Tag Archives: omnibus

Neon Genesis Evangelion Volume 1-3

Once Shinji didn’t care about anything; then he found people to fight for–only to learn that he couldn’t protect them, or keep those he let into his heart from going away. As mankind tilts on the brink of the apocalyptic Third Impact, human feelings are fault lines leading to destruction and just maybe, redemption and rebirth.

Neon Genesis Evangelion 1Neon Genesis Evangelion Volume 1-3
By Yoshiyuki Sadamoto
Publisher: Viz Media
Age Rating: Older Teen
Genre: Sci-Fi
Price: $19.99 USD

Neon Genesis Evangelion is an anime from the 1990s that defined a generation, and changed the mecha genre. I was never able to watch more than a few episodes of the anime, so I thought reading the manga adaptation would be a better way to go. Nope. My first instincts were correct. These first three volumes are slow and boring with a protagonist that you spend most of the time wanting to slap silly.

Continue reading Neon Genesis Evangelion Volume 1-3

PR: Omnibus Print Edition of All You Need Is Kill Released

All You Need Is Kill already got a print release for those who didn’t want to wait, but this omnibus edition includes some extras that fans of the series and/or Obata won’t want to pass up. It makes a great present for the coming holidays.


 Sci-Fi Action Manga By Takeshi Obata, Creator Of DEATH NOTE, Adapts The Award-Winning Japanese Novel That Inspired The Summer Blockbuster Film Edge Of Tomorrow

AllYouNeedIsKill_Omni01_Catalog San Francisco, CA, October 22, 2014 – VIZ Media, LLC (VIZ Media), the largest distributor and licensor of manga and anime in North America, announces the print launch of famed manga artist Takeshi Obata’s latest manga (graphic novel) masterpiece with the release of ALL YOU NEED IS KILL as an oversized omnibus edition on November 4th.

ALL YOU NEED IS KILL collects both volumes into this complete edition and features color inserts, is rated ‘T+’ for Older Teens and will be available under the Shonen Jump Advanced imprint with a print MSRP of $14.99 U.S. / $16.99 CAN.

Digital editions for the pair of individual volumes are also available for $6.99 each across all platforms serviced by VIZManga.com and the VIZ Manga App, and are similarly available on the storefronts for the Kindle, iBooks, GooglePlay, Kobo, ComiXology, and Nook. The free VIZ Manga App continues to be the top application for reading digital manga and features a massive library of the most popular series in the world. With the dynamic platform, fans can explore and enjoy a massive catalog of classic manga series that spans more than 2,200 volumes across more than 200 different series.

Takeshi Obata’s ALL YOU NEED IS KILL originally premiered in VIZ Media’s WEEKLY SHONEN JUMP digital manga anthology earlier this year and is the stunning manga realization of the popular Japanese sci-fi novel, written by Hiroshi Sakurazaka. In this rousing action story, when the alien Mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally – the female soldier known as the Full Metal Bitch. Is she the key to Keiji’s escape or his final death?

The bestselling ALL YOU NEED IS KILL novel also inspired the live-action summer blockbuster – Edge of Tomorrow – which starred Tom Cruise, Emily Blunt and Bill Paxton.

The original novel also was the launch title in 2009 for Haikasoru, VIZ Media’s unique literary imprint dedicated to publishing the most compelling contemporary Japanese science fiction and fantasy for English-speaking audiences. VIZ Media also published a special movie tie-in version of the ALL YOU NEED IS KILL/EDGE OF TOMORROW novel over the summer to support the release of the live-action film.

“Coming just after Takeshi Obata’s first-ever U.S. appearance at the recent New York Comic Con, we are very excited to announce the print debut of his action-packed manga treatment of ALL YOU NEED IS KILL,” says Mike Montesa, Editor. “Hiroshi Sakurazaka’s award winning novel comes to life with tense and engrossing characters and plenty of visceral battle scenes, all wonderfully depicted with Obata’s signature highly detailed style. The alien Mimics are bent on destroying humanity but they are about to meet their match in this exceptional new release from VIZ Media!”

Manga artist Takeshi Obata was born in 1969 in Niigata, Japan, and is the artist of the wildly popular SHONEN JUMP title HIKARU NO GO (available from VIZ Media), which won the 2003 Tezuka Osamu Cultural Prize: Shinsei “New Hope” award and the 2000 Shogakukan Manga award. Obata is also the artist of the smash hit series, DEATH NOTE (also published by VIZ Media), as well as Arabian Majin Bokentan Lamp Lamp, Ayatsuri Sakon, Cyborg Jichan G. ALL YOU NEED IS KILL is his latest work following the hugely successful series BAKUMAN。 (also published by VIZ Media).

For more information on ALL YOU NEED IS KILL or other manga and/or anime titles published by VIZ Media, please visit www.VIZ.com.

About VIZ Media, LLC

Headquartered in San Francisco, California, VIZ Media distributes, markets and licenses the best anime and manga titles direct from Japan.  Owned by three of Japan’s largest manga and animation companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and ONE PIECE, VIZ Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages.  VIZ Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products.  Learn more about VIZ Media, anime and manga at www.VIZ.com.

Hana-Kimi Volumes 1-3

Mizuki Ashiya is no slouch when it comes to a challenge. She’s a star of track and field at her high school, after all. So When she falls for fellow athlete Izumi Sano, she figures out an ingenious plan to get close to him. Now she’s moved to Japan, enrolled in the all-male high school Sano goes to, and becomes his roommate! How? She’s disguised herself as a boy! Whatever happens next, things are about to get seriously complicated!

By Hisaya Nakajo
Publisher: Viz Media – Shojo Beat
Age Rating: Older Teen
Genre: Romantic comedy
Price: $14.99
Rating: ★★★★★

I’ve tended to avoid gender-bending, or cross-dressing titles, because on the whole, they haven’t sounded interesting to me. A girl dressing up as a boy to go to the all-male school where her ideal mate goes seems prime for lots of comedy and hi-jinx, just not the type that I enjoy. Hana-Kimi really surprised me. It plays the comedy aspect well, but it’s not the focus of the story. It’s really about the characters and the love triangle the is created by Mizuki’s presence.

I really liked the characters in this story. Mizuki Ashiya is very earnest about just wanting to see Izumi Sano do the high jump in person. She isn’t clumsy or dizty, though she does get a little emotional for the boy she’s supposed to be. I liked that she didn’t go into this already having feelings for Sano, and that her feelings grow slowly from wanting to be friends with him to wanting to always be with him. It was a very natural progression. It’s obvious that Mizuki thought things through before coming to the school and had reasons why she couldn’t do some things, like swimming, so her excuses didn’t sound half-hazard or unlikely.

Izumi Sano is the sullen, quiet type. It takes some time for him to warm up to Mizuki, and then he figures out she’s a girl, and things take a turn for him. He doesn’t turn her in, but instead starts to work at doing the high jump again. He almost never lets on to her that he knows, but he becomes very protective of her. I like how he continues to relate to her like she’s a boy, but inside has to struggle with his own growing feelings for her. Shoichi Nakatsu is very much the comedy relief and third side to this love triangle, even if he doesn’t completely realize it yet. He was immediately attracted to Mizuki, but has not idea that “he” is a she. He feels a lot of confusion over it, and even starts to wonder if he might not be gay. This struggle is handled humorously, and made more funny to the reader because we know he’s not.

Rounding out the supporting cast is Doctor Umeda, who works in the school infirmary and really is a gay man. He knows Mizuki’s secret, as does his sister, Io, both of whom have promised to keep it. Minami Nanba, Mizuki’s Dorm R.A., is Umeda’s nephew and a ladies man who doesn’t know her secret. Kagurazaka is Sano’s rival in the high jump, and starts out being very obnoxious, but turns out to be not so bad, just very needling. I really like the entire cast of the series. They are all fun and interesting to follow.

The many of the stories are typical of a cross-dressing and high school title. Mizuki is constantly getting into situations where she could be found out, such as with Doctor Umeda and her brother coming to visit her. She is bullied for becoming the school’s new “idol”, and is asked for advise by a potential rival for Sano’s affection. But despite how common place a lot of the story lines have become, they didn’t feel that way here. I enjoyed all of the chapters, probably because there isn’t a lot going that seems unreasonable or over the top. So many of the characters reactions seem plausible and reasonable that it’s easy to believe they could happen. Nakatsu thinking he gay for being attracted to Mizuki, other people thinking Sano is gay for his overprotectiveness towards Mizuki after he learns her secret. Io pointing out to Mizuki she’s not going to be able to keep the charade for long as body matures. These things gave the story a ring of reality to it, making it so much more enjoy.

I found Hana-Kimi to a charming series so far. I really enjoyed the characters and the stories were fun, and for the most part, light. It does have its serious moments, and towards the end the of third volume it got a little dramatic, but not enough to change the tone of the series. The humor still prevails overall. I also liked how the issues of homosexuality were used and portrayed. It isn’t ignored or glossed over. Mizuki gets very upset when some boys say Sano must be for like her, and Dr. Umeda is very open and honest about his preference. The characters reactions rang true to me. I hope Viz continues to put out these omnibus editions. It was easy to hold and read and it a great price point. I can’t wait for the next volume!