This week I check out a new manga kickstarter from Manga Reborn, what’s up at Vizmanga, and review the last two volumes of Alice in the Country of Hearts.
This week I’ve got a few short news stories, the goings on at Vizmanga.com and I look at the similarities of three Yen Press titles that are based on or inspired by Alice in Wonderland: Are You Alice?, Alice in the Country of Hearts and Pandora Hearts.
The podcast is on Facebook now too! Like it there too for new episodes and updates about what’s coming up!
This week I check out some news, the goings-on at Vizmanga.com and review the Yen Press title Umineko When They Cry: Episode 1: Legend of the Golden Witch.
This week I check out the ranking from Bookscan for May, the Vizmanga top 10 and other happenings, the new manga streaming site Manga Reborn and do some short reviews of three manga titles; Until Death Do Us Part vol 2, Rurouni Kenshin Restoration vol 1, and Kingdom Hearts Final Remix vol 1-2.
This week I check out the going-ons at Vizmanga.com and review the Yen Press title Spice and Wolf.
This week I have some comments on Kodansha and their position on older Del Rey titles, and have a series review of the Yen Press title 13th Boy. Review copies provided by publisher.
This week I take a look some news items; Square Enix shutting down their manga service site, New licenses from Yen Press and Seven Seas Entertainment, some new digital manga coming to the Vizmanga site, and the top-selling manga in March and April according to Nielson’s Bookscan service.
Square Enix E-manga Service Shutdown
Yen Press License: Bloody Cross
Thermae Romae on Barnes & Noble Nook and Amazon Kindle
New Manga on Vizmanga.com
Seven Seas Entertainment Licenses: Mad Hatter’s Late Night Tea Party & Alice Love Fables
Nielson Bookscan Top Selling manga for March and April
Music courtesy of Kevin MacLeod of Incompetech
I’ve finally done it. I’ve thrown the idea around for several years, but with help and encouragement from my husband, I have recorded my first podcast. In this first episode I talk about several recent news stories as well as a few manga I’ve read recently. In the future I will have more extensive reviews, and maybe even a guest or two! Have a listen. Comments and suggestions are strongly encouraged.
The First Episode!
Manga I’m Reading:
- Until Death Due Us Part Volume 2
- Umineko: When They Cry Volume 1
- Knights of Sidonia volume 1
- Paradise Kiss Volume 3
Music courtesy of Kevin MacLeod of Incompetech
Researcher Mr. Smith has left the Eihon family and is on his way to Ankara. As he awaits his guide in a village, he meets the widow Talas, but his honorable intentions toward her are not seen that way by her uncle who has his own plans for her, and lands the Englishman in jail. Rescued by some familiar faces, his journey takes him through a fishing village along the Aral Sea, where a pair of twins are plotting to land themselves some rich, healthy brothers as husbands.
These two volumes of A Bride’s Story leaves Amir, Karluk and the Eihon family behind, and follows Mr. Smith as he travels across the desert on his way to Ankara, where a colleague waits for him with an item he’s been searching for. We meet two different kinds of brides in these volumes, the five-time widowed Talas and the over-eager twins Laila and Leily. While I still enjoyed these volumes, the new characters didn’t grow on my as much as the Eihons did in the first two volumes.
Mr. Smith gets the spotlight in volume 3. After arriving in the village where he is to meet his guide, he meets a young woman, Talas. She offers to put him up until his guide arrives. She and her mother-in-law have been alone for a while, after the death of five sons and the father. Talas thinks having Mr. Smith stay will make her mother happy. I liked Talas. She was quiet and unassuming; the opposite of Amir in a lot of ways. She’s had a hard life, going through so many husbands so quickly without ever producing an heir, but she bears it all with a quiet strength. Her mother is much the same, having lost 5 sons and her own husband, she continues on alone, thinking only of Talas’ happiness.
Mr. Smith becomes caught in the middle of this, as the mother tries to get him to take her as his bride. It’s interesting to see him struggle with what to do. He doesn’t have a wide emotional range, and often has a bewildered look on his face, except when he has learned some new cultural aspect. When he finally comes to a decision, the circumstances change on him. The change shows how different betrothal and marriage is treated between Europeans and the Western Asians, and the importance of a father in a woman’s life. Even when it is explained to him, he doesn’t seem to fully get it. He doesn’t show any emotion about it until he is alone, and a single act shows his disappointment.
In volume 4 we don’t see much of Mr. Smith, as his arrival in the seaside town causes a stir when his cover story of being a doctor has him overwhelmed with patients from all over the area. This leaves the story open for trouble-making twins Laila and Leily. The two girls are determined to get husbands, and spent most of the volume plotting ways to get them. I really didn’t care much for the twins. They bordered on obnoxious for me. But their story gave an excuse to concentrate on the women’s side again. Laila and Leily were recounted with stories from the older women of how they found their husbands and the tricks they used to land them. And when husbands are found for the girls, their mother has to give them whirlwind lessons in being proper wives, teaching them cooking, cleaning and sewing.
I still enjoyed this series. The cultural aspects shown in every volume are fascinating. In these two volumes we see the importance of being generous and hospitable, as an impromptu meal becomes an event to be shared with. We also get a glimpse on being a groom, as Mr. Smith’s guide, Ali, explains why he took the job even though it was dangerous. He wants to take a bride, but has to come up with the betrothal money himself since his family is poor. So far, we have only been seeing that the bride’s family has to do, and haven’t heard much about what the groom must do as well. Information on the wedding preparations start to get more in-depth as Laila and Leily’s wedding approaches which of course, will delay Mr. Smith who will want to stay and see an actual wedding.
While my enthusiasm cooled a little over these volumes, volume 4 mostly, I still love it. The cultural details that Mori is able to present in the story without it feeling like a lesson is great. This series could easily be used as a teaching aid for the time period. And of course her meticulous art continues to delight. The different costumes she used for the different regions are just beautiful. I’ll continue to give this series my highest recommendation, because, personal feelings or no, this is still one of the best series you will ever read.
Along the nineteenth-century Silk Road, Amir Halgal, a young woman from a nomadic tribe, is betrothed to a twelve-year-old boy eight years her junior. Coping with cultural differences, blossoming feelings for her new husband, and expectations from both her adoptive family, and her birth family, who now wish to see her wed to another, Amir strives to find her role as she settles into a new life and a new home in a society quick to define that role for her.
I remember when this title was first announced and how excited people were to get a new Karou Mori title. Having not read anything by her at the time, I didn’t see what the excitement was about. But after hearing some discussion of the title, I decided to check out the first volume. I absolutely loved it, and had to buy volumes 2 and 3 immediately afterward. The charming characters and immersion into 19th century Central Asia was a delight to read.
These volumes start by introducing Amir and her young husband, Karluk Eihon. They first meet on their wedding day, and while both seem surprised at seeing the other, both also accept each other. Many of the chapters show their everyday life, with Amir showing Karluk’s family, now her family, her way of doing things, while she learns theirs. There are also stories about other members of the Eihon family, and the Eihon’s nomadic relatives. Also introduced almost immediately is the stirring trouble with Amir’s birth family, who have decided they need her back since her younger sister, who was married off to another tribe, died and they will lose the grazing land they got in the deal. This leads to an armed conflict between the two families, as well as some between Amir and Karluk.
I absolutely loved Amir and Karluk from their first introduction. I adore Amir and her enthusiastic and earnest personality. She can be impulsive, such as when she jumps up to hunt rabbits immediately when she learns the Eihon family hasn’t had rabbit stew before. When given a gift, she feels the need to return the favor and proceeds to shoot down a bird to exchange. She is dedicated to Karluk and treats him like an equal and not a child. Karluk in turn tries to be a husband to her, but still has some problems with being intimate with her. When they are sleeping together in the Yurat while visiting Karluk’s Uncle, he feels more like a child with his mother than man and wife. He proves himself though when he defends Amir from her own father when the Halgal family try to take Amir back by force. He takes his duties as husband seriously, trying to protect her from danger. They make a really cute couple.
The supporting characters are great too. Seleke, Karluk’s older sister, tries to be strick with her four children, but ends up doting more. Their parents are kind and supportive. I loved Balkirsh, the grandmother and matriarch of the family. She doesn’t meddle in the affairs of other family members, but will step in when necessary. She diffused the confrontation between Amir’s brother and her grandson-in-law, and was able to get Amir to rest while Karluk was sick with a cold. She’s feisty, and doesn’t mince her words. And then there’s Mr. Smith, an Englishman living with the Eihons. He is an anthropologist, studying the life and culture of Western Asia. He is constantly asking questions about customs in the village, or for help with translating documents he has found. He is played a lot for comedy relief.
Mr. Smith and to some extent Amir, is also used to show the culture and customs of the area. Amir, who has come from a semi-nomadic tribe, has a lot to learn about town living. One of the biggest is that the townspeople are much more modest. Amir is constantly causing a stir, such as when she misunderstands Mother and thinks she must clean her clothes and runs out in her underwear. Amir’s hunting skills fascinate the townsfolk, as she hunts rabbits from horseback and brings back deer. The children become fascinated by her bow, and soon she is teaching them how to use it. Through Mr. Smith, more general cultural elements are explained. The importance of embroidery and cloth for dowry is shown in detail, as is entertaining. The townsfolk try to compete to entertain the messenger who bring letters for Mr. Smith.
Because this is “A Bride’s Story”, a lot of focus is put on the women. There is the impression that women are seen as nothing more than property, especially when Amir’s family tries to reclaim her, and the Eihons counter that they have no claim. But it’s not like the women are treated poorly or without rights. Balkirsh commands a lot of respect, even from Amir’s brother when he first comes to reclaim Amir. And as is shown with Amir, they can be hunters and herders, and not limited to the household. I don’t see the arranged marriages as a way to control women, but as part of the complex social structure passed down through the generations. Compared to European women of the time, the women of western Asia had a lot more personal freedom.
The art is just exquisite. The detail that Mori puts into the clothes and rugs is amazing. The costumes are beautiful and varied, reflecting their different origins. It’s not just material that is so ornate. Wood carving and even the making of bread is shown to be decorated with beautiful designs, and their creators are shown to put great care into their craft. I loved the chapter with the carpenter, and the time he spends creating ornate doors and posts. I also love the wide-eyed expressions that both Amir and Karluk have. It makes Amir’s enthusiasm all that more infectious, and Karluk just looks cute, even when he’s trying to be heroic.
I can’t say enough good things about this series. I loved it from cover to cover, and it just gets better with every re-read. Amir’s story is funny, exciting, and touching. A Bride’s Story is one of the best series you will read, filled with great characters, fun slice of life moments and charming characters that you will never want to leave. It’s a great investment of both time and money.
Ding-Dong! Dead-Dong! Class is about to begin, and you don’t want to be late on your first day of school! Join Tsugumi Harudori in the “NOT” class at Death Weapon Meister Academy, a school dedicated to training transforming weapons like Tsugumi and the Meisters who will wield them. Many “NOT” (Normally Overcome Target) students aspire to join the elite “EAT” (Especially Advantaged Talent) class, but it may take Tsugumi some time to find her confidence — and a partner — at this crazy school!
Soul Eater NOT! is a spin-off series of another Yen Press title, Soul Eater. Soul Eater was a debut title for Yen’s manga magazine Yen Plus, starting its US serialization there. I didn’t care for Soul Eater, so I wasn’t sure what my reaction to Soul Eater NOT would be. I was pleasantly surprised by the slice-of-life story, that moved a slower pace and had some likable characters. Not interesting, just likable. If the characters weren’t used for mostly fan service, I would like this title a lot more.
Soul Eater NOT! starts by introducing Tsugumi Harudori. She is just starting at Death Weapon Meister Academy, in Death City, Nevada, United States of America. She has the ability to turn into a weapon, which is a genetic mutation one is born with. She has come to DWMA to learn to control her power and live a normal life. Tsugumi is a plain, rather dull, and indecisive girl. On her first day she meets two meisters; Meme who to say she has short-term memory problems would be an understatement and Anya, a upper-class European girl who wants to see what the “common people” are like. Both girls want to partner with Tsugumi, but she just can’t decide, so the three of them live and work together until a decision is made. Meanwhile, a witch is at work within DWMA, experimenting on people, and Tsugumi, Meme and Anya always seem to get involved with the situations some how.
The three main characters, Tsugumi, Meme, and Anya are all fairly likeable characters. At least, there’s nothing annoying about them. Tsugumi is an average teenage girl whose only remarkable trait is how unremarkable she is. She wants to become stronger, like Maka, a Weapons Meister who she meets on her first day, and is a main character from Soul Eater. Tsugumi puts her hair up in pigtails to emulate Maka, but the look doesn’t work for her. I liked Anya a lot. She tries to be so aloof, but really wants to be included in the things Tsugumi and Meme do. Her modesty over the cafe uniforms was cute. I didn’t like that she never got to pair with Tsugumi. She would make a better partner for Tsugumi, as she proves when she uses Tsugumi in fight. Meme is the closest to an annoying character this title has. Her inability to remember simple things gets annoying fast. She only seems able to fight efficiently when she is sleep walking. Her only real purpose seems to be for fan service. She has the largest chest of the three girls, and is always slipping into bed with Tsugumi. I really didn’t care for this aspect of the title at all.
I liked a lot of the supporting characters too. Eternal Feather is a year ahead of the girls and is very helpful and sympathetic to them when they become prey of the “witch of the girl’s dorm”, Kim. This makes what happens to her at the end of volume two really sad. I liked Kim too, with her tsundere ways. She acts tough, but really has a kind heart. I also really liked the Master of the Death’s Back Cafe where the girls work for money part time.I’m not sure what to think of the two boys in their class, Akane and Clay. Even though they are in the NOT class, they seem to be working to get into the EAT class. They are working with their teacher Sid to weed out witches which may be hiding at the academy.
And there is definitely one running around. This is more of a subplot to add some action to the otherwise slow-paced slice of life that Soul Eater Not usually is. The girls aren’t actively involved with hunting the witch, but they always seem to be around when the witch is making a move. While this part of the plot hasn’t taken over the story, I hope it stays that way. What I like most about Soul Eater Not is the slice of life stories following the girls around school and interacting with the other characters in their dorm and that they meet in town. As long as the story stays that way, and the witch plot stays in the background, I’ll be happy.
Soul Eater NOT is a better than average title, and while it does have some fan-service-y moments, they aren’t as bad as they could be. The characters are quirky enough to be likeable, but not really memorable. As long as the story stays on the lighter side, it will continue to be a fun title to read and enjoy.