Tag Archives: manga movable feast

Why I Don’t Read BL – Manga Movable Feast

I’ve never understood the whole Boys Love phenomenon. I’m not a shipper, so I don’t see the appeal of putting two characters together, let allow two characters of the same-sex. But to be honest, I’ve never read any BL either. I’m not someone who goes out of their comfort zone easily, and I was going to skip this month’s Manga Movable Feast. But then I remembered I had one volume of BL I had received as a review copy back from when Aurora was still around. I had kept it to try, and then it got buried in a box of half read/half unread manga. So I pulled it and decided to read it.

Two of HeartsTwo of Hearts is by Kano Miyamoto. It is one volume long and comes from Aurora’s Deux imprint. It is about Haruya Ito, a writer for an arts magazine who writes articles month to month, but doesn’t seem to have any ambition beyond that. One day, he meets a troubled teenager, Maki Hidaka on the beach near his home. Maki has issues; he’s a germaphobe, OCD about washing his hands, hates to be touched and is malnourished as his mother is an alcoholic and doesn’t provide meals or enough money for Maki to get his own. Haruya becomes interested in Maki, both professionally and personally. He has become a sort of muse for Haruya and he starts working on a novel. His partner and editor, Yasigawa, doesn’t care for the attention Haruya gives Maki which leads to some melodrama, but it’s too late. Haruya has chosen Maki, which Yasigawa finally accepts. The story ends happily with Maki turning his life around, and Haruya being able to write again.

At its most basic level, this is the story of two lost and broken people finding and healing each other. The gender of the characters aren’t really important. It would work just as well with a man and woman, or two women, because the basic relationships are the same. I didn’t have a problem with the story. It’s actually a kind of story I enjoy. But I can’t say I enjoyed this one. The problem for me was the characters. I really couldn’t connect with any of them. It’s not that they were badly written. On the contrary, the characters were portrayed very realistically. However, they felt very dull to me. For me to really enjoy a story, I like to feel some kind of connection to at least one character, but I really felt nothing for any of them. They were exactly as they appeared on the page; flat characters that didn’t speak to me. If they looked more in the  story as they did on the cover, I might have liked it more.

Now, this could just be this individual story. Maybe this one wasn’t the one for me. Maybe it didn’t have the right hook. But I have to be honest, I just don’t get it. I don’t see what’s so great about putting two guys together in bed. The descriptions on some many of the BL books I see usually has one character dominating and forcing himself on the other. This kind of thing is usually decried when it’s a heterosexual couple. What makes it better when it’s a homosexual couple?

I can now truthfully say I’ve tried BL, but it just isn’t my bag. I’m going to stick to my shojo and josei manga for my relationship drama. The closest I think I will ever get to BL is shonen-ai, with stories like Godchild by Kaori Yuki, where the relationship is implied and can be read either as BL, or bromance by the reader. I’m happier that way.

If you want to take home this manga, leave a comment on the post and I will pick one at random to win it. MUST BE 18 OR OLDER.



Manga Dome Podcast Episode 11: Skip Beat Volume 1-11

Manga Dome header

This week I check out some news stories, see what’s new at Vizmanga.com and review the first 11 volumes of Skip Beat for this month’s Manga Movable Feast!

Continue reading Manga Dome Podcast Episode 11: Skip Beat Volume 1-11

Grand Guignol Orchestra Vol 1-5: Manga Movable Feast

In a world infected with a deadly virus that turns its victims into zombie-like dolls call Guignols, a traveling band of musicians, known as the Grand Orchestra, wander the world, and bringing music to the uninfected. For the right price they will perform any song and maybe even a miracle. Led by Lucille, the beautiful singer, the Orchestra searches for the legendary Black Oratorio, which is said to hold the answer to ending the Guignol Virus.

GrandGuignolOrchestra_GN01_coverBy Kaori Yuki
Publisher: Viz Media
Age Rating: Older Teen
Genre: Horror/Romance
Price: $9.99
Rating: ★★★★☆

Grand Guignol Orchestra is latest Kaori Yuki title to be released in English. It is a Gothic horror,  that puts a different twist on the zombie phenomena. I’ve enjoyed Yuki’s work since I first read Godchild, and was looking forward to reading her take on zombies. I wasn’t disappointed. The interesting characters, mixture of music and zombies, and a story with lots of twists and turns all wrapped up in a fairy tale-like setting made this a fun read.

Grand Guignol Orchestra 2Right from the beginning I liked the characters. Lucille, the beautiful, gender-ambiguous leader of the Orchestra starts as rather capricious and a little sinister. But after seeing the “Divine Lightning” in action, a more serious and grim side to him is shown. His motives aren’t revealed at first, and a lot of doubt is cast on him as being good or trustworthy. But as the story progresses, the truth is revealed, and we see that not only Lucille but his sister were manipulated into their circumstances, but Lucille had the strength and courage to find a way out for them.

Lucille’s companions in the Orchestra, Kohaku and Gwindell also have their sinister sides. It is revealed at the beginning, that they are convicted criminals, and travel with Lucille in order to pay down their bail. Kohaku plays the violin, and loves his guns. He is also able to hide and infinite number of weapons on his person. Gwindell, the cellist, is the strong but silent type. He drives the hearse they travel in and carries a hedgehog with him, a memento of his daughter. Both of them claim to not like Lucille, that they are forced to be with them, but when push comes to shove, they do come to his aid. They backgrounds are revealed toward the end, and like Lucille, they are not as bad as they were made out to be.

Grand Guignol Orchestra 3The final member of the Orchestra is Eles/Celes. She is masquerading as her twin brother after her piano playing accidentally sends the surrounding guignols into a frenzy, infecting or killing the rest of the children in town, as well as several of the townspeople. At her father’s behest, she joins Lucille to find a reason to live as herself. She is the sane member of the Orchestra, trying to make sense of the insanity around her. She is also the one person all the members of the Orchestra care enough about to truly want to protect.

The story moves at a brisk pace, as there is only one story to introduce the characters before diving headlong into the plot. No chapter after the first is really a stand alone, as each revelation adds another piece to the puzzle that is finally put together in the final chapters. The twists the story takes, from who and what Lucille really is, to Gwindell’s past, to the final reveal of the true villain made for a great ride. I did like how Le Senat, who seemed to be the villains at the beginning, are slowly revealed to be more than they seemed, and even honorable enough to stop one of their own, and allowing Lucille to complete his mission. I also really liked how all the seeming supernatural elements, such as the Queen’s divine lightning, were explain scientifically. Sadly, it doesn’t take much imagination to see how the world ended up that way, or that one man’s obsession could cause such a world-wide catastrophe.

Grand Guignol Orchestra 4Now, I’m not a big fan of blood and gore, so zombie stories don’t tend to be something I enjoy. This title is a definite exception. Yuki’s zombies are different from the usual rotting, meandering creatures with their flesh falling off. They are more like wooden dolls, with hardened skin and joints, and frozen expressions. I think having them like dolls is much more scary, since dolls are real things, and can be scary on their own in the right circumstances. The “clankity” sounds they make are really creepy. They aren’t completely mindless. Under certain circumstances they can regain their selves, making them less like monsters and more something to be pitied. Music is one of those circumstances.

Music is an important element in this series. The guignols respond to it for some reason, whether its Celes’ piano playing, Lucille’s voice or even a single tone, music can drive the guignols to attack, become themselves for a few moments, or break some control over them. Music is also the way the Queen controls her divine lightning and even some guignols. Ultimately, it is music, a song from the Black Oratorio that finally ends the terror of the guignols. And with the shadows of the original Queen and the King that created her gone as well, the series can reach a happy finale.

Grand Guignol Orchestra 5I really enjoyed Grand Guignol Orchestra. It wasn’t as dramatic or angsty as Yuki’s earlier titles such as Angel Sanctuary or Godchild. Considering what those protagonists had to go through, Lucille had it pretty easy. He still had a lot of difficult obstacles to get through, but he never gave up, no matter how hopeless the situation seemed. That is one of the things I love about Yuki’s protagonists. I was also really happy to see the series had a definitive happy ending, and we are not left to wonder what happened to the Orchestra. Though, Lucille’s face is left in shadow, so we don’t know what effect the destroying of the guignol virus had on him. But then, some things are best left unsolved.

I didn’t have any real issues with this series, other than it felt rushed. I would have liked a few more stories of the Orchestra helping other towns before plowing into the main plot. A little more of Lucille, Gwindell and Kohaku arguing and fighting guignols would have been nice, but not having doesn’t diminish the series any.

Grand Guignol Orchestra ended shy of half a volume, so one of Yuki’s short stories, Camelot Garden was used to fill it out. This is another story that mixes fantasy with science to good effect. It’s premise is similar to Grand Guignol Orchestra with a father determined to keep his daughter to himself though it uses the poem ‘Lady of Shalott’ by the English poet Lord Alfred Tennyson as it’s core. I really enjoy stories that do this, weaving the story and pictures around a poem or song.

I really enjoyed Grand Guignol Orchestra. It has the perfect balance of humor, drama, action, romance and a happy ending. It’s hard enough to get this in any series, let alone a Kaori Yuki manga. This series is rather atypical of most Yuki titles, so while I do recommend it for readers looking to get into her work, be warned that the warm and fuzzies from this series aren’t translated to a lot of her other works. Pick it up in print or in digital on Vizmanga.com.

Manga Dome Podcast Episode 3: Manga Movable Feast

In honor of the Manga Movable Feast, this week I talk about the themes in Kaori Yuki’s manga. I also take a look at the manga nominated for the Eisners this year, and the My Little Pony: Friendship is Magic manga that was recently announced in Japan. Please enjoy!

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Show Notes:

Eisner nominations
My Little Pony: Friendship is Magic manga
Kaori Yuki Manga

Music courtesy of Kevin MacLeod of Incompetech

A Bride’s Story Volume 3-4: Manga Movable Feast

Researcher Mr. Smith has left the Eihon family and is on his way to Ankara. As he awaits his guide in a village, he meets the widow Talas, but his honorable intentions toward her are not seen that way by her uncle who has his own plans for her, and lands the Englishman in jail. Rescued by some familiar faces, his journey takes him through a fishing village along the Aral Sea, where a pair of twins are plotting to land themselves some rich, healthy brothers as husbands.

Publisher: Yen Press
Age Rating: Older Teen
Genre: Historical/Slice of Life
Price: $16.99
ISBN: 978-0-316-21034-8/978-0-316-23203-6
Rating: ★★★★☆

These two volumes of A Bride’s Story leaves Amir, Karluk and the Eihon family behind, and follows Mr. Smith as he travels across the desert on his way to Ankara, where a colleague waits for him with an item he’s been searching for. We meet two different kinds of brides in these volumes, the five-time widowed Talas and the over-eager twins Laila and Leily. While I still enjoyed these volumes, the new characters didn’t grow on my as much as the Eihons did in the first two volumes.

Mr. Smith gets the spotlight in volume 3. After arriving in the village where he is to meet his guide, he meets a young woman, Talas. She offers to put him up until his guide arrives. She and her mother-in-law have been alone for a while, after the death of five sons and the father. Talas thinks having Mr. Smith stay will make her mother happy. I liked Talas. She was quiet and unassuming; the  opposite of Amir in a lot of ways. She’s had a hard life, going through so many husbands so quickly without ever producing an heir, but she bears it all with a quiet strength. Her mother is much the same, having lost 5 sons and her own husband, she continues on alone, thinking only of Talas’ happiness.

Mr. Smith becomes caught in the middle of this, as the mother tries to get him to take her as his bride. It’s interesting to see him struggle with what to do. He doesn’t have a wide emotional range, and often has a bewildered look on his face, except when he has learned some new cultural aspect. When he finally comes to a decision, the circumstances change on him. The change shows how different betrothal and marriage is treated between Europeans and the Western Asians, and the importance of a father in a woman’s life. Even when it is explained to him, he doesn’t seem to fully get it. He doesn’t show any emotion about it until he is alone, and a single act shows his disappointment.

Brides story 4In volume 4 we don’t see much of Mr. Smith, as his arrival in the seaside town causes a stir when his cover story of being a doctor has him overwhelmed with patients from all over the area. This leaves the story open for trouble-making twins Laila and Leily. The two girls are determined to get husbands, and spent most of the volume plotting ways to get them. I really didn’t care much for the twins. They bordered on obnoxious for me. But their story gave an excuse to concentrate on the women’s side again. Laila and Leily were recounted with stories from the older women of how they found their husbands and the tricks they used to land them. And when husbands are found for the girls, their mother has to give them whirlwind lessons in being proper wives, teaching them cooking, cleaning and sewing.

I still enjoyed this series. The cultural aspects shown in every volume are fascinating. In these two volumes we see the importance of being generous and hospitable, as an impromptu meal becomes an event to be shared with. We also get a glimpse on being a groom, as Mr. Smith’s guide, Ali, explains why he took the job even though it was dangerous. He wants to take a bride, but has to come up with the betrothal money himself since his family is poor. So far, we have only been seeing that the bride’s family has to do, and haven’t heard much about what the groom must do as well. Information on the wedding preparations start to get more in-depth as Laila and Leily’s wedding approaches which of course, will delay Mr. Smith who will want to stay and see an actual wedding.

While my enthusiasm cooled a little over these volumes, volume 4 mostly, I still love it. The cultural details that Mori is able to present in the story without it feeling like a lesson is great. This series could easily be used as a teaching aid for the time period. And of course her meticulous art continues to delight. The different costumes she used for the different regions are just beautiful. I’ll continue to give this series my highest recommendation, because, personal feelings or no, this is still one of the best series you will ever read.

Emma Volume 1: Manga Movable Feast

In Victorian England, a young girl named Emma is rescued from a life of destitution and raised to become a proper British maid. When she meets William, the eldest son of a wealthy family, their love seems destined. But in this world, even matters of the heart are ruled by class distinctions.

Emma 1By Kaoru Mori
Publsiher: CMX (OOP)
Age Rating: Teen
Genre: Historical/Drama
ISBN: 978-1-4012-1132-5
Price: $9.99
Rating: ★★★★☆

I didn’t expect to like Emma. I have a split track record with Kaoru Mori’s work. I loved A Bride’s Story, but wasn’t impressed with her short story collection Say Something and Anything, especially the maid stories. But as I started reading, I couldn’t help being enchanted by the charming characters she populates the series with, and sets up so simple an obstacle, but it still seems just as insurmountable.

Emma starts with the unceremonious meeting of Emma and William, the former student of Kelly Stownar, who was William’s governess, and is Emma’s employer. William is immediately smitten with Emma, which Kelly picks up on, while Emma seems not to notice. But William is not the first or only man to be drawn to her, as the pile of love letters she receives shows. Even Prince Hakim, William’s friend from India is taken by her charms at first glance. This first volume introduces these main players, and gives a little insight into who they are.

I absolutely loved every character in this volume. There isn’t a single one that I found annoying or dislikable. William is wonderfully nervous around Kelly, and a little over-excitable when he’s around Emma. Emma herself comes off rather innocent, or naive. While she is able to turn down most of her would-be suitors, William elicits a blush from her. I loved Kelly, who seemed to take great joy in making William feel uncomfortable with her memories of his childhood, but didn’t discourage his interest in Emma. Hakim brought a lot of comedy, with his elephants marching through London, or his motorcar whizzing around the inside William’s house. I also loved his Indian women attendants. Their expressions never change, whether they are draped over Hakim or driving the motorcar, they are always straight-faced, almost bored-looking.

The introduction of William’s father, Mr. Smith, also introduces the main conflict of the story. In order for William and Emma to be together, they must not only overcome class distinctions, but also the attitudes of the people around them. Kelly doesn’t have a problem with Emma marrying up obviously. She seems to be encouraging their relationship. It’s William’s father, and his other family and friends that will be the biggest obstacle to their budding relationship. Mr. Smith makes his feelings very clear at the end of the volume about the relationships between classes, describing them like people from two different countries who just happen to speak the same language.

Because of Karou Mori’s obsession with Victorian England, this title is filled with historical details. From the fireplaces and wallpaper in the homes to the clothing of both the men and women, reading Emma is like watching a BBC historical drama. I’ve never been a fan of the Victorian era, but I love Mori’s depiction of it. The men in their suits and hats and the women with their hair done up and their long dresses and ball gowns, I love the look of them all. But most important was the attitudes and beliefs of the people at them. Mori really gets these, from the working class grocer who doesn’t see the worth in his daughter going to school and learning when she will just get married, to Mr. Smith’s constant harping on William about proper manners. Social etiquette was a big deal to the upper class, as they saw it as one of the things that separated themselves from the lower classes. Having good social graces was just as important as one’s family and blood line. Mori really seems to get this, and isn’t just using stereo types to portray the classes.

This first volume of Emma was an engrossing read that just makes me want to read more. I’m really glad this MMF gave me an excuse to read it. Of course, the problem with reading the first volume of a hard-to-find OOP series is that if you turn out enjoying it, that means finding  the rest of the series will be like pulling teeth. The volumes will tend to be difficult to find or worse, very expense. An incomplete set of the series just recently sold on eBay for $135.00! This is probably the only bad thing about the entire volume that I could find. And with Jmanga ending their service, the chances of seeing this series in print again is very unlikely. Unless Yen Press, who has published two of Mori’s other titles, sees some worth in. Though Yen Press has done some license rescues lately, I’m not holding breath for this one, which is really a shame.

A Bride’s Story Volume 1-2: Manga Movable Feast

Along the nineteenth-century Silk Road, Amir Halgal, a young woman from a nomadic tribe, is betrothed to a twelve-year-old boy eight years her junior. Coping with cultural differences, blossoming feelings for her new husband, and expectations from both her adoptive family, and her birth family, who now wish to see her wed to another, Amir strives to find her role as she settles into a new life and a new home in a society quick to define that role for her.

BRIDE_1By Kaoru Mori
Publsiher: Yen Press
Age Rating: Older Teen
Genre: Historical/Slice of Life
ISBN: 978-0-316-18099-3/978-0-316-19446-4
Price: $16.99/ea
Rating: ★★★★★

I remember when this title was first announced and how excited people were to get a new Karou Mori title. Having not read anything by her at the time, I didn’t see what the excitement was about. But after hearing some discussion of the title, I decided to check out the first volume. I absolutely loved it, and had to buy volumes 2 and 3 immediately afterward. The charming characters and immersion into 19th century Central Asia was a delight to read.

These volumes start by introducing Amir and her young husband, Karluk Eihon. They first meet on their wedding day, and while both seem surprised at seeing the other, both also accept each other. Many of the chapters show their everyday life, with Amir showing Karluk’s family, now her family, her way of doing things, while she learns theirs. There are also stories about other members of the Eihon family, and the Eihon’s nomadic relatives. Also introduced almost immediately is the stirring trouble with Amir’s birth family, who have decided they need her back since her younger sister, who was married off to another tribe, died and they will lose the grazing land they got in the deal. This leads to an armed conflict between the two families, as well as some between Amir and Karluk.

I absolutely loved Amir and Karluk from their first introduction. I adore Amir and her enthusiastic and earnest personality. She can be impulsive, such as when she jumps up to hunt rabbits immediately when she learns the Eihon family hasn’t had rabbit stew before. When given a gift, she feels the need to return the favor and proceeds to shoot down a bird to exchange. She is dedicated to Karluk and treats him like an equal and not a child. Karluk in turn tries to be a husband to her, but still has some problems with being intimate with her. When they are sleeping together in the Yurat while visiting Karluk’s Uncle, he feels more like a child with his mother than man and wife. He proves himself though when he defends Amir from her own father when the Halgal family try to take Amir back by force. He takes his duties as husband seriously, trying to protect her from danger. They make a really cute couple.

The supporting characters are great too. Seleke, Karluk’s older sister, tries to be strick with her four children, but ends up doting more. Their parents are kind and supportive. I loved Balkirsh, the grandmother and matriarch of the family. She doesn’t meddle in the affairs of other family members, but will step in when necessary. She diffused the confrontation between Amir’s brother and her grandson-in-law, and was able to get Amir to rest while Karluk was sick with a cold. She’s feisty, and doesn’t mince her words. And then there’s Mr. Smith, an Englishman living with the Eihons. He is an anthropologist, studying the life and culture of Western Asia. He is constantly asking questions about customs in the village, or for help with translating documents he has found. He is played a lot for comedy relief.

Bride's story 2Mr. Smith and to some extent Amir, is also used to show the culture and customs of the area. Amir, who has come from a semi-nomadic tribe, has a lot to learn about town living. One of the biggest is that the townspeople are much more modest. Amir is constantly causing a stir, such as when she misunderstands Mother and thinks she must clean her clothes and runs out in her underwear. Amir’s hunting skills fascinate the townsfolk, as she hunts rabbits from horseback and brings back deer. The children become fascinated by her bow, and soon she is teaching them how to use it. Through Mr. Smith, more general cultural elements are explained. The importance of embroidery and cloth for dowry is shown in detail, as is entertaining. The townsfolk try to compete to entertain the messenger who bring letters for Mr. Smith.

Because this is “A Bride’s Story”, a lot of focus is put on the women. There is the impression that women are seen as nothing more than property, especially when Amir’s family tries to reclaim her, and the Eihons counter that they have no claim. But it’s not like the women are treated poorly or without rights. Balkirsh commands a lot of respect, even from Amir’s brother when he first comes to reclaim Amir. And as is shown with Amir, they can be hunters and herders, and not limited to the household. I don’t see the arranged marriages as a way to control women, but as part of the complex social structure passed down through the generations. Compared to European women of the time, the women of western Asia had a lot more personal freedom.

The art is just exquisite. The detail that Mori puts into the clothes and rugs is amazing. The costumes are beautiful and varied, reflecting their different origins. It’s not just material that is so ornate. Wood carving and even the making of bread is shown to be decorated with beautiful designs, and their creators are shown to put great care into their craft. I loved the chapter with the carpenter, and the time he spends creating ornate doors and posts. I also love the wide-eyed expressions that both Amir and Karluk have. It makes Amir’s enthusiasm all that more infectious, and Karluk just looks cute, even when he’s trying to be heroic.

I can’t say enough good things about this series. I loved it from cover to cover, and it just gets better with every re-read. Amir’s story is funny, exciting, and touching. A Bride’s Story is one of the best series you will read, filled with great characters, fun slice of life moments and charming characters that you will never want to leave. It’s a great investment of both time and money.

Giving Thanks: Manga Movable Feast

While I usually do reviews for the Manga Movable Feasts, this month’s topic, manga we are thankful for, definitely calls for something more. It was hard to try to think of a particular manga I was thankful for reading. I wasn’t really introduced to manga. I was already reading coming in Jr. High, and was introduced to anime fandom in high school, and US floppy comics editions of manga came with that. I bought my first Japanese manga, Dragon Ball, after seeing my boyfriend’s (now husband) collection. I didn’t buy my first US manga Dragon Knights, until 2003, and that was while looking around at our local comic shop. So I guess the first one I am thankful for is Comic Quest, who always had, and still does have, a good selection of manga. It was through them that I was able to start my manga collection and make it grow. We didn’t have a Borders or Barnes and Noble nearby at the time, so for several years, this was my only source of manga.

I am thankful to Viz for not just bringing out all the popular Shonen Jump titles, but also for their monthly magazines Shonen Jump and Shojo Beat. Both magazines introduced me to titles I might not have picked up and tried otherwise, especially Shojo Beat. At the time, I looked down on shojo manga as being girly and needlessly melodramatic. Shojo Beat showed me how wrong I was, and how great some of these manga can be. Nana and Godchild are the titles that turned me around. Now, shojo manga probably makes over half my collection, where before it was dominated with shonen.

I have to be thankful to Tokyopop and CMX for showing that Shueisha and Shogakukan weren’t the only publishers to put out good manga. Tokyopop brought out lots of great Kodansha titles such as Fruits Basket, Case Files of Young Kindaichi, and Sailor Moon. They are also responsible introducing CLAMP to the US, and dabbled in non-Japanese manga such as manhwa from Korea and their branded OEL manga from American creators. CMX for all it’s faults at the beginning, brought us some great shojo manga such as King of Cards, My Darling, Miss Bancho and Stolen Heats. The last two titles were never completed which leads me to my next things to be thankful for.

License rescues can be risky business, but for us fans that don’t get to see our favorite titles completed, they are something we are very thankful for. It’s a wonderful thing whenever a publisher announces the return of a series from a publisher that went belly up, because it means a book that went out of print becomes available again, can get a new translation, and may very well be completed! This isn’t always the case, such as Aria with Tokyopop, but we did get more than ADV Manga released, and that is better than nothing. While Yen Press and Viz has done some amazing license rescues lately, Jmanga has to get the biggest pat on the back with rescuing titles from CMX, Tokyopop and Kodansha! Being able to read more tactics and Fairy Navigator Runa is just awesome.

I’m thankful that publishers have come to realize that there are older readers who want something more sophisticated than what a shojo or shonen manga can provide. Tokyopop short forays into josei manga such as Suppli, and the whole Viz Signature line with includes both josei and seinen manga such as Dorohedoro and Ooku: The Inner Chamber have been great for us readers who want mature to mean something more than sexually graphic.

Lastly, I’m thankful to the manga blogging community who helped either directly or indirectly in creating this blog so I could write this post. Brigid Alverson and her Manga Blog that introduced me to the manga blogging community and got me my first reviewing gig, and Craig Johnson of Manga Life/Comics Village for giving me the opportunity. Thanks to John Thomas, Dan Polly, Charles Tan, Katherine Farmar, and Justin Colussy-Estes for writing for Comics Village/Manga Village, and to Alex Hoffman and Amy Groki for continuing to do so. Thanks to everyone who gave words of encouragement and advice, and who even just read my blog. I wouldn’t be here without any of you.


Chibi Vampire: Airmail and Bites

Chibi Vampire is a title I ended up really enjoying. So, after finishing the series, I picked up the two spin-off volumes that came out after the title finished publication here in the US; Airmail and Bites. While both return you to the world of Karin and her family and friends, they do have their ups and downs.

Continue reading Chibi Vampire: Airmail and Bites

Dracula Everlasting Volume 2: Manga Movable Feast

Nicholas Harker discovered he is heir to the legacy of an ancestor he never knew he had: Dracula. Under his progenitor’s evil influence, Nicholas has begun, with a vast fortune at his disposal, to rebuild Castle Dracula in the outskirts of Boston, leaving behind a wake of corpses. While the love of Jill Hawthorne seems to be the only thing that weakens Dracula’s hold over Nicholas, Mason Renfield realizes he must remove her from the picture, in order to usher in the full reemergence of his dark lord. But Jill’s new friend, the fiery wiccan Cate, has plans of her own—to destroy Nicholas and avenge her mother’s death.

Story by Nunzio De Filippis & Christina Weir; Art by Rhea Silvan
Publisher: Seven Seas Entertainment
Age Rating: Teen
Genre: Supernatural
Price: $10.99
Rating: ★★★½☆

After reading volume 1 of Dracula Everlasting, I had some doubts about the series. I was under the impression that Nick was to be the protagonist, but this volume proves that isn’t the case. Cate and to some extent Jill are the ones to really move the story. While I do like good, strong female characters, as Cate and Jill are portrayed, I imagined a different story in my head. It’s not that this story is bad. It’s just not what I expected.

Cate, who was introduced half way through volume one, takes the initiative in this volume. She does the research and the footwork to put together an arsenal of holy water, silver bullets and stakes to use against Dracula. She also finds the Van Helsing who will be needed to defeat the vampire. It shouldn’t be too much of a surprise who is it. Sadly she discovers this too late for Detective McAllister, who was her initial candidate. His spirit is still around, whether because of magic or his unsolved murder is unknown, but I do hope he comes in handy later. It’s too bad he’s gone. He and Cate make a cute couple.

The one person who isn’t much help is Jill. She knows something is up with Nick, but doesn’t do anything about it. She lets him kiss her, and then lets him push her away. Nick is stupid to use Jill as he does with just getting a touch from her and then bailing, but Jill should have been more assertive with him. He’s obviously easily dominated. When Cate mentions her mother was killed by Dracula/Nick, Jill asks which victim she was without batting an eye. I’m glad Cate calls her on it, but she doesn’t have a good response. I thought she was smart, but she falls too easily for Mason’s advances. Again, it’s Cate who has to verbally smack her to get her to wake up. I get that she doesn’t believe Cate about her connection to the whole Dracula thing, but I really didn’t like that it took killing her mother for her to finally accept it.

The middle volume in a three-volume series is usually the weakest, as it has to either keep the status quo, or be the dark before the dawn. This volume is the latter, but I enjoyed this one more than the first. Now that I realize that Nick is not the main character, but that the girls Jill and Cate are, the story makes more sense. It’s nice to have a “Prince in distress” for a change. Though, I think the story I originally thought this would be, the internal struggle between Nick and Dracula, would still be interesting, if Nick had the will power. Another plus was that there were only a few scenes with the Renfields, which also included a possible foreshadowing of some just desserts for Mason.

I did like this second volume of Dracula Everlasting, but Cate was its saving grace. Without her, this would have been very dull with Jill doing nothing and Nick being the Prince of Darkness, asking why it’s so important to dispose of a body, and shaking an old man fist at the cell phone. The lack of vampire action was a little disappointing too. There was only one on-screen kill, and the battle at the end. I’m gonna stick around to see the end of this series. I want to see the girls take out Dracula and find out if they can save the (cute) boy.

Digital review copy provided by publisher.

Blood Alone Volumes 1-3: Manga Movable Feast

For recently turned vampire Minato Misaki, vampirism and the beastly powers that come with it are something that she wouldn’t wish upon her worst enemy, let alone her beloved Kuroe. But Kuroe’s supernatural investigations make him a regular target of not only vampires but of all sorts of undead creatures of the night. The only way to save him from these deadly threats may be to do the one thing that Misaki fears the most: to turn Kuroe into a vampire for his own protection.

By Masayuki Takano
Publisher: Seven Seas Entertainment
Age Rating: Older Teen
Genre: Supernatural/Vampires/Horror
Price: $15.99
Rating: ★★★★★

I’ve had this volume in my review pile for a while, and kept meaning to read it. I’d heard a lot of good things about it, and after reading a review of it for the Manga Movable Feast I hosted last year, I was really interested, but I am easily distracted, and it was soon buried by the growing review pile. With this month’s MMF being about vampires, it seemed the perfect time to dig it out. And I’m really glad I did. Blood Alone isn’t the typical vampire series with a lot of angst and melodrama. Instead, it is populated with rich, interesting characters and a story that is a mix of slice of life and murder mystery with a sprinkling of vampires.

Blood Alone revolves around Kuroe, a former Vampire Hunter and Misaki, a young vampire girl. It might seem like an odd pairing, until you get to know them. As the story begins, we don’t know how long they’ve been together, but it’s obviously been a while, as they are comfortable with each other and have a set routine. Masaki isn’t a vampire who just looks like a 10 to 12-year-old girl, she actually is still a tween. She doesn’t like to sleep alone, is afraid of thunder, and can be melodramatic. She has a big time crush on Kuroe, and is quick to get jealous when any other women speak to him. She is sweet and innocent in a charming kind of way. She doesn’t like being a vampire and hates having to drink blood. She doesn’t know much about her new abilities, so it’s cute when she tries them on Kuroe for the first time.

Kuroe appears rather laid back. He is a writer, but to cover bills between books he also works as a private investigator, taking jobs as varied as finding a lost cat to being a bodyguard. He appears unassuming, but he’s actually a well-trained fighter and seems to have quite a reputation in the vampire community. He is absolutely devoted to Masaki, often worrying about her when she goes off on her own, and trying to give her time alone with him. His feeling for her however are much more of a brotherly kind. Kuroe doesn’t appear to have an interest in anyone romantically. He was infatuated with his older sister, who was taken by a vampire several years earlier, and is probably the reason he became a Vampire Hunter. He does have a special ability that he earned while trying to save his sister. His eyes were wounded by the vampire, and now he can see when something is trying to be something it isn’t. And he’s immune to vampire tricks. A rather useful trait for a vampire hunter.

Assisting Kuroe and Masaki is an interesting supporting cast. Sayaka Sainome is a long time friend of Kuroe’s who is the head of a police forensics department. She often asks Kuroe for help in cases where the supernatural might be involved. She is also Masaki’s potentially biggest rival for Kuroe’s attention. Higure is an elder vampire who looks like a boy, but is really very old. He controls the vampire territory where Kuroe and Misaki live, helping Misaki learn about her vampiric powers and tolerating Kuroe. Sly is an underworld figure who is a friend of both Kuroe and Misaki who also happens to be a vampire. He helps them out with information. His partner is a cat named Larry. While it doesn’t seem right to call any cat “owned” by a human, it seems especially inappropriate for Larry.

The stories range from slice of life stories, such as Misaki’s humming inspiring a down and out musician to write again, to murder mysteries, with Sayaka and Kuroe hunting down a serial killer’s soul, to action with Kuroe fighting a vampire guild of assassins. The mix of stories keeps the series from getting boring or bogged down, as it never spends too much time on any vampire angst. The side characters get some attention too. Sayaka gets a story to work out issues she had with her deceased father. What I really enjoyed about this omnibus, was how easy it was to get lost in volume. At three volumes it was the perfect length, and the kinds of stories covered made for a perfect introduction to the characters and the world. The art is beautifully rendered as well. The characters never get too silly looking. All of their emotions are handled realistically, without being too realistic.

Blood Alone is exactly the kind of vampire title I’ve been looking for. It has a strong and varied range of characters and stories to suit. It has its own vampire mythos that doesn’t stray far from established canon, and doesn’t dwell on the angst of being a vampire. It acknowledges it without letting it overwhelm the story. This is a great title for readers who want more from their vampires than just killing things or moping. I highly recommend it.

Digital review copy provided by publisher.

Otomen Volume 1-5: Manga Movable Feast

Asuka Masamune enjoys the girly things in life, such as sewing and cooking. But due to a traumatic event that happened with his father when he was young, he can’t ever let his mother know about this side of himself. In fact, he thinks he can’t let anyone know, and so he plays the part of a stoic manly man, excelling in kendo and reading Bushido. But there is one person in his class who does know about the real Asuka; Juta Tachibana. He is a mangaka, and has created a popular series using Asuka as the model for his female lead. In order to further his manga, he encourages Asuka get closer to Ryo, a new girl at their school that Asuka has fallen for. As his relationship with Ryo slowly develops, Asuka meets other otomen and learns he isn’t alone.

By Aya Kanno
Publisher: Viz Media – Shojo Beat
Age Rating: Teen
Genre: Romantic Comedy
Price: $9.99
Rating: ★★★★½

When Otomen first came out, I wasn’t impressed by the premise or the preview that ran in Shojo Beat at the time. I also didn’t care for Kanno’s previous title Blank Slate, so I didn’t have a lot of hope for this new one. A podcast review convinced me to re-evaluate and give the series a try. I’m glad I did. Otomen is cute and funny, and is more comedy than romance.

What really makes Otomen is the characters. When Asuka is first introduced, he looks the part of the manly man. Strong and silent, dressed in this kendo robes, he looks like he could have stepped out of a shonen manga. And then he starts to fall for Ryo, and his true self comes out. I love the scene with him after going on a “girly” spending spree and bringing home all kinds of crafty things and shojo manga. His despair over this is made more funny when he puts together a stuffed bear without really realizing his was doing it! I really enjoy the role reversal that Kanno has created with Asuka. He is very much the shojo lead, as all his inner thoughts and turmoil are shared with the reader. He even blushes a lot like most shojo leads. I really love Asuka’s dichotomy of still being a man while having all of these traditionally female hobbies. If only more men could be like him.

Surrounding Asuka is quite a cast of characters. Ryo, his love interest, complements him well. She can’t cook, or clean, and is hopeless at sewing and crafts. She has a masculine outlook, and though she says she prefers manly men, she doesn’t mind his feminine ways. She often takes the traditional male role such as being the brave one in a haunted house, or riding in on a white horse to rescue him from an arranged marriage. Juta Tachibana is a bit of a playboy, and has been orchestrating a lot of Asuka and Ryo’s relationship for the sake of his shojo manga, “Love Chick.” He will go to any length to get good material for his manga, including playing a rival for Ryo’s affections, breaking and entering Asuka’s potential bride, and staying outside the old school building in a blizzard so Asuka and Ryo can be alone in a romantic Christmas moment. He is also adament about not letting his real identity get out, and is even willing to dress up as a woman to keep it secret. I think in a lot of ways, Juta is the first fellow Otoman that Asuka meets.

And there are more otomen out there. Asuka’s self-proclaimed kendo rival, Hajime Tonomine turns out to have a secret passion for makeup and giving women makeovers. They end up working together when they are asked to help out at a women’s event and don the costumes of members of the Harakiri Ronin Samurai Five, and then volunteer to give a makeover when the artist gets stuck in traffic. I love when manga references Tokusatsu shows, so I really enjoyed this chapter in volume 3, and was thrilled when they made a come back in volume 5. Then there’s Kitora Kurokawa, who loves flowers too much. He is very tall and since he doesn’t talk much is seen by the other girls as mysterious. His weakness is wanting to cover beautiful things in flowers, which includes Ryo, Asuka, Hajime and even Juta.

The story starts out focusing on Asuka and Ryo and Juta using them for his manga, but then shifts toward more with discovering more otomen. I’m glad the story did start to shift, because Asuka and Ryo’s relationship really wasn’t going anywhere by volume 3, so it really needed something more. But I did start to miss hearing about developments for Love Chick, and really enjoyed the chapter in volume 5 where Juta has to accept an award, and has to come up with a way to do with revealing he’s really a man as his editor wants, and he’s rescued by his idol mangaka. Kanno also does a good job of balancing Asuka’s two sides, the masculine and feminine. He can be really cute sometimes when he blushing, and others thinking he’ll make a good wife. But he’s still a man and it still comes through when he leaps to action to save Ryo from a bull, a bomb, or a little boy from falling out a window. Asuka is the ideal man.

Otomen is a great series, filled a lot of great characters and funny situations. It’s romantic comedy at its best, because it is so unconventional in its material. I look forward to reading more about Asuka, Ryo, Juta and the rest of the otomen. And since this title is available on Viz’s manga site, I can just right back in where I left off without overloading the bookshelf. If you want some light, fun reading, definitely pick this title up.