With Nanamine’s manga struggling, he proposes an interesting challenge to Moritaka and Akito. But will the duo accept and risk what they’ve worked so hard to achieve? And when the news media puts the spotlight on their series for the wrong reasons, how will it affect Akito?
One of the things I’ve come to enjoy about Bakuman is all of the behind the scenes peeks it gives about the manga publishing industry. The importance of the creator-editor relationship, the support the publisher gives their creators and the shattering of the myths behind being successful are all covered in this volume.
The relationship between creator and editor is a big deal in the manga world. When it doesn’t work out, the situation can get out of control such as what happens with Nanamine and his editor Kosugi. Both Nanamine and the manga suffers for it. But when it’s a strong relationship, such as with Moritaka, Akito and Hattori, the support Hattori gives them helps them, most especially Akito through a tough spot when a copycat criminal uses their manga to justify their crimes. I really enjoyed the scene with the Editor-in-Chief and Hattori talking about it. The Chief seemed concerned for Muto Ashirogi and reminded Hattori about the importance of supporting the artists.
The Chief showed his support as well by standing behind Muto Ashirogi’s Perfect Crime Party, when it is used to commit some crimes and is reported on the news. I loved seeing how supportive not only he was that PCP not change, but that the other editors felt the same way. The manga shouldn’t be censored because it was being used by other to do illegal things. That was never the point of PCP, and even through Akito hits some bumps, he and Moritaka find a way to show that and put the whole thing behind them.
The biggest bit of reality that is dropped in this volume is when Morishita and Akito plan to go to their 2nd grade reunion. Akito ends up missing it, but Moritaka meets his old classmates and the difference in their lifestyles becomes painfully obvious. They all think Moritaka has it easy because he’s successful, while Moritaka sees how easy it is for them to make plans to go off on vacation while he can only think about work. His ink-stained hands are a testament to his dedication to the work. While this could have been a moment of crisis for Moritaka, it instead becomes a reaffirming moment. He doesn’t regret the last ten years or the young adult moments he’s missed. It’s a simple scene with Akito, but still a moving one.
Bakuman continues to surprise me, since it was a title I expected to hate at the beginning. But every volume has managed to show me something that has entertained or moved me. Moritaka’s concern for his fellow manga artists and rivals always warms me, and I really like how Fukuda, who seems so tough and unsympathetic is always right there with him. I just can’t stop recommending Bakuman. It never stops being a great title.
Review copy provided by publisher.