We’ve all heard urban legends–stories that we tell one another late at night., Just to make us cringe and freak ourselves out. WE dismiss these stories as just plain old creepy. But what happens when they become real…? Enter Detective Aso Daisuke. When he isn’t dealing with cheating spouses, con artists or his ero-manga collection, he dives deep into the intense fear of these horrors. With his first case–the man under the bed–can he stop a disturbed killer with a blood axe?
I’ve always loved stories about myths and legends, and urban legends are the mythology of modern-day. We don’t believe in witches, vampires or werewolves. Instead we have axe murders, men with hook-hands, and ladies with slit-mouths. So, I was intrigued by the premise of Hanako and the Terror of Allegory which looks at what happens when these legends become real, and fortunately, I wasn’t disappointed.
In Hanako and the Terror of Allegory, urban legends are just that, legends that get passed around by word of mouth. But every once in a while, a person can hear a story and start to believe it. As they believe it more, it becomes more real. The person is then possessed by the allegory. To be honest, the stories aren’t really spine tinglers, but I still found them to be entertaining. The first chapter with the man under the bed was pretty cliché, but the second with slit-mouthed woman had a nice twist at the end, as did the final story with the human-faced fish. I liked seeing each legend in action. The stories written for them were competently done. While it was fun to see the monsters in action, it’s the humanity in the stories that really make them work. As Hanako says, the allegories can’t exist without humans, and it’s the human elements of the stories, and their resolutions that I found to be the most interesting.
The same goes for most of the characters. I didn’t really care for Kanae. Just as the cover shows, her only purpose seems to be someone for Aso to rescue. She is useless for most of the volume, and even though she acknowledges her uselessness, I still didn’t really like her. Hopefully things will improve for her in the next volume. Aso on the other hand, really drew my attention, especially in the last story, where we learned more about him. He became more than just a porn-reading loser. And Hanako’s thoughts at the end of the Human-faced fish really stirred my curiosity. Hanako herself had her moments. Her talk with Kanae about the nature of allegories made her fascination with technology all the more interesting. Though, the use of that same technology against the allegories somehow lessen the effect of the endings of the stories. I don’t know, but it felt like a crutch to use computers to stop the allegories.
The art is serviceable. It’s fairly average in the portrayal of the humans, but the monsters are the show of this title. Every one of them is creepy and sometimes downright disturbing, particularly the human-faced fish. I also really liked the man under the bed. He was really creepy with the one eye staring out of the darkness. There is also some mild fanservice, porn magazine covers not withstanding. But it’s kept to a minimum, and I think I missed a panel or two of them the first read through.
I’m going to keep reading Hanako and the Terror of Allegory despite, or perhaps because it isn’t really a horror title like say Hellsing. It’s more of the psychological horror that I prefer, and I just can’t get enough of its folktales, yokai and urban legends. If you’re looking for a light read with just a touch of the shiver factor, then check this title out.