Digital Manga Publishing ‘s titles tend to sit on one side of the scale or the other. They are either really good or really bad. I don’t find a lot that sit in the middle. Read on to find out which side these two titles land on.
Tohru Honda recently lost her mother, and through certain circumstances, is living alone in a tent in the woods. The same woods, as it happens, as her classmate and school “prince” Yuki Sohma. Through a strange twist of fate (and her own clumsiness) she discovers that Yuki, and other members of the family, have been cursed, and through weakness or a hug from a member of the opposite sex, change into one of the animals of the Chinese Zodiac. Tohru ends up living with Yuki, Shigure, and Kyo Sohma, and is soon meeting more members of the zodiac.
I wasn’t interested in shojo at the time that Fruits Basket started to come out, and didn’t develop one until the series was already well into the teens. But, like so many other titles, the Manga Movable Feast has given me an opportunity (and excuse) to finally check it out. I wasn’t really impressed after reading the first volume. I took the ending of volume 4 to really get me to give the series a chance and continue on with it.
I didn’t really care for the characters at the beginning. Tohru, the female protagonist of the series, and really the focus, came off as really ditzy, and even a little naive at first. But it soon becomes apparent, that she is just very kind, often to a fault. She always tries to keep a positive attitude, even though she is still trying to deal with the sudden loss of her mother in a car accident. She doesn’t want to impose on others, which is why she decides to live in the woods instead of “inconveniencing” her friends. She is very accepting of people for who they are, and after the initial shock, isn’t surprised by all the transformations that keep happening around her.
I was mostly fine with Tohru. It was Yuki and Kyo that I really didn’t like at first. Yuki is the quiet, and very handsome boy who is often mistaken for a girl. He is aloof and comes off cold at the beginning. He is the rat of the zodiac, who is responsible for the cat not being at the banquet. He doesn’t want to be a part of the zodiac, and just wants to live with “normal” people. He takes ill easily, but is physically very strong. I really disliked his contemptible nature towards others, especially Kyo at first. He gets better over these first four volumes. Kyo is Yuki’s cousin and the cat of the legend. He’s not part of the zodiac, but he still transforms. He hates Yuki as the rat, and the feeling is completely mutual. He is constantly attacking Yuki to try to beat him. He is filled with anger at the beginning, and lashes out at everyone around him, including Tohru, even when she’s trying to be nice to him. She seems to have a calming effect on him, and though he is still competitive with Yuki, their fights tone down to bickering instead of destroying the house. I didn’t really care for Kyo at first either, but as he toned down the anger, he became easier to like.
Two characters I liked immediately though were Tohru’s two best friends, Arisa Uotani, a former gang member/yanki and Saki Hanajima, who seems to possess some sort of psychic powers. They are like family to Tohru and are very protective of her. They have a lot of lighter moments in these volumes, with Uotani acting menacing, and Hanajima’s “poisonous electrical waves.” They also get along rather well with the Sohmas, to whom them give their approval for Tohru to stay with. Uotani and Kyo seem to get along especially well, with their competitive natures.
Through these first four volumes, about 2/3 of the zodiac is presented; the dog, boar, rabbit, dragon, cow and snake are introduced in fairly quick succession, usually through an accidental (though sometimes intentional) hug with Tohru. With several of these introductions, glimpses into their past are given, and they are almost all tragic, from being verbally abused by relatives and parents, to losing a lover, to Momiji’s past, that nearly brought me to tears after reading it.
While these first few volumes seem to have a light, rom-com feel to them, there is a sense of something darker lurking beneath, which increases with every volume. Shigure, the dog of the zodiac, and whose house Yuki, Kyo and Tohru share, seems friendly and easy-going, but also seems to have an agenda that involves using Tohru somehow. Something that he said makes him a horrible person. And then there’s Akito, the mysterious head who is not formally introduced until volume 4. He has a menacing feeling about him, disturbing Yuki when he sees him, and gets a glare from Kyo. It’s this darkness, and the mystery of the curse that really helped to encourage me to continue. The hints about this mystery is sprinkled throughout these first four volumes, and with every new one, it only made me want to know more. There also seems to be a mystery around Kyo and his “other form” that begs to be found out about.
Fruits Basket is slow to build up, but once you get past them whole “OMG! They turn into animals!” and the “Which zodiac animal will Tohru meet this time?” parts of the story, it really start to have something to say. The themes of being alone and finding a place to fit in and call home are ones that strike a chord with teens, which is probably one of the reasons it sold so well. This is another series that the MMF has convinced me I want to read, but since it’s OOP, that going to be kind of hard. Wouldn’t it be nice if another company could rescue it and make it available in Omnibuses (3 not 2 volumes) or better yet, digitally?
Souji Kushiki, a high school student from a well-to-do family returns home from boarding to school to find things have changed. His three sisters are strangely clingy, and their behavior borders on inappropriate and bizarre. At school, he learns that over the summer, three of his fellow students were murdered, and the links to the murders seem to lead back to his sisters. With the help of his new friend, the cheery and spunky Yukako Sasai, Souji goes in search of the truth behind the murders, the answers to which may just end everything he believes to be true.
Amnesia Labyrinth is a thriller-mystery that gave off Higurashi-When They Cry vibes when I started reading it. Many of the characters have creepy and unsettling sides to their personalities, that it seems only Souji sees. While the story moves into some areas of taboo that I don’t really care for, the mystery is intriguing.
Amnesia Labyrinth centers around Souji Kushiki, the second son of the Kushiki family and now head of house when his older brother Kazushi takes off. Souji is smart and athletic, and is very stoic to his home situation. He rarely smiles and seems very detached from the people around him. But his family dynamics are key to the story. We do meet his stepmother, but his father, a powerful politician, is never introduced. So the focus revolves around Souji and his three sisters.
Youko is the oldest sister, but is younger than Souji. She is both disturbing and disturbed. She likes to hold Souji from behind with her arm around his neck, almost threatening to choke him. She always has a faint smile on her lips, so it’s impossible to tell what she’s thinking. She looks as if she could go psycho at any moment. She’s tried to sleep with Souji but was soundly rejected. Saki is Souji’s half, illegitimate sister, and works as a maid in the house. She not as creepy as Youko, but she has her moments. She IS sleeping with Souji. Harumi is Souji’s step sister, the daughter of his father’s current wife, and the youngest. She is shy and meek; nothing like the other two sisters. She looks up to Souji, but is too self-conscious to say anything to him. Souji is the most brotherly with Harumi.
Outside this odd family is Yokako. She is Souji’s first friend at school, and is the sole member of the Intelligence Committee. She is very outgoing and upbeat, and latches onto Souji, despite his dour attitude. She is investigating the murders that have occurred at school, and has a personal interest in the last one. She drags Souji into helping her, and after learning some of the facts, he finds himself pulled in further.
The mystery of the murdered students is just one part of the story. They do appear to be connected to Souji. Each murdered person could have been a competitor to Souji; a track star, a smart student, the class president. This makes Youko and Saki look good as suspects, especially with their behavior near the end, but they also appear too obvious. It’s difficult to pick up what’s a red herring at this point.
The other mystery of this title seems to be about Souji and the Kushiki family. Souji doesn’t trust his full sister Youko. He doesn’t believe she is the real Youko. And even though he believes he has seen his older brother Kazushi walking around town, Youko takes him to a building on the family land where Kazushi is imprisoned. The question of dopplegangers seems to be brought, as does the fact that Souji is missing some of his memories, a fact that both Youko and Kazushi bring up along with dropping a potential bombshell on the last page. Yokako posits an interesting thought as well. The world they are living in now is really a dream world/land of dead, but no one knows it. It’s a bit of a Matrix reference, but it’s also something I can almost see, in relation to the visuals.
Amnesia Labyrinth is a strange but intriguing title. It has several disturbing moments which to me makes it deserving of its older teen rating. Youko comes off as borderline psycho, and all the incest that treated almost matter-of-factly would make me think twice about giving this title to anyone under 16. But the mystery of the murders and the truth behind the Kushiki family has me intrigued enough that I will check out the second volume to see where things go.
Everything’s gone screwy at Takai Academy. When the crazy Headmaster forces Minagi’s entire class to study Einstein’s theory of relativity over summer school, Minagi volunteers to go in their place. There’s just one problems: he’s never even heard of relativity before! Luckily, Minagi has the plucky Miss Uraga to teach him.
Say hello to Kain, a shinigami clerk who records human life spans! Rinne’s father, Sabato, owes Kain’s mother a ton of money. As collateral, Kain takes something precious from Rinne. But when Sabato returns home to the scene, Rinne’s in a whole bunch of trouble!
Saiyuki is among the first few manga I started to read. Having been a fan of the original Dragon Ball manga and knowing how it was based on the Chinese story Journey to the West, I was interested in seeing other takes on the story. While I came to Saiyuki for the story, I definitely stayed for hot guys. This title is a perfect blend of action, bishonen and angst, that it’s no wonder is was such a big hit with the ladies when it was released.
The basic premise of Saiyuki is simple. In the land of Shangri-la, humans and demons known as youkai live together in peace. But the peace is threatened when someone attempts to resurrect Gyumaoh, a youkai known as the Ox King using a combination of demon magic and human science. The forbidden practice causes a Minus Wave of negative energy to spread across Shangri-la, and causing the youkai to lose their minds and attack humans. The gods summon a monk, Genjyo Sanzo, to travel to India in the west to find out who is attempting the revival and stop them. Accompaning him are former traveling companions Son Goku, Sha Gojyo and Cho Hakkai, three youkai that seem to be immune to the minus wave.
But getting to India isn’t the point of this series. It’s just an excuse to get these four traveling together because it’s the characters and their interactions that really make this a fun title to read. Sanzo, the defacto leader, is not what you would expect a Buddhist monk to be like. He doesn’t shave his head. He drinks, smokes, and gambles. He carries a gun to use against enemy youkai, and a paper fan for Gojyo and Goku. Gojyo is the bad boy of the group with a cigarette in one hand and an eye on the hottest girl in sight. He likes the act like he’s grown up, but always ends up in childish arguments with Goku. The youngest looking of the group, he’s really over 500 years old. He’s also the most powerful, but is kept in check with the power limiter headband he can never take off. He thinks more with his stomach, and looks up to Sanzo. Hakkai is the quiet one, always ready with a gentle smile and a helping hand. The smile can also be quite menacing, especially when he has a ball of his chi ready to fire at an enemy or make into a force field to protect friends and innocents alike.
For the most part, this odd quartet gets along like old friends, or almost a family. Gyojo and Goku are the siblings, constantly bickering and teasing each other. Sanzo is the father constantly getting angry at their bickering and issuing threats of “I’ll kill you”, while Hakkai tries to keep the peace. But for all the light-hearted moments, the boys have some tragic pasts that not only influence who they are now, but also come back to haunt them on the journey. Sanzo’s almost takes his life, and Gyojo’s comes back in a most unexpected way. Their tragic back stories are wrought with emotion, but never quite tip into melodramatic territory. Hakkai’s back story is just starting as volume 3 ends, but portents in the final chapter doesn’t bode well for him.
Their enemy, Kougaiji, the son of Gyumaoh, and his trio of subordinates are almost a mirror image of the group. Youkai with tragic pasts of their own, they drum up an almost friendly rivalry with Sanzo’s group. They even end up working together at the end of volume 3, and actually make a good team. But Kougaiji’s own past keeps the groups enemies, though he isn’t happy about who he has to work with, or even really trusts she’ll keep her promise to him.
The is a lot of action in these first three volumes, as Sanzo’s group has to fight off youkai attacks and assassins sent by Kougaiji. They give the boys lots of opportunities to be glib and toss off one liners. In one chapter, they even rate a youkai assassin on his laugh and even how he falls down. Minekura is also not afraid to be graphic in these scenes. Heads get cut off, or sliced in two, and intestines are seen as torsos are sliced and youkai eat.
Whether they are in the middle of a fight, or relaxing in an inn after a long ride, they always look good. And I happily admit this is one of the reason I enjoy this series. All of the guys, good or bad are hot. There is lots of long, flowing hair, and bangs that fall over and/or cover eyes. They are all tall, thin, and lithe (mostly), and Minekura dresses them in a modern-ish fantasy style, combining jeans with tunics and sashes. Even Sanzo with his traditional garb looks good when he lets his robes down.
Tokyopop did a really job with this release. The dialog is very readable and catches the personalities of the characters perfectly. The cover is a nice heavy paper stock, and they presevered the original Japanese wraparound cover, and put the back text on the inside of the front. Volume one also features color plates of the four main characters. A lot of time and effort went into these volumes and it really shows.
Saiyuki isn’t just one of the first manga I read, it’s one of my top favorite titles of all time. The action, comedy, drama and hot guys makes this a title I read and gladly re-read again and again. It’s really just a lot of fun, which is exactly how I want my manga to be.
Two new Shonen Jump Advanced titles are featured in this new Mini Musings, neither of which really float my boat. Keep reading to find out why.
When a high-ranking government official is kidnapped, the Prime Minister must call in his top crime fighting force know as Section 9. Lead by the beautiful (and deadly) Major Kusanagi, the cybernetically enhanced squad must use all their skill to take down the kidnappers and rescue the hostages. But that’s only half of the mission; can Kusanagi and company find out who’s behind the kidnapping, and, more importantly, just what they’re after?
Zombie Loan was one of Yen Press’ premiere titles when started in 2008. I read the first two volumes back when they came out, but didn’t find a reason to continue reading it. So three years and 7 volumes later, has it gotten any better?
[Warning: May Contain Spoilers]
Yuta was a simple fisherman until a fellow fisherman brought some special meat to share. It was the flesh of a mermaid, said to grant eternal youth and longevity. But it can also be a deadly poison. For Yuta, it was the former. Hundreds of years later, Yuta searches for a mermaid that might be able to help him return to normal.
To new mother Sachiko Azuma, her baby boy is the light of her life. Accordingly, she names him Hikaru, Japanese for “to be bright.” Eager to raise her son, Sachiko gradually begins to notice that Hikaru seems a bit different from other children. He is reluctant to be held or hugged, and his growth and development appear slow. Sachiko’s suspicions are confirmed when it is suggested that Hikaru, at a year-and-a-half, may be deaf. A specialist, however, reaches a different diagnosis: autism.
With No-Ah’s childhood friend/tormentor added to the mix, all sorts of new adventures are brewing at the green-roofed house. Nanai the dog, Guru the cat, and Rang the mouse have cooked up even more fun this time around: visiting the library, searching for treasure–and tailing Rang on her first date?! But life isn’t always strawberries and cream — it’s all kinds of experiences that make happy times taste even sweeter.
New and more permenant characters open up the story opportunities as Aleriu becomes a regular, Rang gets a suitor in the form of a stray cat, and No-Ah takes on a renter, the just-as-poor girl Lili. Even with all the new friends, Nanai, Guru and Rang still find all kinds of fun and adventures to go on their own.
The days continue to roll by in these next, and last, two volumes of One Fine Day. Aleriu, who was introduced in the first volume, now lives with No-Ah and the animals. Aleriu has a knack for finding (or creating) trouble. A magician like No-Ah, he is better skilled and tends more toward the dark side. He like to place curses on people, which has become his livelihood, and has a dark shadow living in his room that is always laughing. While his pranks in the first volume were annoying, Aleriu is toned down, with more threatening looks and less actual follow through. Captain, the gray cat who takes a liking to Rang, is very soft-hearted for a street cat. He likes cute things, so of course he falls for Rang. This human form is a tall, rather bishonen man, making walking and holding Rang’s hand rather difficult.
The last new addition is Lili, who is introduced in volume 3. She seems to be as poor as No-Ah, though we never see if she has a job. She moves in to the green-roofed house since it’s the cheapest room she can find, despite discouragement from the real estate company. She takes the weirdness of No-Ah’s house and roommates fairly well, and even ends up not minding finding Aileru in her bed. I really didn’t see a point to adding her to the cast so late, unless the series ended sooner than expected. Lili only appears in three stories, and only does anything in two.
There are some very enjoyable stories in these two volumes. “Night with the Moon” has a fairy tale feel to it, where the animals try to help the moon and a star return to the sky. “Talking About You” is funny as the animals all complain about Aleriu. “Mabrit’s Treasure” and “Home Sweet Home” have an innocent magic to them, as the animals go on a treasure hunt set up by No-Ah and Aileru, and we finally hear from the house they have all been living in. The dancing furniture was fun and the what the house had to say was sweet. “Little Voyage” tells of Rang’s past and is a real bittersweet tale. “Summer Explorer” shows the animals exploring the woods near their home and getting into general trouble. “La Vie En Rose” is another magical tale of everyone working together to fix up a doll for a little girl. My favorites are “Mabrit’s Treasure”,”Summer Explorer” and “Home Sweet Home”. The ending of “Summer Explorer” was especially heart-warming.
Overall One Fine Day is an enjoyable series. There is nothing objectionable in it, and the simple, straightforward stories make it great material for younger readers. The art is cute, and the kids are especially so when they are in their animal forms. The stories are fun and light, and makes a good pick-me-up after a stressful day.