Superheroes have been all the rage lately on TV and movie screens, so it should come as no surprise that they’re popping up in manga too. My Hero Academia has been serialized in Weekly Shonen Jump since late last year, but this simultaneous release of both the print and digital edition of the first volume finally makes the series available to non-WSJ readers. I wasn’t wowed by the chapters that were made available in January of this year, but sales are putting me into the minority. Check it out yourself to see where you stand.
If you’ve been following my Top Ten posts every week, you will have seen that Tokyo Ghoul has been popular even before the print volumes came out. Part of this is probably because of the anime series which streamed earlier last year. If you’ve been curious about the series, but want to try before you buy, Viz Media has a deal for you. You can read an extended except of the first volume online for free. You can get almost half of the first volume to try, but only for a limited time. Check it out while you can!
Otakon is the last big convention for manga publishers before New York Comic Con in October. It’s not usually a place frequented by publishers, especially not from the west coast, but this year saw some exciting license announcements, and appearances by west coast publishers Dark Horse Manga and Viz Media with Shojo Beat.
Kodansha Advanced Media, or KAM, is going to be a big deal to those of us who want more of our manga in digital, as they have taken over managing Kodansha Comics’ digital media. This exhibit features several prominent Kodansha manga artists, and is not only free for visitors who are in San Francisco, but online as well for those of us not so fortunate.
Viz Media does a pretty decent job of spreading out its license announcements. They aren’t always big or mind-blowing, but at all three conventions in July they made sure they had something to for fans to look forward to, and I think that in itself is pretty cool.
Fruits Basket was a big license last decade. The shojo about a family cursed to turn into one of the Chinese Zodiac when they hug someone of the opposite sex was credited with such a big seller for Tokyopop that it kept the company afloat for several years. Sadly, the series has been out of print ever since Tokyopop lost the license and ended publishing 2011. Japan however is getting a 2-in-1 collectors edition re-release of the series. To celebrate this, mangaka Natsuki Takaya will launch a sequel series on Hakusensha’s HanaLaLa Online website for free, with new chapters available every Friday starting September 4.
It’s been kind of shocking seeing how many manga are ending this summer. It seems every other day has been a new item about a title either ending or entering its final arc.
Maid-Sama is a license rescue from Tokyopop. It was a series they launched after their restructuring in 2008 and they published 8 volumes before shutting down publication in 2011. While a lot of Viz’s rescues are digital only, this title is not only getting a print release, it is coming out as 2-in-1 omnibuses. This should get the series through the previous published material fast and into the unpublished that fans will really be looking for.
Viz is a little late in getting this press release out. Not only did the series come out at the beginning of July, but pre-release copies were sold at Anime Expo. Better late than never though, right? I’m interested in this series, and hope my copy will arrive soon. I’ve seen people seeing it’s similar to Kamisama Kiss, but since I like that series too, I can only see this as a good thing.
On Friday, July 10, 2015, the Wil Eisner Comic Industry Awards were announced during San Diego Comic Con. Five titles and six volumes were announced in the Best US Edition of International Material – Asia, essentially the manga category, but only one title could win. The award went to Drawn and Quarterly’s release of Showa 1939-1944 A History of Japan and Showa 1945-1953: A History of Japan by Shigeru Mizuki.
The title faced some tough competition as it went up against Viz Media’s All You Need is Kill, One-Punch Man, and Master Keaton, Vertical’s In Clothes Called Fat, and Yen Press’ Wolf Children: Ame and Yuki. The volumes of Showa that were nominated and won covered Japan’s history from World War II to the aftermath and Occupation. The series was nominated last year for both an Eisner and a Harvey, for the first volume, 1926-1939.
I haven’t had a chance to read any of these volumes yet. My love of history has them on my want list, but my wallet has told me to wait. I must admit I was hoping Master Keaton would win. I do love that series so much, and the first volume was a great showcase for who Keaton is and what he does. But I certainly can’t fault the awards committee for picking not just the title, but both volumes. It portrays a dramatic time in Japan’s history and shows that history doesn’t have to be boring.
Seven Seas Entertainment is a publisher that doesn’t go to a lot of cons, but they still make sure you remember them during con season. A few days after the hoopla of SDCC was over they made another new license announcement.
The Other Side of Secret is from Kadokawa’s Comic Alive manga magazine. Several of Seven Seas’ titles have come from there, such as Haganai: I Don’t Have Many Friends, Girls und Panzer, and Non Non Biyori. This senien series follows Yuto, a boy, who seven years earlier watched his sister disappear through a strange portal. When he said the door appear again, and two girls go through it, he follows them, intent on finding his sister. He is transported to a strange and dangerous world, where he does find his sister, but at a price. He causes a terrible tragedy that costs the lives of many of the world’s inhabitants. It’s up to Yuto to find a way to atone for his actions and bring his sister back home.
The series just stated last September, and there are three volumes out so far. Seven Seas has announced a release date in a little under a year; July 7, 2016. This is another male-gaze heavy title for their library that I will be passing on. But something I’m noticing about Seven Seas’ library is that they are very eclectic in what they pick up. They seem to cater to genres that the big publishers like Viz and Kodansha steer away from, and that Yen Press has dabbled in. While they seem to have plenty of titles I wouldn’t touch, they take chances on a lot of other titles I would like, making them a great publisher to have around.
This year SDCC was held earlier than usual. It is usually in the last two weeks of July. This year, it was the second week in July, one week after Anime Expo. Manga publishers were at SDCC too, with only a two-day break before the five days of geeky madness began down south. While they had more announcements, they weren’t quite as numerous or as ground breaking as AX. Mostly.
Viz started the con again with their panel on Thursday. The only new announcement they had was that they would be releasing a print edition of Gakkyu Hotei: School Judgment. The series originally ran simultaneously with Weekly Shonen Jump and sadly ended with it as well. Written by Nobuaki Enoki and drawn by Takeshi Obata, the series followed Abaku Inugami, a defense attorney at his elementary school. Under the new School Judgement system, students accused of crimes are now tried by their peers, and Inugami is the best for the defense, but when the prosecutor is the cute and rich Hanazuki, things might get tough. I enjoyed the few chapters I’ve read in WSJ, so I will be looking forward to the first volume set to come out in February, 2016.
Dark Horse had its panel on Friday, and had one announcement, but for nothing new. It would be releasing omnibus editions of Blade of the Immortal, its longest running manga series which just ended in March. The omnibuses will be 3-in-1, with the final volume including the novel Blade of the Immortal: Legend of the Sword Demon. The omnibuses will also retain the original release’s left-to-right orientation and trim size. Considering how much work went into creating them, it’s not surprising. The manga follows Manji, a ronin warrior in feudal Japan who is cursed with immortality until he kills 1000 enemies. He is joined on his quest by Rin, a young woman looking to avenge her parents’ deaths. There wasn’t a planned release date announced.
On Saturday, Kodansha was the first publisher with a new license announcement. Paradise Residence is by Kousuke Fujishima, the creator of the very long running Oh! My Goddess. This series is about tomboy Hatsune Takanashi and her life in an all girls dorm, and will give a behind-the-scenes look at life in the all girls school and dormitory. It’s slice of life series and shows Hatsune’s battle with waking up, her grade school aged dorm mother, and her desire for conquest! The series started in 2008 and was put on hiatus in 2012, but just came back in May of 2014. There are two volumes available, a vol 1 and 0. There was no released date announced for the first volume here. I’m not too sure about this series. A man writing a series about the life of a high school girl for an adult male demographic? Yeah, it not hitting any buttons here.
Kodansha also discussed the disruption in their digital manga distribution. With the creation of Kodansha Advanced Media which was announced back in February, the transfer of the digital manga to them has caused some delays. But things have purportedly been resolved and digital titles should be back on Amazon and Barnes and Noble in the next month.
Later on Saturday, Udon Entertainment had their panel. The boutique publisher has dabbled in manga in the past, though they mostly do Art Books and Street Fighter comics. They announced three new manga licenses.
Steins;Gate is the manga adaptation of the video game of the same name. It is the second of the “scientific adventure game” series. The story is about eccentric college student Rintaro “Okarin” Okabe and his circle of friends who turn their microwave into a machine that can send texts to the past in a realistic Akihabara. Their activities attract the attention of SERN, an organization that has been studying time travel and now want Okabe and his friends. The series is three volumes with the first set to be released this August along with the first volume of Kill la Kill. Both the video game and anime based on it have been released in English. It looks like an interesting series, and with only three volumes not too big of an investment to just try out.
The second announcement was Sugar Sugar Rune, an all ages license rescue by artist Moyocco Anno. Del Rey originally licensed and published all eight volumes starting in 2005, but the series has since gone out of print, and finding volumes is difficult at best. The series is about two young witches, Vanilla Mienux and Chocalat Meilleure, who have been chosen to be candidates to be the next Queen. They are sent to the human world where they must compete to capture as many boys’ hearts as they can. The one that wins the most becomes Queen. They are assisted by guardian and mentor pop idol witch Rockin’ Robin and familiars Bianca the mouse and Duke the frog. The two girls must figure out how to keep their friendship while not only competing for hearts, but also dealing with the strange boy Pierre who looks just like the evil king Glace, and seems to be going for Chocolat. The first volume will be released in the first quarter of 2016. The series was well received the first time around, and Moyocco Anno is well known for writing good stories with great female leads. This is also a boon for teachers and libraries looking for all ages titles to add to their graphic collection.
The third announcement was all the biggest for the manga community and really rocked their world. Rose of Versailles is a classic shojo manga. It was first launched in 1972 and takes place in the intrigue-filled court of Queen Marie Antoinette before and during the upheavals of the French Revolution. It revolves about Oscar Francois de Jarjayes, a woman raised as man to serve and eventually take over as leader of the Palace Guard. She becomes torn between class loyalty and her desire to help the impoverished, as well as her conflicts between wanting to live as a militant and a regular woman. She must also deal with her relationships with Marie Antoinette, Count Axel von Fersen and best friend Andre Grandier. Originally there were 10 volumes, but creator Riyoko Ikeda started penning one-shots for Shueisha’s Margaret magazine in 2013 and will release the 11th volume in August with includes the first 4 stories. Udon will print it as 2-in-1 omnibuses, with the first volume set to come out in second quarter 2016. This series as long been a holy grail for fans, and few thought it would ever see publication in the US due to age and licensing costs. Udon had touted that they would have a classic manga announcement at their panel, but this title was only ever brought up in jest. Now, Udon has a lot of people’s attentions. I would like to check out this series, both as shojo, and as a classic that inspired a lot of artists today.
The final publisher panel was Tokyopop on Saturday night. Like their Anime Expo panel, they didn’t have any titles yet to announce, but they did tease a possible deal with Disney to create original “manga” for the properties Star Wars and Frozen. The stories would be original and would possibly feature Japanese artists. This isn’t new territory for Tokyopop. Before closing, they had published original stories for properties such as Star Trek, Warcraft and Spacecraft. They have also worked with Disney, creating “Cine-manga,” of TV shows such as Hannah Montana. While it’s nothing I’d get excited about, I’m sure there are still plenty of Frozen fans dying for new stories of their favorite princess sisters Anna and Elsa. Books and manga are still the better way to reach a female audience, though comics publishers may finally be seeing the light.
Not as announcement heavy as Anime Expo, but July isn’t done with manga publishers and possible announcements yet. Coming up this weekend is Otakon out on the East Coast. Several publishers will be there, with some hinting at more exciting licenses. After AX and SDCC’s big surprises, can the manga community handle any more?