In the curious town of Utsuwa, where spirits know as ayakashi roam, lives Yue, a sheltered boy born and raised at the local shrine. On the night of the winter festival, Yue descends the mountain for the first time and encounters two boys. Though Yue wants nothing more than to become friends with his new acquaintances, Mikoto, the master of the shrine who rules over Utsuwa, declares that Yue must choose one of the boys as his “Meal”! Faced with this incomprehensible decision, what will Yue do?!
At Tenbin Elementary, there is only one way to settle a dispute–in a court of law! All quarrels bypass the teachers and are settled by some of the best lawyers in the country…who also happen to be elementary school students. The accused this time is a boy named Tento. His crime? The murder of a beloved member of the classroom! Luckily for him, the state has sent him a defense attorney–Abaku Inugami. But is this wild young lawyer skilled enough to ronpa his client off the hook?
Once a loner, Hikari “Picasso” Hamura has helped so many people that he finds himself surrounded by friends! Picasso’s going to need them as he faces his most difficult “portrait” yet. It’s easy to deal with other people’s problems. But it’s another story when you have to face your own…
Back when I read volume 1 of Genkaku Picasso for the Usamaru Furuya Movable Manga Feast, I said I was definitely going to be picking up the last two volumes, which I did, but didn’t get around to reading. Have I mentioned I can be a bit of hoarder when it comes to books? Anyway, I finally decided to read the final volumes, and I am really glad I did. The classmates they help and the problems they deal with are both timely and poignant. The final volume has one of the best twists I’ve ever read in a book, and just elevates this series to a whole ‘nother level.
Taichi Hiraga-Keaton, the son of a Japanese zoologist and a noble English woman, is an insurance investigator known for his successful and unorthodox methods of investigation. Educated in archaeology and a former member of the SAS, Master Keaton uses his knowledge and combat training to uncover buried secrets, thwart would-be villains, and pursue the truth… When a life insurance policy worth one million pounds takes Master Keaton to the Dodecanese islands of Greece, what will he discover amidst his scuffles with bloodthirsty thieves and assassins?
Master Keaton Volume 1
By Naoki Urasawa; Story by Hokusei Katsushika, Takashi Nagasaki
Publisher: Viz Medial
Age Rating: 16+
Master Keaton is one of those licenses that was always talked about but never dreamed it would become reality. Or maybe, dreaming was all fans of the series could do. A 24 episode anime was released here by Pioneer/Geneon back in 2003, but that was as much of the story as fans could hope to get. I was so thrilled when Viz Media announced it last year. It is one of the few titles I will pre-order, sight unseen.
I almost had my doubts at first. Urasawa has been hit and miss with me. I loved Pluto, but didn’t care for Monster or the latter half of 20th Century Boys. But I am happy to say I was not disappointed with Master Keaton. What initially drew me to the series was the title character, Taichi Hiraga-Keaton. He is both an archaeologist and an insurance investigator, combining to things I love; archaeology and mysteries. I really liked Keaton as the absent-minded professor type. He is easy-going, and a bit of a dreamer, but behind this non-threatening facade, is a keen eye and a sharp wit. Even though it is a convenient plot point, I love his quirk of taking seemingly random things that end up helping him get through his current adventure.
Most of the chapters are stand alone cases, with a few multi-chapter stories. Sometimes Keaton gets a case due to his knowledge of archaeology, but in almost every case his skills as a former S.A.S. member and survival skills trainer come into play. Both these skills mesh nicely in the two-part story “Hot Sands, Black and White” and “Qehriman of the Desert.” Not every chapter is a case. This volume also introduces Keaton’s daughter Yuriko and his father. These stories are more about his relationships with his family. He helps out Yuriko when she has problems with a teacher at school, and a girl who thinks his father is also her father. These chapters were just as enjoyable as the more action-oriented chapters. They give more insight to Keaton’s character. “Journey With a Lady” was another wonderful chapter where Keaton’s patience is tested, and ultimately rewarded.
This series is from 16 years ago, but the art is still very Urasawa. The characters are recognizable as his work, and match well with the story. Urasawa’s more technical skills are put to the test as he has to draw, old ruins and life-like statues to fit the archaeological side of the story, and he does it well. The backgrounds are very detailed too, giving the feeling of the place Keaton is in, whether it is England, Italy or the Taklamakan Desert.
Master Keaton is a great series. The stories are well written, and very engaging. I didn’t want to put it down once I started. The investigations are readily solved, with all the piece set in place before hand. There is plenty of action and mystery to keep fans of both happy. I certainly am. I highly recommend it.
Super Sleuth Jimmy Kudo, who was physically transformed into a first-grader, continues to solve crimes as Conan Edogawa while living with family friend Richard Moore and his daughter Rachel. In these four volumes, Jimmy must solve cases such as a missing cell phone, a bomber at the Koshien baseball finals, the murderer of the head of a toy company, and stop the Kaito Kid from stealing the legendary gem The Blue Wonder, all while trying to find the men who changed him, and keep Rachel from finding out Conan and Jimmy are the same person.
It’s been a while since I read a volume of Case Closed. I had the first twelve volumes, but sold them awhile ago, and apparently never reviewed them. Bad me. Since it’s been so long since I’ve read any volumes, I forgot how much I enjoy reading a good mystery manga. These four volumes have the added bonus of touching on Jimmy’s ongoing search to find the “Men in Black” who changed him, Rachel’s suspicions about Conan and Jimmy being the same person, and a good old-fashioned treasure hunt.
Case Closed, or Detective Conan as it’s known in Japan, is very much a formulaic series. Every volume has 2-3 cases, most of which carry over to the next volume. They are all several chapters long, and deal with some sort of mysteries, many of which involve a murder. But, I am perfectly fine with this. It’s not the formula that’s important, but seeing the characters in action and the mysteries they must solve.
Case Closed has an extensive cast. After going for 20 years, it’s hard not to have expanded it, but Aoyama does a good job of balancing who gets featured where. Hattori and Kahuza pop in for a couple of cases, police detective love birds Sato and Takagi as well as Inspector Meguire work on some cases, Serena gets to help out in a case versus Kaito Kid, and of course, the Detective Boys and Rachel and Richard are all one hand to help Conan solve the cases, in one capacity or the other.
I enjoyed all the cases in these volumes, I really enjoyed the ones where Conan could take the credit for himself. Thwarting Kaito Kid, the Koshien bomber, and solving the toy company president’s and magician’s murder were all his own, even if he had to share some of that with Hattori. My favorite case was the treasure hunt for Kichiemon’s treasure, a diamond. It involved finding clues that related to the past or historical references, my favorite kind of treasure hunts.
Case Closed is all about the mysteries. Conan has personal issues to deal with, that are related in a way, but are also at the heart of the series. He doesn’t want to go through growing up again. He needs to find the “Men in Black” who gave him the poison that shrunk him down to a first grader. He’s made some headway in previous volumes, but in this one, he finally figures out a clue; the email of the boss of the gang. I liked that he was cautious with it, debating whether or not to send to it and see what the response would be.
But while the gang may be dangerous, Conan has more to fear closer to home. This whole time, he has been fooling Rachel that he and Jimmy were two different people. But Rachel isn’t stupid, and one careless clue too many puts her on Conan trail. The looks of fear he gets when he realizes Rachel may be one to him were just priceless. The relationship between Jimmy and Rachael is a central one to the series, so I really wonder how it will be resolved, assuming the series ever ends, that is. I do want Jimmy to regain his body. The stories when he does are my favorites, but he’s got a lot to answer for with Rachel when he finally does.
Case Closed is a great murder mystery series, that any lover of cozy mysteries, or mysteries in general would love. The title is rated Older Teen, but I think tweens could easily handle it. The murders aren’t gory, and far from the only types of mysteries Conan and company must solve. For good old fashion mystery lovers like me, this is the only option we have in manga, which is a great shame. But I’m glad we have it.
I read some back volumes of Case Closed – Detective Conan recently, and it’s sparked by desire to read more mystery manga. The problem is, of course, is that there just isn’t a lot of other titles available. Seven Seas Entertainment had Young Miss Holmes, and Kodansha had Sherlock Bones, but both are complete. Kodansha does have another mystery series that Western fans are familiar with; Kindaichi Case Files.
Tokyopop originally licensed Kindaichi Case Files, and published the volumes as complete cases, squeezing 22.5 Japanese volumes into 17. While Tokyopop had put the title on “hiatus”, Kodansha pulled the license soon after, killing any fan’s hopes of seeing the series complete. There were only 5.5 Japanese volumes left. That was probably only 2-3 stories!
Now, I know Kodansha doesn’t rescue their older titles, and the 1992 Kindaichi series didn’t sell enough to justify bringing the series back or even completing it, but, there was a second series published in 1998, The New Kindaichi Case Files. This series is only 10 volumes, and continues the adventures of Hajime Kindaichi, his childhood friend Miyuki, and Detective Kenmochi, as they investigate mysteries and murders involving ghosts, monsters, the supernatural and folklore. Tokyopop had originally likened the series to Scooby-Doo, which, with the revelations of the all seemingly supernatural events to be very natural isn’t too far off the mark, also didn’t do much to pull readers in.
Now, if even this 10 volume series seems like too much of a risk to Kodansha, I would be happy with any of the sequel titles that have been released since then. Most of these titles are 1-2 volumes long, with one or two actually making it up to 5. Along with these sequel and short stories, there have been a few spin-off titles. Some give other characters the spotlight such as Inspector Akechi and Takatou, an evil puppet master that Kindaichi faced off against. This title as well as the comedy Mini Vacation are/were released in English on the digital app Manga Box. But since you can’t keep the chapters and they are only around for 12 weeks, it would be nice to be able to get full volume copies, in print or digital. Kindaichi is fairly fresh in fan’s minds with the latest anime having been streamed on Crunchyroll. They could have started releasing the newest series, Kindaichi Shonen no Jikenbo R with it. It would have been the perfect tie-in!
Welp, there you go Kodansha. A whole slue of options for bringing Kindaichi back to US shores. I really wish Kodansha would consider this. Even a digital only release would be welcome. I do so miss my dose of boy detective shenanigans.
In Edo, there is a woman with incredible supernatural powers known as Oyou, the Urameshiya. She is able to banish spirits haunting humans. But her power is a double-edged sword as she is feared by the same people who ask for her help, except for the outcast pickpocket, Saji. After a chance meeting, Saji is attracted to both her beauty and ability, and together they take on the supernatural in Edo.
Urameshiya was among the first selections available when Jmanga went live. I had seen it recommended by fellow bloggers, but its mature rating left me with some trepidation. I put off reading it until Jmanga released their Android reader app. My misgivings were completely unfounded, as I started reading the first volume, and worked obsessively through to the third, with little desire to put my tablet down. This title combines complex characters in realistic relationships with well told tales of the supernatural to create a very entertaining manga.
Oyou, the protagonist of this title, is an outcast from society. Her strong powers make her someone people fear to anger, but at the same time do not want around. She has no family and few if any friends to speak of. Because of her circumstances, she has little use of the niceties of society. She direct, and often blunt when dealing with people, wielding her sharp tongue will little what other will think. No one will want her around or stay with her, so why bother trying to make friends? Even with this attitude, Oyou still helps when she is asked, and sometimes even when she isn’t. She doesn’t tend to take payment for her services, as she doesn’t want to profit from her powers. She believes she will always be alone until she meets Saji.
Saji is also an outcast. He works as a pickpocket at the beginning, which is how he first meets Oyou. He tries to steal her purse, but she catches him. They end up spending the night together. Afterwards, he seeks her help avenging his friend who was killed by a ghost. While Saji is spooked by Oyou at first, he is able to see Oyou for who she is, not what she can do, and promptly moves in with her. Over the three volumes, Saji shows himself to actually be a good-hearted man, taking on more legitimate work, and even takes over a food stand to help out a friend when he gets sick. His devotion to Oyou is unquestioning, though he does get frustrated with her attitude and secrets about her past.
I enjoyed the relationship between Oyou and Saji. It came off feeling very realistic. After a lifetime of being rejected because of her powers, it is difficult for Oyou to let Saji in. Why bother when he is just going to end up leaving her. But Saji is persistent, and doesn’t let her push him away. His frustration with her is understandable, since she can be inscrutable at times, leaving him in the dark about her feelings for him. This forces him into some bad situations, such as trying to make Oyou jealous by sleeping with a promiscuous daughter of a well-off business owner, but he really is devoted to her. Oyou shows her feeling for him too, in her own way, though she is still loathed to admit them.
The supernatural side of the series is just as interesting as the characters. Most of the stories feature someone coming to Oyou for her help, or Oyou and Saji stumbling on a problem that Oyou’s powers can solve. They confront ghosts, yokai, and curses that coast the edgy side, such as the girl who is curse with vagina dentata. That was a hard chapter to forget. While some of the hauntings were by spirits wronged in life, not all of them were ghosts looking to be avenged. Some, like the fallen God of Spring were just plain malicious, and maybe the scariest of them all. By the second volume they are joined by Touka, a fox spirit, who wishes to win Oyou away from Saji by hook or by crook. He becomes a sort of sidekick, helping Oyou out when he can. While I enjoyed all of the chapters in these volumes, I most enjoyed the stories based in more traditional Japanese horror, such as the Yuki-Onna, and the 100 Ghost Stories chapter.
The art of Urameshiya isn’t perfect, but it’s serviceable. Because I love the characters and enjoy the stories so much, I can forgive most of its imperfections. The title is rated mature and for good reason. There are plenty of sexual situations, but they aren’t gratuitous or graphic. They are what you would expect to appeal to older women, which makes me the ideal audience.
The biggest problem I have with Urameshiya is that we only got 3 volumes. The series is currently at 19, and unless Crunchyroll decides to pick it up, There is probably very little chance we will ever see this series again, print or digital. But if Crunchyroll wanted a way to get my money, licensing Urameshiya is one sure way to get it.
Only one name strikes fear into the hearts of evildoers everywhere: Phoenix Wright, ace attorney. Join Phoenix Wright and his adorable assistant Maya–plus Miles Edgeworth, Detective Gumshoe, Franziska von Karma, and others–as they investigate twenty intriguing cases. And find out why Phoenix Wright has devoted his life to fighting injustice!
Publisher: Del Rey Manga
Age Rating: Teen
Genre: Mystery;Video Game Adaptation
Price: $14.95 (OOP)
I think it is safe to say my kids can influence my reading habits. Some people might say it’s good that I’m looking into what my kids are reading and playing. I’ve been reading the web comic Homestuck after they told me about it. And now, after my oldest daughter discovered the Phoenix Wright Nintendo DS video games, and basically told me the whole plot of them, I am now reading the Phoenix Wright manga. I read the first volume of the ongoing series of Phoenix Wright, and didn’t find it appealing from a mystery-lovers perspective. But having gotten this title for her, I decided to read it and see if it could win me over as the ongoing couldn’t. And it did so, in spades!
This volume is a thick 304-page anthology with 20 different stories written and drawn by 20 different artists, as well as 4-koma strips that appear between chapters. Like each creator, each story is different, some being cases, some looking at the characters relationships, and some just going completely meta! The first story, “Progress Toward Tomorrow” has Nick looking inward, trying to answer a simple question posed by Maya; Why did he decide to become a defense attorney? It’s a really nice story that has Nick questioning his reason and motives, and ultimately his effectiveness as a defense attorney. Fortunately for him, Miles is there to slap some sense into him, and get him out of his self-doubt. It was a nice story validating Nick’s choices and his friendships.
“Turnabout Kitten”, “Spirit Medium or Bust”, and “It’s Not Easy Being a Defense Lawyer” are three stories in a row that gave me some laugh out loud moments. Fortunately, no one else eats in the lunchroom at my work. In “Turnabout Kitten”, Maya finds a kitten, and Nick, determined not to have it in the office, tries to find a home for it. He calls Miles, Gumshoe and Larry, all with increasingly funny results, especially between Larry and Gumshoe. “Spirit Medium or Bust” has former client Mr. Grossberg trying to repay Nick and Maya for their help, and goes a little overboard. But the funniest of the three was the meta “It’s Not Easy Being a Defense Lawyer.” Everyone convenes on the Phoenix Wright Offices when they hear Nick isn’t getting any cases. They all have their own ideas, but end up ganging up on Nick for being a weak lead character.
The 4-komas had some great hits too. “Anything But That” is hilarious while also being the stuff nightmares are made of with Larry finding a new job. I also really liked “Let’s Turn It Around.” It explains a lot about Phoenix’s hair.
Because there are different artists for each story, the art does vary greatly, but I really didn’t have a problem with it. I actually liked the different styles. Kaname Uchimura’s big-eyed, shojo-esque portrayal in “Turnabout Misunderstanding” was cute, as was the SD-ish art in “Ball Search Team, Head Out!” by Tomo and “The Mystery of the Missing Manju” by Tsukapon. Not all of the more realistic artwork worked for me, but I think Daigo’s for “It’s Not Easy Being a Defense Attorney” was the style I liked best.
While I really enjoyed this volume, this isn’t the book to pick up if you’re just getting into Phoenix Wright. This is a title for someone who is already a fan, and who knows who the characters are and their relationships to each other. Even with knowing a lot about the characters, I was still thrown by Maya channeling Mia and who Mia was. I had to consult the Encyclopedia Daughterica for that information. If you’re a fan of the Phoenix Wright games, you really owe it to yourself to pick this volume up. It is out of print, but volumes are available new and used for reasonable prices. It’s mostly funny, sometimes emotional, but always enjoyable.
This week I check out some news, the goings-on at Vizmanga.com and review the Yen Press title Umineko When They Cry: Episode 1: Legend of the Golden Witch.
Christie Holmes is a prodigy. At ten-years-old, she’s as familiar with the sciences and classics as any older student at Cambridge or Oxford. And her facility with logic is reminiscent of her uncle, the eminent Sherlock Holmes himself. So, what’s a brilliant young girl to do when her parents are away in India, leaving her behind in the care of maids and servants? Why, solve mysteries, of course. Along with her giant hound Nelson, Christie’s implacable curiosity leads her from one dangerous adventure to another, often joining forces with Uncle Sherlock and Doctor Watson on their famed investigations. Christie may look pint-sized, but her clever mind is never to be underestimated!
I was really excited when I heard about Seven Seas’ acquisition of Young Miss Holmes. I love mysteries and Sherlock Holmes, but have also lately acquired a taste for stories about female relatives of Holmes also solving mysteries. First, his sister Enola Holmes in novel form, and now his niece Christie.
Young Miss Holmes takes classic Sherlock Holmes stories and makes changes to them, mostly to add Christie to the story, but also to make other changes as well. The way Christie becomes part of the story varies. Either she is visiting her Uncle Sherlock and deduces what is going on such as in the “Mazarin Stone”, or she stumbles onto a case the Sherlock is brought in on, such as “The Problem at Thor Bridge”. Christie can find cases on her own as well, as in the “Red-Headed League”, or takes on the whole case herself as she does in “The Adventure of the Dancing Men”. Her inclusion is done very naturally, sometimes needing only minor changes. In “Mazarin Stone”, instead of there being a dummy of Sherlock that he switches places with, Christie plays the part of a life-like doll and gets Sylvius’ confession.
Some of the changes to the story itself include adding characters such as Arthur, the adopted son in “The Problem at Thor Bridge”, and a slightly happier ending to “The Adventure of the Sussex Vampire”, with the inclusion of real vampires in the guise of characters from the series Dance in the Vampire Bund by another creator, Nozomu Tamaki. This story is book-ended nicely with a short story by Tamaki herself.
Christie is just what you would expect from a relative of Sherlock Holmes. She is hyper observant and very knowledgeable in the sciences and classics. She has a strong will and stomach to go with it, and is willful to the point of being reckless. At times she wishes she was born a man and has little patience for other girls her age. She may be just as sharp as Sherlock, but she doesn’t have the experience to put it all to use. Fortunately for her, she has Grace Dunbar as her governess. While there isn’t much Miss Dunbar can do to further Christie’s education, she still assists Christie by helping her look at things in a different way, such as there can be value found in girl’s gossip, and her quiet demeanor calms Christie so she can think more clearly. She is like Christie’s Watson.
There are two maids who often accompany Christie, Ann Marie and Nora. Ann Marie is the head maid and is Christie’s Handmaid. She is the one most often put out when Christie goes on one of her adventures, but she also seems to have a temper and carries two revolvers, which she brandishes whenever Christie is threatened, leaving Christie to sometimes beg Ann Marie not to harm the perpetrator. Nora is another maid, and comes from the lower class. She can’t read or write, and speaks with a lower class accent. She always carries a whip called the Snake Tongue, which she will whip out for any reason necessary. These traits are made all the more fun by the maids’ appearances. Ann Maria appears very proper, but when she pulls her guns, she is far from reserved. Nora has an innocent look with freckles and curly hair, that turns done right demonic when she has her whip in her hands.
I really enjoyed this first volume of Young Miss Holmes. The characters are great, and the stories retain their Holmesian feel while adding a feminine touch. I also liked that Shintani kept the Victorian mores that restricted women so much at the time. Not only does Christie have the mysteries to solve, but she must also do it within the confines of Victorian society. I really enjoy watch females break through that barrier. The art is beautiful, and the dresses Shintani comes up for Christie are just as elegant as they are varied. The art is geared more toward a younger female audience, but that doesn’t make it any less attractive. I had a lot of fun reading Young Miss Holmes, and anyone who loves mysteries and/or Sherlock Holmes will love it too.
Mystery and intrigue, crime and punishment, uncovering the truth–all in a day’s work for the ace defense attorney Phoenix Wright and his beautiful assistant Maya Fey. Based on the hit game series, Ace Attorney brings new adventures to the games’ colorful cast. Can Nick successfully swing the gavel of justice or will he be crushed by the weight of incriminating evidence?
There’s not a lot of mystery manga available in English (unfortunately), so when a new series does come out, I like to check it out. Ace Attorney Phoenix Wright is based on a video game of the same name, and features many of the characters from it. It’s a decent police procedural, but the goofy characters, both in design and personality throws it off-kilter for me.
This first volume of Ace Attorney Phoenix Wright features one-and-two-thirds cases, which serve to introduce most of the characters. The first case has Nick defending his old friend from elementary school who doesn’t have the best luck with the ladies, as he is accused of murdering his new girlfriend’s old boyfriend. The second is much longer, and has Nick meeting a potential client, only to have the client killed in a locked room scenario.
Both stories are well written. The first takes place mostly in the court room, and uses several elements from the video game, including Nick’s “Objection!” pose. The comedy is played up more, particularly between Winston Payne, the prosecutor and Larry Butz, the defendant. In between there is murder and a woman scorned, but the impact of the case is lessened with the more comedic acts in the courtroom. The full impact doesn’t hit until the last page of the story. The second mystery takes itself much more seriously, possibly since it doesn’t take place in the courtroom, and Nick can be more of the detective than attorney. A lot of time is spent setting up the scene and the suspects, with the actual crime not happening until the end of the volume. It’s a good cliffhanger to get the reader back to find out more.
The art is on the cartoonish side, but most of this is because of the source material. The characters all look like their video game counterparts, which does sometimes swing on the silly side. Nick’s hair looks like it was blown back by a hurricane and stuck like that permanently. Larry always looks good with big red cheeks and a lot of cartoonish expressions. I know this can’t be helped as it is the way they characters were designed for the video game, but the whole look didn’t work as well as a manga for me.
I did enjoy the mysteries presented in this first volume of Ace Attorney Phoenix Wright, but I’m still on the fence about getting more. If it were available digitally, I wouldn’t be so hesitant since it wouldn’t take up precious shelf space. For now, Ace Attorney Phoenix Wright will have to sit on the back burner unless I get a craving for some more mysteries.
I had finished reading Spiral: The Bonds of Reasoning a few weeks ago actually, but I’ve been distracted by other things lately (Manga Movable Feast, National Pet Month, etc.) But now that those are over with, I can finally sit down and finish this series up. Spiral turned out to be nothing like I had hoped it would be, and the ending just continues that trend. I found the ending disappointing in a lot of ways.
With these last five volumes Spiral: The Bonds of Reasoning is complete. The final arc, Hizumi, acts as a kind of “answers” arc. Who and what the “Blade Children” are is explained, as well as Kiyotama and Ayumu’s relationship to them. I didn’t like the implications that were made with the explanation, as it went into the realm of the supernatural. This series, as even by its title own admission, is based in reality and reasoning, not appealing to the supernatural to explain itself. The answers that come lately work just fine, and don’t need a creator/destroyer god/demon. The author Shirodaira tries to explain why he went down this path, but it’s a weak justification.
Just as weak is Ayumu’s sudden “enlightenment.” We are supposed to believe that after 10 volumes, that Ayumu’s deductive reasoning kicks into high gear and he is able to figure out EVERYTHING, so nothing is a surprise, and he can’t be plunged deeper into despair, as per his brother’s plan. I suppose, after all that he’s gone through in those 10 volumes, he might be more focused, but it got real boring after a while, when someone would make some revelation, and Ayumu’s reaction is just “I already knew that.” It made so much of these last volumes anticlimactic. Much like the final confrontation. It left me thinking not only “That’s it?” but also “What just happened?” Ayumu and Kiyotaka obviously understood why their exchange had to end that way. Too bad they couldn’t be bothered to share it with the reader.
By the end of this series, I really didn’t like Kiyotaka, and I’m not sure if I’m supposed to or not. He caused a lot of pain and suffering, but it seems that he also really wanted to help the Blade Children. I still don’t know if he was good or bad, or even something in between. But really, it doesn’t matter either. No matter what his intentions were, he caused a lot of harm, and then essentially gets off scot-free and return to his life while Ayumu suffers a slow and painful end completely out of his control. Does he get this because he’s “God?” I thought it was just wrong, and it made the ending suffer all the more.
I wanted to like Spiral: The Bonds of Reasoning. The title and the first few volumes were full of promise, but it went off in an entirely different direction than I would have liked. Even the title turned out to be misleading. In his end notes of the last volume Shirodaira couldn’t justify “The Bonds of Reasoning” subtitle of the series. That was really disappointing to learn. At least the first part of the title was worked in reasonably well. Spiral might not make a bad thriller, but it should have started out that way, and not set up false expectations. If you go in NOT expecting the murder mystery series it starts out seeming as, you might enjoy it more. In the end, I didn’t.
I’m not sure what I’m going to do for next week. I still have series’ to read, but I also have still more review copies to get through. I’m thinking of going through more of that pile before returning to the Manga Wrap Up. I was pleasantly surprised by the last title I read, and am actually looking forward to trying out some more.
- Sprial: The Bonds of Reasoning Volume 11-15
- Free Collars Kindom Volume 1-3
- Chi’s Sweet Home Volume 5-8
- Drops of God Volume 3
- Bamboo Blade Volume 8-13
- Hana Kimi Omnibus Volume 1
- Shonen Jump Alpha Feb 7-Mar 6, 2012