With Tokyopop’s closing, a lot of attention has been paid to the loss of the Japanese licenses. Of course, this is what most manga fans are concerned with. The loss of such an extensive line, for what will probably be forever really hurts. But Tokyopop had another line of books that were actually doing quite well, that as a parent, I am acutely aware of losing; the HarperCollins YA adaptations.
Manga has had a tough go of it lately. Publishers have been cutting back on titles and people, and now, we’ve seen the first casualty of 2011. Tokyopop, one of the three biggest publishers of manga in the US is closing down its publishing division. I’m not going to go into the details about why this may have happened. I’ve already given some of my thoughts in this post, and other people have dissected Tokyopop’s 14 year history already. No, I’m looking at the final message from Stu Levy, president of Tokyopop. After the announcement was made, he put up a message at Tokyopop.com, now long gone, but other people posted copies on their own sites. He talks about the history of Tokyopop and it’s accomplishments, and then gives himself a pat on the back with this: Fourteen years later, I’m laying down my guns. Together, our community has fought the good fight, and, as a result, the Manga Revolution has been won –manga has become a ubiquitous part of global pop culture. I’m very proud of what we’ve accomplished – and the incredible group of passionate fans we’ve served along the way (my fellow revolutionaries!). “Won” the revolution? Really?…
With Mother’s Day this Sunday, retailers are pushing tablets, and especially e-readers as gifts for dear old mom. There are ads for the Amazon Kindle, which can be found in Staples, Target and Best Buy, the Barnes and Noble Nook Color, which are at Barnes and Noble and Best Buy, as well as tablets from Apple, Dell, Motorola and Samsung. But you don’t see anything for the Sony e-Reader.
The Drive-Bys are a little late this week do to the blog moving to a new host, the Manga Movable Feast, and most importantly, I didn’t get my subscription again, and had to go out and buy it. This is the 4th time in the last 6 months that I haven’t gotten my subscription. I can’t blame SJ though. I know it’s my local post office and mail carrier that can’t seem to figure out the difference between the streets Alabama and Tennessee, which is where a lot of my mail ends up. Oh well, I’ve got my sub extended to August now. One thing I learned from having to buy this month’s issue it that Yu-Gi-Oh CCG cards are more popular than Naruto. Last issue I had to buy had all the Yu-Gi-Oh cards removed from the magazines at my local Barnes and Noble. This issue has the Naruto card intact. SJ continues its celebration started last month by spotlighting the heroes from all the Shonen Jump manga that didn’t appear in the magazine. It’s quite a list with over 30 titles, both new and ongoing as well as complete. This month’s manga highlight is Blue Exorcist, and I’ll…
Yen Press continues to add to the Japanese side of Yen Plus (finally!) with a new series, The Innocent. It’s an interesting collaboration of an American writer, Avi Avad (yes, THAT Avi Avad) with a Japanese writer and a Korean artist to create a unique story about love and vengeance. It has me intrigued to say the very least. Yen Press’ talent search round is over (and they emphasis talent search, not competition),but nothing was found to be showcased in the magazine. It was interesting to hear that they are not just taking their time to find good creators, but that they are also giving advice on where promising creators can improve and be ready for the next round. I wonder if Tokyopop had taken as much care, if OEL would have actually taken off. Milkyway Hitchhiking – In this chapter, Milkyway is just an observer, as the story is about Baek-Ryun a gesaeng and Chung who is a shoemaker. They seem to be constantly fighting, this time it’s over Chung’s cat Miya (Milkyway). He accuses Baek-Ryun of taking her, which she denies, but did. Their bickering leads to a confrontation where they both end up in a lake, and…
Viz finally made their big announcement. The new digital platform that they are making their manga available on that will expand their audience is….iOS for iPhone and iPod/iPod Touch. This is a “new” platform….how? The iPad is nothing more than an overgrown iPod Touch. The first apps for the iPad were iPod apps with a new resolution (mostly). So for Viz, porting over their iPad manga just meant a change of resolution, and maybe some touch up here and there. But that doesn’t make it anything new or exciting. They are still courting the same audience. While this will give them a small boost as people with only iPhone/iPods will now have access to their manga (a large number being teens), it’s not really expanding it like an actual platform jump would. In an interview with Publisher’s Weekly, Viz vice president Alvin Lu said the reason for going in this direction was: It’s a natural extension obviously, being as that we’re on iOS with our iPad app. It broadens our reach with mobile devices significantly, also obviously. For the fans who graciously requested the app be made available on a more widespread device—this is a step or two in that…