei, creator of Shaman King and Ultimo, made a surprise appearance. No Stan Lee at the panel. I’m disappointed in the SJ panel, but that isn’t really any surprise. I have been excited by an SJ panel since the first one. The mag just isn’t exciting to read anymore. It’s probably because I’m not their core audience.

Another license announcement to come out of the con, though they had no panel was from Drawn & Quarterly. They announced two titles from Shigeru Mizuki, the creator of GeGeGe no Kitaro. Onward Toward Our Noble Deaths is a semi-autobiographical story of the final days of World War II, and NonNonBa is about a young boy being introduced to the world of Japanese folklore by an old neighbor woman. Considering one of their license choices took an Eisner as well as getting a lot of acclaim, these are probably titles to watch out for.

The only other panel of interest in manga fans was the Comics and Digital Piracy on Sunday. The panel included prominent manga bloggers Deb Aoki and Jake Forbes. They discussed the problems of piracy and how it affects both comics and manga as well as digital manga in general. The Q & A brought up many of the same arguments we’ve been hearing from scanlators. The panel is interesting if you haven’t been following all the piracy posts lately, which considering the SDCC audience, probably don’t, so it’s good to see these things being talked about in another open forum.

After the con is over and everyone has recovered, that’s when the individual reports start going up. Deb Aoki of Manga.About has reports from Preview Night, Thursday, specifics of the Viz Kids panel and a roundup of manga at SDCC (so far). Also at the con looking at kid’s books was Eva Volin for the Good Comics For Kids blog. Anime Diet had a man on the floor that live blogged the Best/Worst Manga, Yen Press and Tokyopop panels. Daniella of All About Manga writes up about her first two days, and Heidi MacDonald of The Beat has her own coverage of the Piracy panel. Keep watching for more about people find time to write and upload their thoughts and reactions.

Sharp-Dressed Fan

While not strickly manga, but manga-related, is the Scott Pilgrim series. The Monday before SDCC, the final volume in the series was released, and at SDCC, there was heavy promotion for the movie. Now you can go to the movie, which will be released August13 with this contest being sponsored by Daniella of the All About Manga blog. Just tell her your favorite scene from the comic for a chance to win one of three t-shirts from the Mighty Fine t-shirt company. Run, don’t walk to the nearest computer and enter now! (Ad sponsored by Doctor Who SDCC 2010 con exclusive toy and Viz bag. Thank you Daniella! Again!)

Manga Movable Feast: Kissing Up to Paradise

Just as SDCC ended the Manga Movable Feast for July started up. Held this week at the Soliloqy in Blue blog run by Michelle Smith, this month’s title was Ai Yazawa’s Paradise Kiss. You’ll find the introduction to the series here, and an archive of all the links here. This seems to have been a slower Feast than some of the past ones, though it’s hard to tell if it’s because of the material (Paradise Kiss is out of print and not as easy to get a hold of) or because it’s coming on the heels of such a big event as SDCC. But there are still two days left, so keep watching for more entries and for the announcement of the next Feast.

NYT Best Seller List

The list for this week starts out as a truly dark day. Twilight: The Graphic Novel has been pushed not just from its top spot, but from the top 5 all the way down to #9 by mostly Green Lantern: Blackest Night tie-ins. What will Team Jacob and Team Edward do? Happier news awaits on the manga list as Fullmetal Alchemist, one of the best reads out there, debuts and takes the #1 spot with vol 23, pushing Naruto vol 48 back to #2. Ouran High School Host Club vol 14 subsequently falls back to #3 with pal Vampire Knight vol 10 at #4. Alice in the Country of Hearts vol 1 returns to the chart at #5 with the only survivor of CMX (which really doesn’t count as far as I’m concerned, since they were forced into the imprint and not really made for it) Megatokyo vol 6 at #6. The 8th volume of the VizBig edition of Vagabond debuts at #7 while Naruto vol 47 returns again to #8. The VizBig edition of Dragonball Z vol 8 debuts at #9 and Yu-Gi-Oh! R vol 5 ends the list at #10 and the series as well. This is an odd list indeed. The appearance of the VizBig editions are unusual in and of themselves, but to have two at the same time? That’s really weird! Some of the returning titles are odd too, though nothing is more odd that then complete disappearance of Black Butler, a staple to the list for so long. Can this be a sign of the apocalypse?

NTY Best Sellers: Second Opinion

Matt Blind over at Rocket Bomber has something different to say about this week’s top 10 list:

1. Naruto 48
2. Ouran High School Host Club 14
3. Fullmetal Alchemist 23
4. Vampire Knight 10
5. Hellsing 10
6. Maximum Ride 1
7. Naruto 47
8. Maximum Ride 2
9. Bleach 31
10. Alice in the Country of Hearts 1

Notable differences: Matt has no VizBigs on his list. Hellsing, Bleach and Maximum Ride continue to persist on his list while they are no where to be seen on the NYT list. There’s no Yu-Gi-Oh! R and Fullmetal Alchemist didn’t make it to #1 on Matt’s list. This week’s list is a little more consistent with titles, if not with places, with 6 in common. It really makes me wonder what is going on with the NYT numbers that Maximum Ride doesn’t show up, but a lot of Viz new releases do.

Manga For Your Ears

Sesho’s Anime and Manga Reviews

This Week at Manga Village

What I’ve Been Reading

  • Swallowing the Earth
  • Yokai Doctor vol 1
  • Jack Frost vol 3

Manga News, Reviews and Commentary