With Valentine’s Day just around the corner, Viz Media has announced several licenses, with a bit of “something old, something new” to them. Three of the titles are Tokyopop rescues for the Viz Select line, and two are brand new licenses from mangaka who have already had titles released in the West to quite a bit of success.
From Tokyopop, Viz Media continues their CLAMP releases with two of their titles returning; The One I Love and Wish. The One I Love is a one-volume collection of 12 short stories that tell stories about the many sides of love. All of the stories are told from a woman’s perspective, and deal with the doubts, insecurities and ultimately the joy of love. It sounds like a fun series, though perhaps best taken in smaller doses. The romance may get monotonous, even for romance lovers. It will be released February 10th.
Wish is a four volume series that follows Shuichiro, who after saving an angel, Kohaku, from a tree one moonlight night, is offered a wish as a reward. Shuichiro refuses the wish, saying he can get what he wants on his own. But he and the angel soon find out there are some wishes that can not be granted on their own. This series is a typical bitter-sweet romance that has a happy ending of sorts, but the kind that Western readers are used to. The first volume will be released February 17th.
Someday Dreamers is a two-volume series, and is not done by CLAMP. It is about Yume, a girl who wants to follow in the footsteps of her mother, and become a magic user. She practices her magic by helping people she finds in need; a struggling soccer player, the wrongly accused, and a student who wants to share a lunar eclipse with his teacher on cloudy night. While the story is about Yume working to be a full mage, there is a current of romance that is left unresolved. The art is as gentle as the story, and is one I’ve considered picking up several times. The first volume will be released February 24th.
The two brand new titles have not gone completely unnoticed. The first title, QQ Sweeper, is by Kyousuke Motomi, the creator of Dengeki Daisy. It was almost exactly a year ago when this new title was announced in Shogakukan’s Betsucomi magazine. The cleaning and sweeping of the series’ title seems to have a supernatural bend. Kyutaro Horikita is the cleaning expert of Kurokado High. The tall, dark, and handsome cleaner meets transfer student Fumi Nishioka, where he shows her how to clean the spirits from the school and also maybe her heart. I was already interested in this series because it was from Motomi, but the addition of a supernatural element only makes it more appealing to me. The first volume will be released in October.
Idol Dreams is by Arina Tanemura, a very popular shojo artist. Viz Media has already published at least 7 of her titles. This series turns the premise of some old school magical girls on their ear. Chikage Deguchi is a 31-year-old office worker who feels she’s missed out on her chances for love and success. She wishes she could go back to a time when she was young and popular, and is given that chance when she takes an experimental drug that changes her appearance to that of a 15-year-old. She takes the opportunity to re-do things in her life, including becoming and idol. Besides changing up the old school magical girl formula, Idol Dreams appears to borrow from Case Closed, though that series doesn’t hold the license on getting younger, it’s just the first thing that comes to mind. I’ll check out this first volume if I get a chance when it comes out in November.
These were some good titles for Viz to pick up. I’m happy to see the new Motomi title. I was really hoping it would get picked up. Idol Dreams is new to me, and has my attention by starting the series with a mature woman as the lead. It will be interesting to see how her older self deals with the younger problems of a new generation. I’m looking forward to this round.
Yen Press has been pushing out the licenses hard and fast this year. Their last big license announcement a month ago featured mostly light novels for their Yen On line. This last weekend at New York Comic Con it was time to spotlight the manga. Nine titles were announced, most of them being new, with one surprise/not so surprising license rescue.
As Yen has been want to do, two of the manga titles are adaptations of light novels they have already announced. A Certain Magical Index light novel series got a lot of cheers from fans for Yen with its license, and now its manga adaptation is joining the party. This adaptation started a while ago, back in 2007, and there are 13 volumes so far. It follows Touma Kamjou, a boy made remarkable by his complete lack of ability in a city filled with super powered students. Touma just wants to keep a low profile, but when a nun named Index stumbles into his life, things get more complicated and dangerous than ever! I’d give this first volume a shot.
Is it Wrong to Try to Pick Up Girls in a Dungeon? is another light novel series adaptation. It’s only 5 volumes so far and follows Bell Crane, an adventurer trying to make it in the world. His world however is an enormous dungeon filled with monsters below a city run by gods and goddess with too much time on their hands. A roll of the random encounter dice has him meeting the girl of his dreams, a brilliant swordswoman he hasn’t got a chance with, and possibly even awakening the jealousy of the goddess who sponsors his solo missions. I wasn’t sure about this series based on the title alone, but this description makes it sound interesting enough that I might try the manga.
The first new manga license is Trinity Seven from Kadokawa. It has nine volumes so far, and is a title that fits into Yen’s wheel house well. It’s a harem title that follows Arata Kasuga, a boy who transfers to the Royal Biblia Academy. He wants to solve the mystery of the destruction that is ravaging the world and find his cousin who has been stolen from him by it. Helping him are seven beautiful (and big-breasted) girls who each have mastered a magical art. Just the cover is enough to turn me off from this series.
Chaika – The Coffin Princess is based on a light novel series of the same name. It is 4 volumes so far and runs in Kadokawa Shoten’s Monthly Shonen Ace magazine. It is about Tooru Acura, a soldier having a hard time adjusting to the 5 year peace after 200 years of war. After he saves Chaika Trabant, a silver-haired sorceress with a coffin on her back, he and his sister are hired by her to accompany her on a death-defying journey. Yen seems to like titles that feature characters carrying coffins on their back. This is a series I’d be willing to give a try. The creator, Shinta Sakayama, also created Strait Jacket, an anime OVA I enjoyed.
Prison School is one of three new titles Yen Press has gotten from Kodansha. This ongoing series started in 2011, and currently has 14 volumes out. It won the Best General Manga Award in Kodansha’s 37th Annual Manga Awards this year. It follows Kiyoshi Fujino, a boy who has enrolled in Hachimitsu Private Academy. Hachimitsu had been an elite all-girls school, and this is the first year boys are being admitted. To Kiyoshi’s dismay, he learns he is only one of five boys who have enrolled in the school, where they are wildly outnumbered. Will it be heaven or hell for the boys? I’m not sure about this title. The description has the a lot of potential for being so not for me. First and foremost it screams “harem”, but with a bunch of girls outnumbering the guys, things will no doubt get weird fast.
First Love Monster is another Kodansha title, this time from Aria magazine, one magazine Kodansha doesn’t seem to mind other publishers pulling from. It’s only 3 volumes so far and follows Kaho Nikaido, a fifteen-year-old who leaves her sheltered home for the first time to live in Tokyo high school dormitory. Nearly hit by a truck, she is saved by Kanade a boy who she falls instantly in love with. As luck would have it, he is the son of her landlord, but–he is also only in the 5th grade! Yeah, this is another series with an iffy/icky premise as far as I’m concerned. I don’t mind wide age ranges for couples, but I’d at least like for both of them to be out of puberty. Unless this series does something amazing in the first volume, it’s probably gonna get a pass.
Alice in Murderland is a license that shouldn’t be of any surprise for two reasons; 1) it’s by Kaori Yuki and 2) it has Alice in the title and a character dressed like the Disney Alice from Alice in Wonderland on the cover. Members of the elite house Kuonji, a clan with influence all over the world, must meet monthly. At the most recent meeting, the nine siblings are given horrific news straight from their own mother. They must fight to the death to decide the next head of the family. As chaos erupts, the fourth daughter Stella, loses it and a whole new Stella is born, blonde hair and blue dress and all! I like a lot of Kaori Yuki’s work, but this one has me on the rails. A fight to the death for control? Really? This one better really wow me with the first volume, especially since there are only two out so far.
The big surprise announcement of the Yen Press panel was a license rescue, something Mr. Hassler said he hates to do. But I’ll let that pass for this rescue. Emma is a 10 volume Victorian Romance by Kaoru Mori that was originally published by CMX and a series that fans have been clamoring to get back. Set in Victorian England, it is about the romance of William Jones, a young aristocrat, and Emma, the maid of his former Governess. While the couple are drawn together slowly but surely, society means to keep them apart. Mori’s beautiful artwork and charming characters make this a series that well deserved to be back in print. Yen will release the series as 2-in-1 omnibuses. You can be sure this will be on my must have list.
The final series is an original story by Svetlana Chmakova. Awkward is about shy transfer student Penelope-Peppi-Torres who just wants to fit in and not stand out from her fellow students. But when she bumps -literally- into geeky-but-quiet Jamie Thompson, she is branded “The Nerder’s Girlfriend.” Peppi’s first reaction is to push away, but afterwards, she feels guilty and wants to apologize, but she always ends up chickening out. Peppi gets another chance when they bump again -figuratively- but will these two opposites ever attract? I like Svetlana’s original work. I liked Dramacon and loved Night School so I will definitely check this series out. No word on volume count though. It could be one, or it could be three. Who knows?
There were no release dates given for any of these titles, but sometime next year, maybe late in the year is a good bet. This was quite a list of licenses, and including all the titles announced all the back to Sakuracon, that’s a lot of books coming out next year.
New York Comic Con, or NYCC, was this weekend, with all the manga publishers making appearances and announcements. Vertical, Viz, Yen Press, even Kodansha and Jmanga had panels to announce their new titles and new alliances.
What a wonderful treat to find in my mailbox! Viz Media has rescued 07-Ghost, a title originally published by Go! Comi before they went out of business. I know 07-Ghost wasn’t a popular title with everyone. Even I had a few difficulties with the first volume, but I was still sucked into the story and absolutely loved the character designs. I’ve only been able to get a hold of the first three volumes, the third being a lucky find at a Borders not long before every store was closed. I’ve wanted so much to read more, but never though anyone would pick it up. This is a wonderful Spring gift, and just before Wondercon. I wonder if Viz will have more surprises there. November can’t come fast enough! Thank you Viz!
It’s been awfully slow in the news department lately. Maybe everyone is busy with holiday preparations. But fear not! All is not lost as the news this week features unexpected licenses as well as confirmations of some found in the wild. Half confirmations of rumors, and trying to reach out to the casual manga fan join regular features of best sellers, podcasts and roundups.
It’s been a tough last few years for the manga industry. Companies have either stopped publishing manga or have disappeared altogether. For us fans, the thing we tend to lament most is the loss of titles, and the pleading to the remaining companies that they pick up them up so we can keep reading them. But there are other things lost when a company goes under, namely the people who worked there and put so much into their love and passion for manga. Most of the time, we don’t know who these people are, as they often go unnamed, just one of a number of people who have to find new employment now, in an industry that is shrinking. So, I think it’s worth pointing out when one of those people who reached out to the manga community then finds work again with a manga company.
I am of course speaking of Asako Suzuki, formerly of CMX Manga, and who has recently joined Tokyopop as a Manga Line Editor, according to ICv2. Essentially she will be handling the majority of Japanese licenses, including acquisitions. This really is fantastic news. Asako was very active on Twitter, engaging fans and finding out what they liked, and keep everyone up to date about releases and new titles. Tokyopop did good in snagging up Asako. At CMX, it was her choice of titles that turned me around about the imprint. Until then, CMX was a company I skipped over when looking at manga titles. But in its last few years, CMX came out with a lot of fun, quirky titles. They really appealed to me in ways many of the more popular, mainstream titles did not. And a lot of these titles were appropriate for tween/middle schoolers, which is a difficult age to find books for. I know from experience. It was nice to have a publisher that filled that gap with books that could appeal to them but to older audiences as well. I know Asako will do well at Tokyopop and will continue to find us good, fun books to read again.
ICv2 also spoke with Lillian Diaz-Przybyl, the Senior Editor at Tokyopop about rescuing some of the CMX licenses. She brought up the hit and miss record Tokyopop has had with license rescues and some of the issues associated with it, such as dealing with retailers and what to do about translations. While I can see these things being an issue with some of the incomplete, long running titles such as Swan and Eroica With Love, but CMX has a batch of licenses that had either just started coming out, or never got the chance. If Tokyopop wanted to look at rescues, this is the place to start. I’d love to see Tokyopop beef up its tween titles again, since so many of them went OOP when Kodansha took their licenses back. My Darling Mis Bancho and Stolen Hearts were fun and charming tween titles that only had 1-2 volumes released. I know this is my wishful thinking, but I’d love to see these continue.
Other titles that I think would fit in with Tokyopop’s catalog are 51 Ways to Save Her, Nadeshiko Club, and Nyankoi!. 51 Ways to Save Her has that disaster/post apocalyptic vibe that fits with some of their older titles. And it’s only 5 volumes complete, so it’s a small investment. Nadeshiko Club is a crafty title like VB Rose and is only 7 volumes. NyanKoi! is the title I think is most like Tokyopop’s catalog, being a harem title with cat gods,cat allergies and curses. It’s only 3 volumes so far and is ongoing, but would be a perfect fit.
While I would really love to see these titles rescued, I also can’t wait to see what Asako will be bringing us in the future. She has such a knack for picking the cute, quirky and fun titles, I know she’ll be finding some great hidden treasures. I might even start buying Tokyopop titles regularly again!
Open Mouth. Insert Foot
Get a bunch of creative people together for a gripe session, and sometimes magic happens! That’s what happened on Twitter recently as several manga creators through out their own two cents (yen) about not just illegal uploading, but the people doing it. When someone posted on twitter of having uploaded Rei Hiroe’s entire manga Black Lagoon, the mangaka, in jest, wished pancreatic cancer on the uploader. Fellow mangakas Kazuki Kotobuki and Kouta Hirano joined in, coming up with more imaginative forms of death on the uploader. Bet that guy is sorry he tweeted that. I still don’t get all this disrespect people want to show the creators of the books they claim to love. While I don’t think they need to be worshipped, how about just some common decency? Or is that to outmoded for the 21st century?
Not As Easy As It Looks
People are always complaining about the translations in manga, that it’s not literal enough, or that it’s too “Americanized”. At SDCC, several translators in the industry got together for the panel Manga: Lost In Translation panel. It features many well known translastors and was moderated by William Flanagan, who is about as old school as manga translations can get. Deb Aoki of Manga.About.Com has a full transcription of the panel. They take on topics such as getting into the business, the above mentioned dreaded localization, and of course, piracy and scans. It’s an interesting read, especially about the advocacy many of the translators have for lesser known titles.
There Might Yet Be Hope
In a recent interview with ICv2, co-publishers Dan Dido and Jim Lee spoke about the recent changes at DC, and the subject of CMX and their licenses came up. Specifically, did either man know what was going to happen to them. Lee mentioned they’d had inquiries from “a couple of interested studios that were interested in taking over the role on a couple of books.” This then brings up the questions, “Who’s asking and for what titles?” I was little surprised that this didn’t start a discussion on twitter among manga bloggers. My top pick for doing a rescue would be Tokyopop, as we’ve seen them do it before. And some of CMX’s tween titles seem like they would be a good fit with the company’s catalog. Viz has too good of a pick of he crop to be interested in some second tier titles, and we already know Yen Press isn’t interested in rescues at all, despite already doing two. So that leaves an interesting quandary as to who else might be interested. DMP? Manga Factory? A completely new player? And what titles? CMX had several licenses that had just started to release or had planned to release such as 51 Ways to Save Her and Stolen Hearts. Are these the targets of the inquiries? Will any of the old school shojo like From Eroica, With Love or Swan get to see their ends? There is some much one can speculate from just a few sentences. The good thing about all this is that DC/Warner Bros is at least interested in getting some of their investment back, and for us fans that might be good news!
Dreams of manga on an e-reader are finally starting to come true. Comicloud is a new manga magazine with titles by Japanese artists and are available in both English and Japanese on the Kindle. It’s inaugural issue is $4.99 and is available for download now. It currently features four stories and you can download a preview before you buy. Summaries of the stories are available at the magazine’s official English website. This is an e-book to watch. If it does well, it might finally prove to publishers that not only is there a market for online manga, but that people will pay for it! And one of the best things about putting it on the Kindle, is that Amazon has enough versions of their Kindle software that just about anyone, with or without a Kindle can read it. It’s not the ideal solution, but it is the best we’ve got at the moment.
NYT Best Seller List
Another week, another best seller list. This week starts with Twilight holding on to #6 on the Hardback list. Over on the manga list, Maximum Ride returns with vol 3 debuting in the #1 spot. Rosario + Vampire Season II vol 2 moves back to #2 to accommodate. Black Bird vol 5 moves back to #3 along with Naruto vol 48 to # 4. Negima! Magister Negi Magi vol 27 holds on to #5 for its third straight week, with Fullmetal Alchemist vol 23 also keeping its #6 spot. Bakuman vol 1 falls back 3 to #7 along with D. Gray-man vol 18 who moves back two to #8. Vampire Knight vol 10 keeps the #9 spot as does Black Butler vol 2 which keeps its #10. There not a lot of changes this week, the biggest being Skip Beat vol 21 falling off and Maximum Ride taking the top spot.
NYT List: Second Opinion
Now let’s take a look at the top ten titles according to Rocket Bomber’s Matt Blind:
1. Maximum Ride 3
2. Rosario+Vampire Season II 2
3. Black Bird 5
4. Naruto 48
5. Negima! 27
6. Bleach Color Bleach+: The Official Bootleg
7. Fullmetal Alchemist 23
8. Maximum Ride 1
9. Vampire Knight 10
10. Skip Beat! 21
The top 5 titles on both lists match spot on! I don’t know if this is a first, but it is an interesting result. Maybe the NYT list isn’t so off as a lot of people have suspected. This is by no means conclusive, but I do see it as being significant. All but three titles are the same between lists. Once again Matt’s list favors Maximum Ride over Black Butler, and the NYT tossed Skip Beat to keep Bakuman and D.Gray-man.
Manga For Your Ears
Sesho’s Anime and Manga Reviews
This Week at Manga Village
What I’m Reading
- MachGoGoGo: Speed Racer vol 1
- MachGoGoGo: Speed Racer vol 2
- Legend of Zelda: The Phantom Hourglass
- Gente vol 1
Anime Boston/Wondercon Roundups
Two comics/manga related cons occurred this last weekend. On the West Coast was Wondercon, the smaller, younger brother of SDCC, located in San Francisco. While more comics based, it seems Hollywood is taking every opportunity to jump on the popculture bandwagon. Manga related, Viz Media had a booth, as did CMX, Last Gasp, and EigoManga. Deb Aoki of Manga.About.com has an overview of the con as well as links to other coverage. Over on the East Coast, Anime Boston took place. While mostly an anime con, many manga bloggers attended and even held panels. Vertical, Inc. had a panel, and Ed Chavez, marketing director for Vertical as well as creator of Mangacast hosted a panel of manga bloggers. The big news from the Vertical panel was the license of a title from a mangaka once published by Viz Media. Calling it “Manga Series R” the clue is that the “R” refers to either the mangaka’s name or manga’s title. I voting (hoping) its Leiji/Reiji Matsumoto. Brigid Alverson has a full rundown of the Vertical panel at Robot 6, and you can hear the audio from the Manga Mania panel by scrolling down to the Ninja Consultant’s like in the Manga For Your Ears section of this post.
Let’s get the elephant in the room out-of-the-way. The iPad was released this weekend. Yes, it sold 300,000 units. But I believe that Apple’s entry into the tablet/e-reader market isn’t the be all/end all that people are making it out to be. The iPhone was a surprise hit (even to Apple), and hardware developers have been working hard to catch up, and you can say the Google Nexus One is a good if not better competitor. And as Matt Blind so wonderfully points out (don’t let all the numbers weigh you down), the iphone is only a small percentage of the cellphone market, and the iPad will be as well, especially with more hardware and software makers throwing their hats into the e-reader/tablet ring. He also links to an article by Cory Doctorow at Boing Boing that makes a very good point (whether you agree with the rest of his argument or not), that publishers shouldn’t put all of their e-books in one Apple basket. Then Rob McMonigal of Book Stew lays it all out on why he’s not getting any e-book readers right now. My personal opinion, after listening and reading about iPad first impressions is to wait. There are so many e-readers/tablets in the wings, that committing right now just doesn’t seem like a smart thing to do. As much as I love the “pretty-shinnies” this just isn’t the time for what could be tossing money to the wind.
Final Nails in the Coffin?
Some of the smaller manga publishers have been quiet, implying that they’re not weathering this tough economy very well. Aurora has been especially quiet, with they last release being some time last year, and books sold at fire sale prices. Another nail in their coffin, the titles they had up on Netcomics.com are being pulled down next Wednesday, April 14, 2010. It could be that they tried online with Netcomics and it didn’t work. Or it could be a sign of something worse. Then, from Icarus Publishing, comes news that a “Manga Publisher in the Southern California area” was up for sale. This seemed to fit Aurora to a T. Digital Manga is located in SoCal, but they don’t seem to fit. Go Comi! is as well, and could be a possibility. ANN has been researching the story, and say Aurora denies they are for sale, but I wouldn’t be so sure. They’re Ladies Comics line never really took off, and their BL didn’t get much attention. But it’s all just speculation at this point.
Shonen Sunday Cross Over
Word came in March through a Simon and Schuster listing that Viz was going to be releasing the baseball manga Cross Game. Finally official word has come that Viz will not only release the manga, but will also preview it on their Shonen Sunday website starting in May. I think this is a good move on Viz’s part. Cross Game has a visual style that may not appeal to readers at first, enough to buy the first volume. Letting them read it online first, especially 5 months in advance of the first volumes release could really build up some hype for the title, beyond the mangasphere.
Two New Rescues from the Seven Seas
Seven Seas Entertainment has announced they have rescued two manga titles from two different publishers that were also fan favorites. Gunslinger Girl was first published by ADV Manga, who over 5 years released 6 volumes. Seven Seas will be re-releasing this 6 volumes with new translations and lettering in an omnibus format, and then beginning releasing new volumes starting at volume 7. Blood Alone was released by Infinity Studios, with 4 volumes released over 2 years. Seven Seas will release the first 3 as an omnibus edition with the 4th volume to follow soon after. These titles will be available in 2011. I was never too interested in Gunslinger Girl (Ed Chavez of the MangaCast is if you want more info), but I heard some good things about Blood Alone. It’s good to see these titles return.
Manga as Eisner Nominees
The Eisners were announced this week, and manga made quite a showing, and not just in the Best U.S. Edition of International Material – Asia. Best Continuing, Best Reality, Best Graphic Album, Writer/Artist, Lettering, and Comics-Related Book all had nominees from manga. Of course, most of those are from Naoki Urasawa for Pluto and 20th Century Boys, but that because it’s most definitely deserved. A Drifting Life and A Distant Neighborhood also got nods. It’s good to see manga stretching out from the International category, and into more general comics related categories. Now, if only we can get a win. I know Pluto blows out a lot of its competition.
NYT Best Seller List
Once again Twilight: The Graphic Novel vol 1 rules the Hardcover roost. But why isn’t it considered manga? Robin Brenner of Early Word and Librarian Extraordinaire looks at just that question. Warriors: Clan in Need vanishes from the list completely after only 1 week, allowing Naruto vol 47 and Bleach vol 30 to return to their #1 and #2 spots. xxxHolic vol 15 is pushed back one to #3, and Black Butler vol 1 moves back into the top five to #4. Soul Eater vol 2 falls into step at #5 and Vampire Knight vol 9 falls back another spot to #6. Melancholy of Suzumiya Haruhi vol 5 moves up one to #7 while Fairy Tail vol 10 falls back two to #8. Alice in the Country of Hearts vol 1 switches with vol 2 to come back in at #9, and the only debut title of the week is Trinity Blood vol 12 at #10. It’s good to see Del Rey hold some traction and stick around for this week. I do think it’s odd that last week’s #1 would vanish so quickly, but this isn’t the first time, and surely won’t be the last. The ratio remains at a good level with no one company dominating. This is the way I like to see the list.
Manga For Your Ears
Manga Out Loud
Sesho’s Anime and Manga Reviews
Spiraken Manga Review
This Week at Manga Village
What I’m Reading
- Honey Hunt vol 4
- My Darling! Miss Bancho vol 1
- Calamity Jack
- Cirque du Freak vol 4
Last night, on my way home from work, I was listening to the ANNcast podcast, episode 28, the one with the interview with Kurt Hassler of Yen Press. Near the end of the episode, they read off some questions take from fans on Twitter. One of the questions was about license rescues. Kurt’s response to it really bugged me. He started going off about why fans think they (Yen Press) would go “trolling” for titles from other publishers. The hosts of the show weren’t much better, basically likening license rescues to dumpster diving.
Really? This is what Kurt Hassler and Yen Press think of fan requests and the titles they love and want to see completed legally? Does he really think that fans consider Yen Press to be a dumping ground for lost titles? Or could it possibly be, that fans respect what Yen Press does with their titles and are hoping to see a title they love, but wasn’t completed because the original publisher went out of business or cut back to their cash cow titles, completed with a publisher they know will do it justice? Do they really think everything published by other companies is just trash, and not even worthy of their consideration? Because that is exactly how Kurt came off with his mini rant. If he had just limited his answer to the statement he made AFTER the rant, I would wouldn’t have been upset.
We all have titles we love that weren’t completed for one reason or another, and wish for some knight in shining armor to riding in and save them. That’s why they’re called license RESCUES, and not license trolls. Try being a little more considerate of fans that are trying to do the right thing in seeing the titles they love completed in English legally, and not just resorting to the scanlations that were scorned earlier in the interview.