Though I was slow to get on the Kaori Yuki bandwagon back when Angel Sanctuary came out, her titles such as The Cain Saga and Godchild have since convinced me how great her work is. So hearing that another one of her titles had been licensed thrilled me. That it features musician thrilled me even more. Find out more after the break.
In this week’s news: September’s Movable Manga Feast, digital manga vs print, Twitter on AX, Del Rey’s future, manhwa, banned books week, New York Times best sellers, podcasts, and the Manga Village roundup.
I love Halloween. It’s become one of my favorite holidays, and not for the candy! As the days get shorter and the nights grow longer, bare trees cast eerie shadows, it’s time for ghosts, ghouls and things that go bump in the night to come out! So for the month of October, I will be following the theme of Halloween in articles and reviews, mostly about vampires, though I think some ghosts and yokai might sneak in, and there might even be some trick or treating! Even the theme will get in on the action! So I hope you’ll enjoy the fun and frights of this haunted month!
This week is Banned Books Week. On this blog I have spoken against any attempts at censorship of manga. I strongly believe in the freedom of making any book available to be read, and that it should be responsibility of the individual, and in the case of children, the parents, to decide if the book is appropriate. What that means basically is that if you don’t like a book in the library, then don’t read it. If you don’t want your child to read a book at the library, don’t let them check it out. What you DON’T get to do is decide that a book can not be made available for me or my child read because YOU have objections to its subject matter.
Over the past year, two manga titles were challenged in public school libraries, because some parent thought the material in it was “inappropriate” for children. What they really meant was that they didn’t like it and didn’t want their children reading it. Therefore,if their children couldn’t read it, then no other child could read it either. They made the challenges “for the children.” You know, that wonderful phrase politicians and other leaders like to pull out when there’s something they don’t like and want to get control of or get rid of, so they hid behind the shield of “the children” so no one can object without sounding like they are against children. The truth is THEY don’t want to be branded as censors, since censorship is considered bad as well.
The first challenge was to Akira Toriyama’s Dragon Ball. The parent of a 9-year-old claimed it “depicts nudity, sexual contact between children, and sexual innuendo among adults and children.” The fact that this is what the parent said proves they didn’t bother to actually read the volume and only looked at the most damning of pictures. What Dragon Ball really depicts is a boy living in the wild, and not worried about covering himself for some fish, an older girl acting like a sister and bathing said boy, boy, having never met a girl wondering what makes them different, and a perverted hermit getting more than either he or the girl thought. In an adult mindset, the last one could be construed badly, but this title wasn’t written for an adult, and it wasn’t meant in the context that some people will put it in. There are always going to be people who are offended by things, and if we let them rule the world, there would be no humor at all. I think Dragon Ball is perfectly appropriate for a tween boy or girl. Really, what am I supposed to be saving my child from if I keep them from reading it? What is in this book that isn’t already talked about, and laughed at, by kids in schools all over the country?
The other book challenged was Tsugumi Ohba and Takeshi Obata’s Death Note. The parent in this case stated “killing is just not something we should put out there for our kids to read in this way.” Yeah, because giving kids a title that makes them think about morality and the consequences of their decisions is a bad thing. While the actual merits of Death Note as a series may be up for debate (and possibly a good choice for a Movable Manga Feast), the kinds of dialog that the subject inspires isn’t. It asks some serious questions about who gets to decide who lives and who dies, and the morality that goes with such decisions. It can lead to debates over the death penalty, which continues to be a controversial topic. There is nothing wrong with asking teens to start thinking about these things, as in only a few years, they will be asked to start voting and sitting on juries where they may have to make such a decision.
While manga hasn’t been targeted much lately, looking at the list of books that have been challenged and many removed from libraries over the last year is depressing, and doesn’t speak well for our supposed tolerate society. while the list contains numerous challenges due to the standard sexual innuendo/content and language, it also contains books challenged due to Occult themes and homosexuality. so, someone explain to me why these two topic are so harmful to children? Not every was or is a christian, so why is it so offensive for children to know that there were and are other religions in the world? Are our children so impressionable that after reading “The Egypt Game” we should fear that they will start worshipping Osiris? How is And Tango Makes Three, a story about two male penguins who adopt an orphaned baby, which is based on true event, going to destroy family life in America? Honestly?? You really think kids need to be protected from penguins?
It’s not these kinds of books that are leading to the “ruin of the moral fiber of the youth of this country”, it’s the people that object to having rival ideas heard. Children are not delicate little tea cups that need to be protected from the horrors of the world. They are a lot stronger and a lot smarter than many people and parents want to give them credit for. Books that bring up sex, drugs, “alternate family units” aren’t going lead children down the path of ruin. Denying that these things exist or are problems that our kids can and sometimes do face in the lives will. So, the next time you think you need to challenge a book “to save the children”, do me and the world a favor, and DON’T!
While at summer camp, the young Si-Joon gets lost in the mountains. He a girl wearing a pig mask and follows her home. Bribed with food, Si-Joon agrees to marry her. Eight years later, the memory of that day has been more like a dream that quicly becomes a nightmare when the girl in the pig mask appears at Si-Joon’s door on his 16th birthday, ready to consumate their marriage.
I first discovered Pig Bride when I picked up the inagural issue of Yen Plus, and was immediately charmed by it. This manhwa is a romantic comedy with elements of the supernatural and reincarnation. The series starts by emphasing the comedy more than the romance, but cunningly sneaks in the romantic elements as the series goes on. While the overall tone of the series is light, there are some more serious elements, that keep the title in balance.
Pig Bride is populated with quite a cast of characters. They are varied in their personalities and well-developed. Si-Joon, the male lead, is just a normal teenage boy who suddenly has the strangeness of a pig-masked fiancee thrust upon him, and acts accordingly. Mu-Yeon, the female lead, plays the already-in-love fiancee perfectly, following Si-Joon around and calling him ‘Milord’. But she isn’t ditzy or annoying. She is smart and skilled as well as sweet. She gets along well with Ji-Ho, Si-Joon’s best friend. Which is unusual, as Ji-Ho doesn’t seem to like the girls that try to get close to Si-Joon. He’s rather stoic toward Si-Joon’s situation, and seems to like Mu-Hwa, Mu-Yeon’s sister. Mu-Hwa is similar to Ji-Ho in some ways. Her expression rarely changes and she doesn’t speak much. But she has a great fondness for food, as when she sees Ji-Ho with a piece of Si-Joon’s birthday cake, she gulps it, the plate and Ji-Ho’s hand all in one bite. She does leave Ji-Ho his hand. She is very protective of Mu-Yeon, with ninja-like skills and a very big sword. Doe-Doe is Mu-Yeon’s rival for Si-Joon’s heart, though it isn’t much of a contest. Doe-Doe’s sweet and timid attitude is just an act that hides a greedy heart for Si-Joon’s family’s power and money. She doesn’t fool Ji-Ho who is always indifferent to her, and even icy at times. She is set up as a cruel and cold person, but quickly becomes more like comedy relief as she tries to get between Mu-Yeon and Si-Joon.
It’s the interaction between these characters that makes the comedy work so well. Si-Joon and Ji-Ho play well off of each other as reactionary and straight-man. Ji-Ho also has some good moments with Mu-Yeon, Mu-Hwa and Doe-Doe, though all are completely different. His cool personality makes him good to work with just about everyone. There are some classic romantic comedy moments, such as Mu-Yeon and Si-Joon getting stuck in a shower in the boys locker room as they hide from Si-Joon’s classmates, and when they are alone together Si-Joon mistakes a raccoon for Mu-Yeon’s touch. But these moments are rare, keeping the comedy fresh. The way Doe-Doe gets humilitated is both funny and imaginative, and shows the title’s ability to be more original.
As the story goes on though, it does start to get dark. An intergral part of the plot is the story of the Park Bride. Many years ago, there was a girl cursed with an ugly appearance, and wore a mask. She married a man and won his love, which lifted the curse and made her beautiful. Si-Joon and Mu-Yeon are the reincarnations of this couple. At first, the flashbacks/visions of their past lives are of romantic moments, but with the appearance of Princess Ki-Ryong, things start to get dangerous. She is also a reincarnation from the Park Bride story. She was an assassin sent to kill Si-Baek Lee, Si-Joon’s past life, and is intent on correcting her past life’s failure. To do so, she must keep Si-Joon from breaking Mu-Yeon’s curse. When her attempts to kiil him from afar fail, she appears in person to finish the job, and Si-Joon learns his true role in this game.
The art of Pig Bride just as light as it’s story. The characters are drawn well, and in proportion, with most of the detail going into their clothes and hair. The art can drift into the realm of chibis, but it fits the tone of the story perfectly, and they are very cute.
Pig Bride is a charming series with delightful characters, and a story that slowly builds up to its climax. Like a sit-com, it is filled with lots of funny situations that can be punctuated with a dramatic or romantic moment. I whole-heartily recommend this title.
Things are heating up in both worlds! Determined to prove himself a guy, Mashiro goes the distance to win Kureha. But will the new power of their bond survive the most shocking revelation so far – the true identity of the malevolent knight?
Due to illness, I was unable to do a roundup last week, so this week combines the two weeks. So what’s in store? More licenses found and announced from Viz and Vertical, several digital manga stories, some news from Japan and Korea, 2 weeks worth of best seller lists, podcasts and the Manga Village roundup.
Just before the Labor Day weekend, Yen Press sent out the announcement that the new issue of Yen Plus was available and subscriptions were being accepted. I immediately forked over my $2.99. At that price, and with no bulky magazine to take up more space I don’t have, it’s totally worth it. Just as I do with Shonen Jump, I will be giving a brief report of the chapters each month. I will not be reading Maximum Ride or Gossip Girl though. Neither story interests me. If this were the print mag, I might page through them because they were there, but online, I have no problem with just skipping them. Even without reading those two titles, Yen Plus still beats out Shonen Jump with a total 368 pages, most of which are manga chapters and not news on anime, video games or card games. Already a big plus for me! It also keeps it’s origianl format of a side “A” and “B”. The “A” side is for the Manhwa/OEL titles and the “B” side is for the Japanese titles.
First up is Jack Frost, a title I haven’t been impressed with over the last three volumes. But, since I’ve read that much of it, and it’s in the magazine, I’ll keep up with it, and see if anything improves. This chapter shows the aftermath of Helmina broadcasting the whereabouts of the Lost Lake and the Pillars of Solomon to all of Amityville. Of course, the guardians of Lost Lake aren’t too thrilled with the revelation, since now they are a target, but the man in charge, Mr. Fury, believes that Helmina has something in mind. Whether that’s a good or bad thing…well we’ll see. Meanwhile, Jack has another challenger who wants to take him on, and he’s assisted by someone Hanson says should be dead, Ridicule of Samiel. This chapters follows the routine that Jack Frost seems to have set up. Talking heads, panty shot, fight; lather, rinse, repeat. It would be nice to see that routine shaken up a bit. Many less panty shot and more plot?
Nightschool ends in this issue with the last two chapters. This makes me sad since Nightschool is one of the draws of Yen Plus for me. I love Alex, her astral, and the whole set up of the world. Yen has promised more Nightschool stories, but they can’t come fast enough for me! After the reveal of who was responsible for releasing the Sohrem last chapter, Daemon, Mr. Roi and Madame Chen then have to figure out how to stop the Sohrem, remove them from their hosts, seal them away and reverse all the damage that was done to the world. No small feat mind you. But between the three they are able to do this surgery on reality and give the story a happy ending. I’m glad. I like Alex’s sister Sara and am happy that she’s back, dragon hatchlings and all. Please come back soon!
I think Aron’s Absurd Armada is starting to grow on me. This month featured Ronnie, the girl they rescued last issue. Everyone thinks she’s a boy though. She shows off her knowledge of the sea and sets the ship’s course to intercept her ship. Some of the strips are pretty funny, such as when Anton lets Ronnie go down to the wreck of her ship by herself, because he knows what she’ll find. Actually Anton and Gilbert strike he as the two smartest people on the ship. It’s a good quick read.
We get another two chapters of Daniel X this month. His attempt to get to Ergent Seth isn’t going well, as Ergent is always one step head of him. He tries to warn Daniel off a few more times through some cats, but he won’t back down, so Ergent shows him what he’s really up against, and it doesn’t go well for Daniel. The new love of his life, Phoebe, doesn’t go the way he planned either. A captive of Ergent, he is whisked away with the other of Ergent’s captive children and taken to his home planet, Alpar Nok. It’s nice to see that Daniel isn’t invincible, though Ergent’s ploy was a little cliché to say the least. Though, I do like Ergent’s design. It’s not everyday you see a horse in a suit. With a scar. It will be interesting what Daniel’s real home planet is like and how he’s going to get away from Ergent.
Time and Again is one of the titles that made subscribing worth it. In this month’s chapter, we get to see into Baek-On’s past. Thoughout the series so far, we have seen Baek-On’s regrets regarding a girl and what he did to her. This chapter shows who the girl is and what she meant to Baek-On. But it’s not all love and roses, otherwise Baek-on wouldn’t be on the path that he is. Once again it has to do with reincarnation, and an animal spirit’s desire for revenge. Hunters should be careful lest their kills start coming back to get them. Animals do not fight fair. This was the best chapter of the magazine, behind Nightschool. It was rather heartbreaking to finally see the truth.
Yotsuba&! is one of the newest titles to the magazine as well as one of the first for the Japanese side for the digital edition. In the chapter, we see Yotsuba have a nightmare and try to create a schedule. Then she and her father go shopping at a mall, and she finds the perfect teddy bear. Frankly, Yotsuba&! isn’t a draw for me. The series is nice, and I did find the chapter with Yotsuba going through the teddy bears and checking them for huggability cute. But I’m not enamored by Yotsuba’s cuteness. I’ll read it, but it’s not a must have for me.
The first debut title for Yen Plus’ digital edition is K-On! This is another 4-koma series about a high school girl,Yui Hirasawa, who can’t decide on what club to join, so she joins the pop music club, not realizing it’s a band. She can’t play an instrument, but she gets talked into staying and learning to play guitar by the other members so they can keep the club going. I wasn’t sure if I was going to like this title or not. I’ve heard a lot about it online, but my tastes don’t always run with the crowd. But so far, I do like it. Yui is fairly typical for a high school student, not knowing what she wants to do. And the way she gets convinced to stay was well done. I also like Tsumugi. She is really nice, but also really rich. The way she gets the guitar discounted for Yui was funny. I will definitely keep reading this one.
This issue wasn’t bad for a first pay issue. The transaction was easy through paypal. I had access immediately after paying. It’s next issue that gonna be a deal breaker for a lot of people probably. With Nightschool gone, even for me the only must read title is Time and Again. The rest I can either take-or-leave or I like, but not really like. The Japanese side really needs a few more titles, and something with some action would be nice. I was excited about Yen Plus before when it had Black Butler and Hero Tales in it. Without a really good anchor though, I don’t see this lasting very long, even with the $2.99 price. Hopefully Yen has some titles in the pipe that they are just waiting for approval on.
Woofles regular Chizuru advises her friend Serina, who is contemplating motherhood, to try looking after a dog first. Can Chizuru’s dog melon and a new puppy convince Serina that their affection and cuteness are worth the aggravation?
My first two reviews of this series were lukewarm, due to the fan service and doggie-ness of the title. I’m a cat person and don’t care much for dogs. This volume however, dealt with more plot and general animal care than just doggie-ness, so I could appreciate it and it’s message much more.
This volume picks up where volume 15 left off with Amuro being seriously injured in a car accident. Suguri’s quick thinking and level head saves the dog long enough to get to the animal hospital. Despite her dislike for Amuro’s owner Fujita, who kidnapped her as a child and is now stalking her, she allows Lupin’s blood to be used in a transfusion. Even though this doesn’t help get rid of him, and he keeps showing up throughout the volume, Suguri does gain some valuable information about Lupin’s grandfather, the dog that rescued her. It seems he may not be the only good samartian dog around. I found the introduction of this plot point to be very interesting. Who trained these dogs, and why do they help people and then disappear? It actually sounds intriguing.
The rest of the volume is spent showing some of the difficulties of being a pet owner. First, Chizuru has to wrestle with the decision to have Melon fixed. while this may seem like a no-brainer to veteran pet owners, seeing Chizuru agonize over the decision, and then see things turn out alright in the end, may help other new owners realize it’s okay to alter a pet. And then there’s Chizuru’s friend Serina. Her story realistically shows the problems of getting a puppy and the work it really is to take care of one. The parallels to having a child are obvious, with such things as having to clean up after them and dealing with their crying. Serina, and her husband show themselves to be irresponsible, and not taking the job seriously. Whether it’s a child or a pet, the same amount of responsibility is required, and these chapters show this very well.
I really enjoyed this volume, much more than the previous ones I’d read. The plot of Lupin’s heritage and the Good Samaritan rescue dogs is really intriguing. Suguri handles herself really well with Fujita as well, making it very clear that she doesn’t want to see him or have anything to do with him. But being the stalker that he is, he doesn’t listen. The chapters with Chizuru and her friend are excellent lessons in pet ownership, and would make good pamphlets on their own about caring for pet and thinking carefully about why and how committed you are to getting one. There are a few panels of fanservice, but they are as blatant as earlier volumes.
If Inubaka had been like this from the earlier volumes, it could have made a fan of me sooner. It’s still a series for dog lovers, but it’s also finally showing itself to have appeal for the non-dog persons like me.
Once again, this month’s Shonen Jump feels light as it’s only at 280 pages. Along with the four regulars, there is a preview of a new series, Genkaku Picasso by Usamaru Furuya. He has had a few previous series’ published in English, including Short Cuts from Viz, nearly had 51 Ways to Save Her from CMX and will have Lychee Light Club from Vertical next year. This series was published in Jump SQ, and will have the first three chapters previewed in Shonen Jump.
Genkaku Picasso starts off by introducing the main character Hikari Hamura, the Picasso of the title. He isn’t very sociable and has just one friend, Chiaki Yamamoto. They have their own club, the Riverside Club, where Hikari draws and Chiaki reads books on psychology. A helicopter crash ends the club early, leaving Chiaki dead and Hikari miraculously alive, but not without a price. Hikari learns this in a rather shocking way, in class of course, from a small, winged Chiaki. He has to help people otherwise his body will decay. It’s an intriguing start to the series. Only a few titles start with killing off their protagonists. I do want to read more to see where the “helping people” goes. I’m guessing it has something to do with his artistic ability.
Naruto shows the end of Danzo with a flash back to his youth with the Third Hokage. It doesn’t really make him a more sympathetic character with just this flashback. If that is what Kishimoto was going for, more was needed before his last dying moments. He doesn’t have the same flare of revealing backgrounds at crucial moments as does Eiichiro. Sakura arrives claiming to want to join Sasuke but it’s just a ruse that doesn’t work. Kakashi then arrives to take on Sasuke with Naruto racing on his way. So it’s setting up for another clash between Naruto and Sasuke, with a big battle in between with Kakashi, or Sasuke’s gonna escape before he and Naruto can really get into it. I wish they would just get it over with between Naruto and Sasuke. All the emo-ness going on between Naruto and Sakura is getting boring. Sasuke isn’t going to just change his mind, and even Naruto fighting him isn’t going to be enough. I get the feeling that this is going to be a at-the-brink-of-death change of heart. With the way things have gone, I just don’t see how Sasuke can become friends again with them and still live with what he’s done.
One Piece continues the fight to save Ace. Luffy faces off with Mihawk, one of the Warlords of the Sea, who starts his attack by slicing the massive iceberg in half. Whitebeard sends his men in to keep Luffy free to reach his brother. An army of Kumas then appear and attack and Sengoku makes his move to execute Ace early. In the midst of all this, Whitebeard is attacked by Squard, on of his own men, who fell for a Marine ruse. But that doesn’t stop him from joining the fray, and really showing off the power of the Quake-Quake fruit. These chapters end with the Admiral Akainu using his power to melt the ice that the pirates have been using to get to the plaze where Ace is being held. These chapters are more fighting, but they also show how the World Government continues to try to keep the truth from the people. The truth that in many ways they are no better than the pirates they claim to be protecting them from as they shut off the broadcast so the rest of the world can’t see them execute Ace earlier than they announced. The more I see of the World Government and the Marines, the more I want Luffy and other pirates take them down. What the World Government does and has done is infinitely worse than any of the pirates we’ve seen so far.
I’m still on the fence about Ultimo. This month’s chapter starts off with Yamato getting the usual stuff about time travel; arriving naked, limited time, no changing events, etc. Then he gets to the estate and actually meets Iruma, and finds out, he’s not such a bad guy after all. The lord of the estate is rather familiar as well. The arrival of Dunstan with Jealousy changes Iruma as he gives in to the envy in his heart. It will be interesting to see how Yamato reacts/deals with this and if he can resist getting involved.
Bleach has the newly transformed Nel with the number 3 emblazoned on her back taking on Number 5 Nnoitora. She intends to protect Ichigo, but she might not be up to current Espada standards. Renji and Uruyu are still fighting Szayel-Aporro, though Renji does bring the house down, so to speak. This causes Szayel to release this true power, voodoo dolls that allow him to crush his opponents innards. So, how are Ichigo, Renji and Uruyu going to get out of this? Or should I say who’s going to pull their butts from the fire this time? A miraculous recovery from Chad or Rukia? Or maybe someone else? Or even more cliché, Ichigo powers up again. Meh.
There were some changes to the features in the magazine as well. All of the anime at the front is now divided between DVD, TV and Streaming, and only features SJ titles. But at least it features all the SJ titles, including Hikaru no Go, Prince of Tennis and Buso Renkin. The other noticeable change is in the New SJ Manga and In the Next Issue… sections. Reduced to just a few titles and one page each, it does look kind of sad when the In the Next Issue especially used to span two pages. But that’s when there was more titles. Changes were promised in the December issue which is coming up fast. And NYCC/NYAF is only a few weeks away, so hopefully there will be more news on what those changes are, and especially hope they will be good. This mag needs an infusion of Fresh, and soon!
I picked up volume 5 of You’re So Cool without having any idea what I was getting into. Reading random review copies from publishers can be hit or miss, but for me, it”s part of the fun of reviewing. A series that doesn’t look interesting from the back blurb or cover can turn out to be a diamond in the rough. That’s what You’re So Cool turned out to be for me.
You’re So Cool is about the tumultuous relationship between the seemingly perfect Seung-Ha, and clumsy, clueless Nan-Woo. By volume 5, their relationship seems to be stabling out, but personal issues in Seung-Ha’s life staying weighing down on him. After getting sick from walking in the rain, and a night of feverish dreams, he decides to leave everyone behind, including Nan-Woo. The stubborn Nan-Woo can’t accept his leaving and goes searching for him, which includes camping out in front of his house, telling off his family, and finally finding him where she then proceeds to beat him up. The series ends happily for both Seung-Ha and Nan-Woo, and the sub-plot of relationship between Nan-Woo’s uncle Jay and Hyun-Ho.
I wasn’t sure what to think of this series at first. I didn’t have the background of the previous four volumes to explain who everyone was and what their relationships were, but by the end of volume 5, I was able to work it all out. The quirky collection of characters that make up this cast is what eventually won me over, in particular, Nan-Woo’s mother. She’s a tough, no-nonsense type a person who doesn’t mince her words. She’s also rather violent. She kicks down doors and emphasises her words with her fists, though always in comedic rather than serious kind of way. But for all her violent tendencies, she really does care for Nan-Woo, so it was nice to see the more caring and rational side of her after the violent outbursts.
Nan-Woo is definitely her mother’s daughter, as she has her own violent moments, but her sincerity and conviction is hard to resist. Seung-Ha plays the jerk well, but doesn’t come off as one in these last two volumes. His personal problems mitigate any dislike I might have had for him if I’d read from the beginning. Jay was a mystery until the last volume. I spent most of volume 5 trying to figure out if he was a guy or a girl,and didn’t get any kind of confirmation until volume 6. His more gentle personality balances well against his sister’s, but he did come off as rather emo.
These last two volumes deal with Seung-Ha having to make the choice of facing his problems, or running way from them. I think Lee did a good job of showing his emotional turmoil, and how he comes to the decision that he does. He doesn’t make any reversals of personality, and the makes the choice that seems to make the most sense to him. Of course, it takes Nan-Woo to show him the error of his ways, and finally find the forgiveness that has evaded him for so long.
Lee does a good job at drawing bishonen guys. Seung-Ha and Hyun-Ho are especially hot looking. And as I said with the aforementioned Jay, it was impossible to tell if he was male or female. But since his gender was supposed to be difficult to tell, Lee gets props for it. The one thing I had a problem with, and actually fixated on for about half of volume 5 was the size of the characters hands. They are HUGE compared to the rest of the character’s proportions. Seung-Ha’s hands were as big as Nan-Woo’s head! I honestly didn’t think I would be able to get over that, but I found myself drawn into the story so much that I stopped noticing them. It was only when I went looking for it that I saw the size difference. The character’s eyes are overly large too, and for people who may be a barrier to checking out this series. Don’t let it be. This story is worth looking past these artistic styles.
Overall, I found the ending of You’re So Cool it be a good and satisfying one, and I didn’t even start at the beginning. I’m glad I took the chance to read it and didn’t let the art keep me from getting to the end. It proved to be an enjoyable read, with characters that are fun and funny at the same time. If you get a chance, and you like romances with quirky and some times violent characters, then definitely give this title a try.
Japan is approaching a tipping point, with increasing pressure from the West to open its borders. The Shinsengumi are being trained to use firearms, but Ikita refuses, insisting on the way of the sword. he represents many in the group who cling to old samurai values. But it is clear that the times are changing and the Shinsengumi embodies the “old guard.” Will they survive the coming upheavals?
The tone for this volume is set at the beginning, with one of the soldiers being sentenced to death for having an ilicit affair that was discovered. From then on, it’s one character after another dealing with some relationship, or potential for one; Ito and Hijikata, Ito and Nakamura, Soji and Kohana, Kondo and Miyuki-Dayu, and the ever-present Soji and Sei, all dealing with some problem. Some aren’t too serious, such as Ito’s and Captain Kondo’s. Ito has a wandering eye, and seems more interested in using his wiles to further his plots, while Captain Kondo suffers from “love at first sight”, falling for women he doesn’t even know and often behing taken advantage of by them.
Soji’s relationship with Kohana comes to a head, and he doesn’t even realize there was one. Kohana had fallen in love with Soji, but he didn’t notice. He can’t. If he were to notice Kohana’s feelings, then he would have to acknoweldge Sei’s feelings, and that can’t happen yet. Soji’s cluelessness about women’s feelings is very frustrating, and not just to the characters. After 18 volumes I would imagine many readers getting frustrating at the lack of movement between Soji and Sei. I know it’s become tiresome for me. Though, perhaps this resolution could be removing a block that could get them closer together.
What I enjoyed about this volume was the historical and cultural references that are explored. Bushido is always talked about in reference to samurai, but this volume explified it in several scenes. First is opening chapter with the soldier being forced by honor to kill himself. Captain Kondo makes the decision to leave Osaka, letting the Shinsengumi take the blame for any disgrace that might be placed on the Aizu Clan, their sponsors. And Okita’s decision not to participate in rifle training, because it doesn’t allow him to look in the eyes of the person he is about to kill. The concepts of Bushido really hit home when you see the characters showing how it affects their own actions, even if it isn’t the wisest decision.
Historically, there is a tease about Nakamura Goda, who in this volume is played to just be another soldier infatuated with Sei. It was fun to see the Japanese people’s reactions to coming of the Black Ships, and the possiblity of being invaded. The rumors that spread about the European/Americans, such as they have demons on the decks of their ships, that they eat the heads of young girls, are perfect examples of the anxiety the people were feeling. And of course, among the Shinsengumi soldiers, the rumors of “size” were what mattered most.
Kaze Hikaru is a well written story, with some great historical references and cultural insight to the time before the end othe Bakufu, but the romance side is so frustrating. You would have to have a lot of patience to put up with Soji’s cluelessness. But with a large ensemble cast, it’s easy to keep moving the focus. And with intrigue moving into the Shinsengumi ranks, the posibility of drama not related to romance gets greater.