More Wanting
Wish List / March 1, 2012

ANN has two news stories today that make me go “Want Want Want Want!” Two new manga series are starting, or more accurately, re-starting in Japan. And there’s probably a better chance of a snowball fight happening in hell before we see either of them in English. Kindaichi Case Files is a murder mystery series that was originally licensed by Tokyopop. They released 18 volumes and then put the series on hiatus. Then Kodansha yanked the license back, along with all their other titles, leaving fans (few as we may have been) sad and bereft. Another 18 volumes of manga exist that we will probably never see in English since the first attempt did so poorly. Though, I would lay some of that blame on Tokyopop, as they did not market the manga very well. Now, as the series turns 20, the title is returning to the pages of Weekly Shonen Magazine with the same writer and artist team. It was bad enough that I had to lament not being able to read the original series, but now there will be MORE that I won’t be able to read?! Kodansha! Bring back Kindaichi Case Files! Even if you just pick…

Review: The Kindaichi Case Files: The Magical Express Volume 16
Reviews / July 13, 2008

The Kindaichi Case Files, Vol. 16: The Magical Express Story: Yozaburo Kanari, Art: Fumiya Sato Publisher: Tokyopop Age Rating: Teen Genre: Mystery Price: $9.99 Rating: Kindaichi is summoned to examine a mysterious note declaring that a train bound for Hokkaido will be transformed into a “magic train of death.”  When Kindaichi boards the train to investigate the threat, he meets members of a magic troupe who perform on the train.  But as the magicians go missing before they can complete their tricks, it’s up to Kindaichi to uncover the identity of “Hell’s Puppeteer” — who has announced that he has planted a bomb aboard the train.  Is this the end of the line for Kindaichi? What was supposed to be a trip to police headquarters for a commendation turns into another tantalizing mystery from Kindaichi.  A package has arrived at the police station containing a twisted marionette and note promising magic and death on a train to Hokkaido.  Kindaichi, Miyuki, Kenmochi and videographer Saki get on the train, where the Magic & Illusion Troupe perform on the way to Shikotsu-ga-hara to the hotel and theater at the end of the line.  The first murder happens on the train.  The Troupe’s…

Kindaichi Case Files: A Lament
Articles / July 12, 2008

What I’ve been dreading has finally become official: Kindaichi Case Files has been canceled.  As part of Tokyopop’s slashing, the January 2009 solicitation of volume 18, Burial Francs, is on the list.  I was hoping against hope that this title would some how survive, since it was one of the few good titles Tokyopop had to offer.  Even though it’s a shonen title, it’s mysteries could keep an adult guessing.  Engaging characters and intriguing mysteries made this a series a must for mystery aficionados. Even though I love mysteries, I didn’t pick up Kindaichi immediately.  Wanna know why?  Because Tokyopop can’t market a title properly to save their life!  When this series first came out, they advertised it as a Japanese “Scooby Doo”, emphasizing the supernatural parts over the mystery.  That was a failure on so many levels.  Kids looking for short, quick mysteries with goofy characters would be disappointed, and people looking for a good murder mystery series (like me) would avoid it like the plague.  I’m not quite sure what made me pick up the series.  I think I just kept seeing it in our local Waldens Books, and finally gave it a real look over.  I bought…

Kodansha Potpourri
News / July 2, 2008

There is a lot of speculation going on about Kodansha and it’s reasons for joining the US Manga market.  I think it’s a little premature to speculate now, but I guess that’s what bloggers and fans like to do.  This is obviously something Kodansha has had in the works for a while.  You don’t get $2,000,000.00 in capital without some planning, and to throw in my .02 about this, I would say it’s Tokyopop restructuring that has more to do with things than Kodansha wanting to “cash in” on the US market.