Manga Xanadu

Didn’t I just write about this last week? Oh, wait, that was for Anime Expo! SDCC usually doesn’t come this early, and it leaves fans and companies with barely any down time before they’re packing up for the next show. At least it’s only a 2 hour drive between LA and San Diego. With SDCC being the bigger of the two cons, Viz has more activities planned for SDCC, with more giveaways at their booth, more panels and some con exclusives that SDCC is becoming just as known for. Badger a friend who’s going to get you some.

When Viz Media announced the license of the new Ultraman manga, it was a big deal by itself. But this new announcement that they are bringing the creators of the manga to SDCC just levels the awesome up a notch. The new series, which will be available for purchase early at the con along with a collectible Ultraman figure, will have its own panel, and there will be plenty of opportunities to have that early release manga signed with several autograph sessions. It’s too late to try to get into SDCC now, but if you know someone going to the con, badger them incessantly to attend these events for you, and live vicariously through them!

Manga at San Diego Comics Con 2014 This week I check out This Week’s Manga, a couple of stories In the News, the Top Ten Department, and look at the license announcements from San Diego Comic Con. http://archive.org/download/MangaDomeEpisode68/MangaDomeEpisode68.mp3Podcast: Play in new window | Download

  This week I look at all the manga announcements (or lack there of) from San Diego Comic Con 2013. http://archive.org/download/MangaDomeEpisode16/MangaDomeEpisode16.mp3Podcast: Play in new window | Download

Another San Diego Comic Con has come and gone, and it’s left us with a lot of announcements to sort through. Viz Media, Yen Press, Kodansha Comics and newcomer Jmanga all had panels filled with news and announcements. But who had exciting announcements and who were more ho-hum? Read on to find out more! Viz Media started off their first panel by announcing that their digital manga would be available on android devices. That seemed like an exciting announcement until you go to the Google Play site and get the message that the app isn’t compatible with your device. It seems Viz has made their app for only phones and not tablets. This really disappointed me, since I prefer reading comics and manga on my tablet, but at least android users can finally download their Vizmanga.com manga. They really should have just said phones instead of “devices”. That was really misleading. I’ll be satisfied when they’re available for any device. The only other big announcements from Viz was from their Weekly Shonen Jump Alpha panel. Blue Exorcist, a current title will be joining the digital magazine as a monthly title as will a new series, Takama-Ga-Hara, which just started in…

It was just a throwaway line in an Anime News Network post about Udon Entertainment’s panel at SDCC this year: Udon will also publish a two-volume manga for Sengoku Basara.

Too Much Good Stuff! Deb Aoki of Manga.About.com continues posting her coverage of panels from SDCC. This week she adds an entry for the Best and Worst Manga panel including comments from the panelists. There are more Best and Worst and a whole page dedicated to Most Anticipated. It’s interesting that Twilight made the Best list, but Maximum Ride got put in the Worst. Both make tons of money for Yen Press, so yah there. And the cat manga Chi’s Sweet Home and Cat Paradise both definitely deserve to be in the Best list. I don’t know what I would add to this list. I have hard time saying something is the Best or Worst. Except One Piece. That’s definitely a Best! Also added to her coverage is a complete transcript of the Online Piracy Panel. It’s NINE PAGES. The front page to it give the topics covered in the discussion, but getting the full transcript is almost the same as being there! Definitely thank Deb for her hard work in getting this up for everyone to read. This is a very relevant topic right now as fans and publishers bash heads over the best way to get comics and…

And the Con Goes On It’s been two weeks since Comic-Con, but reports are still coming out with video and transcripts from the manga panels that were held that. While that might be bad (and stressful) for the writing and transcribing them, it a bonus for those us of who couldn’t go! Deb Aoki posts about the manga events on Friday and takes a closer look at the Yen Press announced titles. Comics Journal has video of the Manga for Grown-Up panel and Carlo Santos from Anime News Network talked with guest Moto Hagio. And yes, there will be more links coming. But if you couldn’t make it to the con, they will be worth it. Stuck in SDCC’s Shadow One week after SDCC was Otakon over on the East Coast, in Baltimore, MD.  There wasn’t a huge manga presence there in either publishers or journalists. Ed Sizemore of the Manga Worth Reading blog not only held his own panel on Anime Journalism, but he also did writes up on Manhwa at the con for Manhwa Bookshelf, and days Friday, Saturday and Sunday. Audio from his panel can be found here, a transcript from Anime Diet here, and a report…

San Diego Comic Con Con’t San Diego Comic Con wrap-up dominated the news this week. But this shouldn’t be too surprising considering the size and breath of the con. Friday night ended with the Eisners, where manga may have had great representation in nominations, but in the end, it was only Yoshihiro Tatsumi’s A Drifting Life that was able to take away anything, and saw Naoki Urasawa shut out once again.  A Drifting Life won for Best U.S. Edition of International Material – Asia as well as Best Reality-Based Work. While I’m happy for Tatsumi and Drawn And Quarterly for their win, I think Pluto deserved more recognition than it got, and the Eisners need to look beyond tradition comic publishers for good titles. Saturday brought the Tokyopop and Viz Media: Shonen Jump panels, the only other two publishers to have panels at SDCC. Tokyopop’s panel was filled with lots of announcements, including a new title from Min-Woo Hyung, the creator of the Priest manhwa, called Ghostface. They will be making more of their titles available digitally, including through Zinio and Overdrive. They announced three new licenses, Sakura no Ichiban, Pavane for a Dead Girl and Mr. Clean: Fully Equipped…

This is probably the first time in 12 years straight that we didn’t attend Comic Con. It had been a tradition with us. Every year we would find a way, even if it was just for a day, even just Sunday, to get down to the Con and see things. But not this year. It was a decision we made early, and we didn’t even register for the con. The costs in time and money vs the benefits turned out to be far too much. Last year over the 3 days we saw 6 panels, which is only about 1/2 of what we wanted to see and sat through at least 3 we didn’t just to make sure we got to see the ones we DID want to see. When a con becomes all work and almost no play is when it’s time to call it quits. This is my vacation time I’m taking to do things I enjoy. I already get enough stress at work. I don’t need it following me on my vacation. But that doesn’t mean I don’t miss it. As Comic Con approached, I did find I felt a small twang of regret of not being…

Twitter This The week started out with a bang, and just kept on going! Seven Seas started it off with license announcements on Twitter in anagram form with one clue. All three were guessed correctly by ANN and confirmed by Tuesday, the day of the last announcement. The three titles are ToraDora, Amnesia Labyrinth, and A Certain Scientific Railgun. Two of these titles have anime tie-ins, with ToraDora having already released its first disc earlier this month, and Funimation just announcing the license of A Certain Scientific Railgun at this past Anime Expo. Amnesia Labyrinth also has ties to a previously published work. Nagaru Tanigawa, who is the author of the Melancholy of Suzumiya Haruhi light novels, is also the author of this series. Most of these titles came from ASCII Media Works, which Seven Seas seems to be mining. I’m definitely interested in Amnesia Labyrinth, and not just because it’s by the author of the Haruhi books, which I’ve enjoyed the manga of, but it’s also a mystery. And we can’t get enough of those! One Manga Down, 1000 Manga To Go Wednesday, One Manga, the top scanlation aggregator site on the web announced it would be taking down…

Manga Factory Direct Anime News Network was able to talk to company representative Mika Ogata and get some more details about Manga Factory and their prior relationship with Aurora. Despite having been former employees and having volumes of the defunct publishers books for sale, there is no connection between Manga Factory and Aurora. They are completely new company. The books are just a way to get some funds in. They won’t be making any announcements for licenses for the summer, but considering they’ve just started, that’s understandable. And I think it makes total sense for former employees to band together like this and create their own company. They no doubt have the contacts and the knowledge of the US manga market, that executives back in Japan that were calling the shots didn’t. This is like a manga fan’s dream come true, and I hope they succeed, just to prove that dreams like this can still come true. Manga at the Harveys The Harveys are awards nominated by and chosen for people in the comics industry. Since this is for the US comics industry, manga doesn’t make a big splash except in the “American Edition of Foreign Material” category. Two manga…