Tag Archives: Rant

Banned From My App

Viz DigitalI have really grown to like digital manga. Considering the lack of space I currently have, and the difficulty I have in letting things go, being able to stack digital files is a lot easier than physical books. And they’re a lot easier to carry. I can carry several different titles to suit what ever my mood is in just my tablet, and it’s a lot easier to eat and read on a tablet that can stand on its own and doesn’t need one of my hands to hold it open.

The Vizmanga app has been one of these platforms that I’ve been buying my manga on, though reluctantly lately. One of my problems with it is that there is no way to back up the titles I purchase. They can only be downloaded and viewed through the app. This isn’t so much a problem if something happens to my device. I can just download them again on the new one. But what if something happens to Viz and their servers go down? They say everything will still be available and working through the app.

happy marriageWell, that’s not entirely true. Viz’s mature titles are not available to download and read through the app. They can only be read online through a PC/Mac with flash. This is actually very limiting. The whole purpose of digital manga is to be able to read it anytime, anywhere, just like the print, but more conveniently. Limiting the ability to read manga I supposedly own is not convenient. I am more often in an environment where I can’t get online with my device and the available PC is not flash enabled. Yes, I can read something else, but that isn’t really the point. I love digital manga because it’s supposed to give more freedom in what I read and when. Viz banning their own titles from their own app is actually ludicrous to me. If you are going to sell Mature manga on your site that is supposed to be available through your app than make ALL OF IT available. Don’t say “You can read all of these titles you’ve bought anytime, anywhere, but don’t even think about those titles.”

I’ve partially solved this problem by not buying anymore Mature manga through the Vizmanga app or website. I should be able to read any title I’ve bought anytime I want, and should not be limited by whatever hangups a publisher has about their own titles. But this now means I have my digital manga divided up between apps, and even some series. I shouldn’t have to have multiple apps to get titles from the same publisher, but to make digital manga work for me, I just have to, and I really think that’s wrong.

Manga Dome Podcast Episode 41: But Is It Creepy?

Manga Dome header

This week I check out some news and regular features Weekly Wish List, Vizmanga.com update and the New York Times Bestseller List. I then rant about a reviewer’s comments about Wedding Peach.

Continue reading Manga Dome Podcast Episode 41: But Is It Creepy?

Shonen Jump April 2012: The Final Issue

There is no Manga Wrap Up this week, as I didn’t read any manga. I’m still working on my prose book, so maybe next week. Instead I thought I would finally give my thoughts on the final print issue of Shonen Jump and the way Viz Media handled the move to digital from the perspective of a long time subscriber. The final issue is a 392 pages, and harkens back to the good old days.

The issue is mostly just like any other issue of Shonen Jump with the same monthly chapters of Bleach, Naruto, One Piece, Psyren and Yu-Gi-Oh! 5Ds, as well as the prerequisite Yu-Gi-Oh! trading card, this time from the new series, Zexel. What makes this issue so much bigger, is the inclusion of the three new titles that will be in Alpha; Toriko, Nura: Rise of the Yokai Clan and Bakuman. Psyren and Yu-Gi-Oh! 5Ds will not be moving to the magazine, but Viz did announce that they would be available on Vizmanga.com. The chapters for the new manga, as well as for those moving the Alpha are part of the “Warp into SJ Alpha”. Basically, these are the chapters that precede the starting digital chapters in the first SJ Alpha issue and are accompanied by a short paragraph explaining that chapter.

Okay, I had mixed feelings about this particular move to digital. On the whole, I approve of most of Viz’s digital strategy so far. If they would just bring out an Android app and stop pushing all the iCrap, it would be great. I know a lot of people have been calling for Viz to catch up the Japanese releases, which we’ve seen with Naruto and One Piece. SJ Alpha is another jump, taking the Shonen Jump titles to within 2 weeks of Japan. And here’s where I have the problem. Shonen Jump was ahead of the volume releases in the US, but WAAAAYYYYY behind the Japanese. So, going from Shonen Jump to SJ Alpha means BIG jumps for loyal readers. Naruto and One Piece aren’t so bad. They are only a 38 chapter jump. But when you get the other titles, it’s not so pretty. Bleach is a 147 chapter jump; Bakuman is 83 chapters from the last digital volume; 129 chapters from Nura‘s last digital volume, and 92 chapters from Toriko‘s last digital volume. Some of these jumps in story are outrageous!

Yes, I’ve been through these jumps before, with Naruto twice and once with One Piece. But when Viz did these, they at least had the courtesy to include features in the magazine that gave the subscribers an idea of what was going on in the jump, so when the chapters resumed in the magazine, they wouldn’t be totally lost. Not this time. Now, we are dealing with enormous jumps in story, between 7-13 volumes worth, and several story arcs worth and what do we get in the last issue? One paragraph? Really??! This is how subscribers, many of whom have been with the magazine since the beginning and who DON’T read scans (like me), are rewarded for our loyalty? Viz can’t even be bothered to thow us a bone and just give us a list of volumes, what story are they fall in, and a brief synopsis of the arc? They managed it with 30 volumes of One Piece. The second Naruto wave had features for 2 or 3 issues giving the low down to subscribers about what was going on. Are readers of scans, who are still gonna complain about the lag (OMG! Two weeks?! I want it the same day!!), MORE important that the paying fans? It sure seems like it since the way this jump has been handled only rewards those who have been reading scans all this time, and punishes the legal readers.

And talk about missed opportunities! Viz did a special “Preview” issue before the first Alpha issue came out, and what did they put in that preview issue? The first chapter of each of the SJ titles! How completely useless is that? First, all of those chapters have been available on the Shonen Jump website, some for years! And reading the first chapters does ABSOLUTELY NOTHING for someone starting with SJ Alpha. All of the titles are so far ahead of what happened in their first chapters, that it’s practically misleading to present them as representative of the titles now. Naruto and Bleach are nothing like how they started, and not in a good way. One Piece has changed greatly too, but it’s been for the better. This preview issue could have been better used to prepare readers for the jump instead of just rehashing old material.

I’m really disappointed in the way Viz handled this jump. It feels like there was little to no planning for it. It was announced publicly in October, and by being generous, we can say the next two issues were probably already set, but that still gave Viz 4 more issues to tell subscribers about what was coming up and prepare them. The online issue could have been done at any time. This is a fail on so many levels. And I’m not the only person to feel this way. The comments section of the first issue was filled with people just as surprised as I was by the jump. I don’t know if I’m going to keep my subscription beyond the 6 month committment I made after this. Apparently, I’m not a valued customer anymore. It would have taken so little make this right, and yet I’ve seen nothing from Viz to rectify it. The way it looks to me is that Viz threw their subscribers under the bus in favor of a phantom demographic. And in business, perception is everything.

Looking Ahead to 2012

Looking back over 2011, I realize it didn’t quite turn out as I had intended it. RL seriously intruded on my blogging and reviewing, though I have tried to at least update once a week. My company’s move to a new computer system not only took up a lot of time, but sucked a lot of life out of me. (BTW, if you ever hear the word ‘Oracle’ at your company, run away. Very fast. Or stock up on alcohol. I’ve heard that helps a lot.) I even missed this blog turning 4 in November! That’s how out of it I was!

With all of that behind me, I know look ahead to 2012, and my plans for the new year. In my last anniversary post, I said I was going to donate some of the manga I wasn’t reading anymore to my local library. In the last week of 2011, I finally did it. I took 71 volumes to the children/teen librarian after communicating my wishes. A look at the library’s graphic novel collection showed that it really needed some help. I took over mostly completed series’ or one shots, so that there wouldn’t be gaps of hangings. The only exceptions to this were Detective Conan/Case Closed and Ranma 1/2, of which I had the first 5 volumes of, and the first volume of Twilight. If Twilight proves popular (yeah, if), I’ll try to see about getting the second volume for them. It was still hard for me to do this, even after I had made up my mind, put the books in a separate book and even put the box by my desk. Even now, I feel pangs of regret, even though I know the title I gave away are things I won’t read again. It’s hard to be a packrat/collector.

In order to continue to reduce my manga collection, I have to really start to read more. I have several completed titles that I’ve read most, half, a few volumes or even none of! I’m making it a goal this year to get through these titles and see more of them go to the library. It should come as no surprise that most of these are shonen titles. I finding I’m not as enthusiastic about shonen as I was 10 years ago. There are exceptions of course, such as One Piece, but reading the latest Shonen Jump made me realize how much I didn’t care about the story or characters in most of them. I’m kind of glad Viz went digital with Shonen Jump. Now I can read them with out having piles of magazines cluttering up my house. In order to help me keep up on this, I’m going to keep track of the titles I read here, and maybe even do a short review consisting of a couple of lines if the mood hits me.

And speaking of digital, I will be trying to get more manga that way, at least as much as the publishers will allow me. I’m going to rant now for a few lines (paragraphs). I want to support publishers and their move to the digital realm. Digital manga is great, doesn’t take up shelf space and on the right devices, can actually look as good as print. The problem is that publishers AREN’T making their digital manga as available as their print. Viz, Yen, and new comer Kodansha are keeping their manga on mostly proprietary devices. iOS devices still get the preferential treatment, and recently both Viz and Yen put manga on Barnes and Nobles Nook tablets. Yet they continue to ignore Android. Just over Christmas, 1.3 million android devices were activated. Do they really think it’s a good business plan to continue to ignore this market? Yes, they give lip service to Android, saying they’re “working on it”, but I’m really tired of that excuse. Just as I’m tired of “Android is difficult to program for.” Sorry, that doesn’t cut it any more. Nook tablets and readers are Android based. If they can make their manga for those devices, they can make it regular Android devices. I want to be a legal buyer of manga, but right now, the aggregators and scanlators hold the Android market. How is that helping their cause? And if they give the excuse of the Japanese publishers are keeping them from going it, and then Jmanga gets an Android app out before them, then they should just hang their heads in shame. Both the US and Japanese publishers who are limiting the readership.

And before anyone says I should vote with wallet and not support the publishers, let me say I AM. I will not buckle under and buy the hardware they are putting their manga on. Content should never be limited to a hardware platform, and yet that is EXACTLY what all the manga publishers are doing. If you don’t buy this other company’s hardware, you can’t have our books. That’s not the way to expand readership. That’s how you limit it to an elite few, and I don’t believe books should ever be limited to one group over another.

And while I’m ranting, Jmanga, GET SOME VOLUME 2s OR MORE UP! It’s nice that you are getting titles up, but there have been hardly any second volumes go up since the site started. I’m not going just keep getting the first volumes of titles if there is no hope of the titles continuing! Yen Press, even if you do finally put your manga out on a platform I can read, I’M NOT PAYING $8.99 FOR THEM! I wouldn’t pay Jmanga that much, what makes you think I’ll pay you that? And Square Enix…just get over yourself. Did anyone notice your site was down and unavailable? No? That should tell you something. Alright, I’m done.

I’m looking forward to a more productive year here at Manga Xanadu. And while I do feel a little prideful at the size of manga collection, logistically it’s not feasible for me to have over 1000 volumes (which I probably had at one point this year). I’m hoping for more manageable shelves, and to fill more digital shelves. This will also hopefully mean more content for this blog. I hope you’ll continue to follow me into the new year.

BTW, little known fact. 2012 and the end of the Mayan calendar wasn’t originally meant to mean the end of the world. It was supposed to be when the Maya, who are actually beings from the star Arcturus in the Pleiades cluster, will return to earth via their “galactic synchronization beams” and transform reality. So, no worries about the world ending. :) (Source: Frauds, Myths, and Mysteries; Science and Pseudoscience in Archaeology by Kenneth L. Feder, 1990 edition.)


Why Can’t I Find This Volume?

Like a lot of people, I can’t keep up with all the titles I want to read, so some have to fall back and wait to be caught up on. Usually this isn’t a big deal. If it’s a recent series, within the last two years or so, and the publisher hasn’t gone under, or lost the license, catching up is usually as easy as getting online to Amazon or some other online retailer and ordering the missing volumes. In trying to do this though, I’ve run into some stumbling blocks, and it is absolutely perplexing to me as to why.

Continue reading Why Can’t I Find This Volume?

Lost the Battles but Won the War?

Manga has had a tough go of it lately. Publishers have been cutting back on titles and people, and now, we’ve seen the first casualty of 2011.  Tokyopop, one of the three biggest publishers of manga in the US is closing down its publishing division. I’m not going to go into the details about why this may have happened. I’ve already given some of my thoughts in this post, and other people have dissected Tokyopop’s 14 year history already. No, I’m looking at the final message from Stu Levy, president of Tokyopop. After the announcement was made, he put up a message at Tokyopop.com, now long gone, but other people posted copies on their own sites. He talks about the history of Tokyopop and it’s accomplishments, and then gives himself a pat on the back with this:

Fourteen years later, I’m laying down my guns. Together, our community has fought the good fight, and, as a result, the Manga Revolution has been won –manga has become a ubiquitous part of global pop culture. I’m very proud of what we’ve accomplished – and the incredible group of passionate fans we’ve served along the way (my fellow revolutionaries!).

“Won” the revolution? Really? And how do you come to that conclusion? Tokyopop can definitely claim starting the “manga revolution”. Comics for girls were practically unheard of in the late 90s and early 2000s. Manga has been responsible for creating more readers of comics, some that even jump over to floppies. But Tokyopop isn’t responsible for that. They had some hits early on with Sailor Moon and Fruits Basket, but if anyone was responsible for bringing manga out of shadows and into light of mainstream, that has to go to Viz Media, and their mega hits with Dragonball, Rurouni Kenshin, Naruto and Bleach. It’s these titles that really sold and made the mainstream really take manga seriously, not Tokyopop’s catalog of mostly ‘B’ and ‘C’ list titles.

Survived the revolution, maybe I could see. But how is it a win when you start-up something only to drop it before it has a chance to go anywhere? Where would the US and Europe be right now if Patton had had the same follow-through as Stu did at Tokyopop? How is it a win when the company had to go into reorganization in 2008, putting several titles on “hiatus” and putting even more on a once-a-year release schedule? With all these lost battles, how can anyone claim to have “won?”

I really hate this excuse to get out of Doge. I’ve heard the same thing from old-time, former anime fans who want to give an excuse for no longer being interested in anime, and need to justify all the time they spent promoting anime through clubs. If Levy was so “proud” of what was done, why was he so anxious to pull the plug, especially when Tokyopop was starting to become relevent again? They had some good titles coming out that was making people (like me) take them serious again.

Please, Stu, just spare us the lip-service and tell us the truth. You weren’t getting the attention you wanted anymore as a publisher and wanted the spotlight again as a “director”, so you’ve left thousands of “fellow revolutionaries” out in the street and killed lots of titles that will probably never see the light of day. Good job Stu.

Please Stop Trying to Save My Children

This week is Banned Books Week. On this blog I have spoken against any attempts at censorship of manga. I strongly believe in the freedom of making any book available to be read, and that it should be responsibility of the individual, and in the case of children, the parents, to decide if the book is appropriate. What that means basically is that if you don’t like a book in the library, then don’t read it. If you don’t want your child to read a book at the library, don’t let them check it out. What you DON’T get to do is decide that a book can not be made available for me or my child read because YOU have objections to its subject matter.

Over the past year, two manga titles were challenged in public school libraries, because some parent thought the material in it was “inappropriate” for children. What they really meant was that they didn’t like it and didn’t want their children reading it. Therefore,if their children couldn’t read it, then no other child could read it either. They made the challenges “for the children.” You know, that wonderful phrase politicians and other leaders like to pull out when there’s something they don’t like and want to get control of or get rid of, so they hid behind the shield of “the children” so no one can object without sounding like they are against children. The truth is THEY don’t want to be branded as censors, since censorship is considered bad as well.

The first challenge was to Akira Toriyama’s Dragon Ball. The parent of a 9-year-old claimed it “depicts nudity, sexual contact between children, and sexual innuendo among adults and children.” The fact that this is what the parent said proves they didn’t bother to actually read the volume and only looked at the most damning of pictures. What Dragon Ball really depicts is a boy living in the wild, and not worried about covering himself for some fish, an older girl acting like a sister and bathing said boy, boy, having never met a girl wondering what makes them different, and a perverted hermit getting more than either he or the girl thought. In an adult mindset, the last one could be construed badly, but this title wasn’t written for an adult, and it wasn’t meant in the context that some people will put it in. There are always going to be people who are offended by things, and if we let them rule the world, there would be no humor at all. I think Dragon Ball is perfectly appropriate for a tween boy or girl. Really, what am I supposed to be saving my child from if I keep them from reading it? What is in this book that isn’t already talked about, and laughed at, by kids in schools all over the country?

The other book challenged was Tsugumi Ohba and Takeshi Obata’s Death Note. The parent in this case stated “killing is just not something we should put out there for our kids to read in this way.” Yeah, because giving kids a title that makes them think about morality and the consequences of their decisions is a bad thing. While the actual merits of Death Note as a series may be up for debate (and possibly a good choice for a Movable Manga Feast), the kinds of dialog that the subject inspires isn’t. It asks some serious questions about who gets to decide who lives and who dies, and the morality that goes with such decisions. It can lead to debates over the death penalty, which continues to be a controversial topic. There is nothing wrong with asking teens to start thinking about these things, as in only a few years, they will be asked to start voting and sitting on juries where they may have to make such a decision.

While manga hasn’t been targeted much lately, looking at the list of books that have been challenged and many removed from libraries over the last year is depressing, and doesn’t speak well for our supposed tolerate society. while the list contains numerous challenges due to the standard sexual innuendo/content and language, it also contains books challenged due to Occult themes and homosexuality. so, someone explain to me why these two topic are so harmful to children? Not every was or is a christian, so why is it so offensive for children to know that there were and are other religions in the world? Are our children so impressionable that after reading “The Egypt Game” we should fear that they will start worshipping Osiris? How is And Tango Makes Three, a story about two male penguins who adopt an orphaned baby, which is based on true event, going to destroy family life in America? Honestly?? You really think kids need to be protected from penguins?

It’s not these kinds of books that are leading to the “ruin of the moral fiber of the youth of this country”, it’s the people that object to having rival ideas heard. Children are not delicate little tea cups that need to be protected from the horrors of the world. They are a lot stronger and a lot smarter than many people and parents want to give them credit for. Books that bring up sex, drugs, “alternate family units” aren’t going lead children down the path of ruin. Denying that these things exist or are problems that our kids can and sometimes do face in the lives will. So, the next time you think you need to challenge a book “to save the children”, do me and the world a favor, and DON’T!

This Week in Manga: 8/14-8/20/10

Hetalia: Axis Powers Does Digital

Tokyopop, who has tried to be a leader in digital manga, takes a step to try to reclaim that title. Hetalia: Axis Powers is a title that been highly anticipated by fans, but the print copy won’t be out until Sept 21. But if you don’t mind reading manga on a computer screen, you can get it now through the Zinio service. Tokyopop has made this title available early through the download service and for about half the price, $5.99. But that not all! Hetalia will also be available through the Overdrive, the digital checkout service for libraries. If you’re library uses Overdrive, but doesn’t have Hetalia, tell Tokyopop. They get a digital copy to them for free! I was going to pass on this title initially, but if I can check out a digital copy from my library, yeah, that would be worth it. It would be nice if publishers made more titles available digitally through Overdrive. With libraries budgets getting slashed by cities, online will be about the only way 9-5 workers can get library books. I know I can’t get to my local library now with their hours slashed to closing at 5PM most days.

Where Do They All Keep Disappearing To?

With digital rights being a big deal, not just with books and publishers now, but with music and movies for over 10 years now, you would think a publisher like PC World would know a copyright infringing site when it saw it. Apparently, even the tech industry has no respect for manga. I guess that makes them no different from most other manga fans. On their website they ran a review of an android app, Manga Browser. Now, normally I wouldn’t expect a tech journalist to know everything about the manga world, but this guy sounds like a manga fan. He’s familiar with what manga is, where to find it online, and what some of the most popular titles are. And what’s his biggest complaint of the software? It relies on scanlation sites. And he’s not upset that it’s scanlation sites it’s linking to, he upset because sites go down and are “unreliable”. Yeah, good sense of reporting there, guy. No mention that the titles he’s mentioning and reading are illegally posted, just that it’s a lot more work to get to them. And if he’s been reading on OneManga (which he bemoans the loss of at the beginning of the review), he surely knows why OneManga went down. But like so many other fans, he just doesn’t care, and gives the scan sites just that much more legitimacy to the rest of the world who doesn’t know better.

Bad Manga Fans!

Black Butler is a popular manga and anime series in both the US and Japan. And for good reason; it’s a fun title. But when mangaka Yana Toboso calls foul on fans that send her letters saying how much they enjoyed reading and/or watching her series for free on streaming/scan sites, what is the reaction from fans in the US on the ANN Forums? To completely diss the mangaka and call her things like “Overly dramatic”, a “complete idiot” and my personal favorite “…insane catlady.” Yeah, good job US manga fandom. You have succeeded in making me ashamed to even be associated with you. Really? You are going to diss on a creator who makes something you like just because she wants to defend her work? How absolutely self-centered and entitled can you be? Honestly? She has to be crazy to want to make money from her hard work? And you call yourself fans? The thread for this story went 28 pages before being locked. But one commenter went through the trouble to translate the original blog post, which you can see here. There’s nothing there that makes me think she’s an idiot or insane. Just very upset. And I certainly don’t blame her.

Called It!

Spotted on Twitter first. Entries for Nura: Rise of the Yokai Clan have been spotted on both Simon and Schuster’s website as well as Amazon.com. Tentative release date is set for February 2011 from Viz Media. I’ve been saying since they announced the streaming of the anime at SDCC, that there had to be an announcement of the licensing of the manga. There is no way Viz would release an anime and not have the rights to the manga as well. These entries pretty much prove I was right. But with a release of the first volume in February kills my hopes that it would be added to Shonen Jump. It’s a WSJ title with an anime showing in the US. It just screams SJ material. I was really hoping it would give me another reason to keep subscribing to SJ. Oh well.

NYT Best Seller List

Both of Tokyopop’s gains from last week are gone this week. Twilight is still hanging on the Hardback list. It moves up 2 to #6. With the Scott Pilgram craze slowing down, Twilight seems to be move slowly back up. Guess who rules the manga roost. No, it’s not Naruto. Last week’s #2, Rosario + Vampire: Season II vol 2, moves into the #1 spot vacated by Warriors: Ravenpaw’s Path vol 3. Black Bird vol 5 stays right behind its fellow blood sucker to #2. Naruto vol 48 moves up 4 to #3 and Bakuman vol 1 moves to #4, also just vacated by Return to Labyrinth vol 4Negima! Magister Negi Magi vol 27 holds on to #5 while Fullmetal Alchemist vol 23 moves back up 3 to #6. D. Gray-Man vol 18 moves up 1 to #7 and Skip Beat vol 21 moves up 2 to #8. Returning to the list are two titles never far away, Vampire Knight vol 10 comes in at #9 and Black Butler vol 2 at #10. Once again Viz Completely dominates the list taking 8/10 spots. Tokyopop is removed completely and Yen Press and Del Rey just hold on with their biggest sellers.

NYT List: Second Opinion

What’s Matt Blind’s list got to say about all that? Not too much. The top two are the same and one the list only three titles are different. His list still favors Maximum Ride over Black Butler from Yen, and Tsubasa: Reservoir Chronicle seems to do better in his numbers than the NYT’s.

1. Rosario+Vampire Season II 2
2. Black Bird 5
3. Negima! 27
4. Naruto 48
5. Fullmetal Alchemist 23
6. Maximum Ride 3
7. Maximum Ride 1
8. Vampire Knight 10
9. Tsubasa: Reservoir Chronicle 27
10. Skip Beat! 21

And if you’re interested in how Yen Press is doing over all, check out Matt’s breakout of that publisher by manga, manhwa and OEL.

This Week At Manga Village

What I’m Reading

  • One Piece vol 45

It’s NOT About The ‘Shipping!

BonesRecently the TV show Bones showed it’s 100th episode.  Usually these episodes are about fun, looking back and celebrating making it for 5 years, an accomplishment that a lot of shows don’t get.  The episode “The Parts in the Sum of the Whole” got only one of these right.  This episode retconned a whole case from before the first episode, where Booth and Brennan met and worked together.  It was nice to see Zac Addy again (yeah Zac!  How I’ve missed you!), and Brennan was her old “straight-forward, resort to violence” self, but the whole dynamic of the lab was off.  Zac and Hodges were at each others throat.  Angela was dragged in to do the reconstructions, and Booth and Brennan were trying to jump into each other pants.  So over the course of one year, Angela creates and becomes a compute graphics whiz, Zac and Hodges are the best of buddies (most likely, but still doesn’t feel right), and Booth and Brennan then take on 4+ years of cases without a hint of what happened in the first case?  I don’t think so.  It stretches my suspension of disbelief just a little too far.

What was the real deal breaker for me was the whole Booth confessing to Brennan thing at the end.  That whole scene just felt wrong.  Neither Booth nor Brennan seemed to be acting like themselves.  Not even the words felt right, and the episode ended with a down feeling instead of a feeling for hope for many more seasons to come.  I think want irked me the most was an article written on TV.com.  The writer wasn’t happy with the episode either, but for the wrong reasons.

Bones has never really been about the forensics (and neither was Brennan’s book in last week’s episode, “The Bones on the Blue Line”). In fact, this show could be a sitcom and it would still be watchable. As much as I hate Hart Hanson for keeping this ridiculously indulgent fantasy alive…

Brennan-ZacBones has ALWAYS been about the forensics.  It got through it ‘s first season no doubt because of David Boreanaz’s fangirl base.  The SDCC panel for it after it’s first year was filled with fangirls who just wanted to profess their love for David and kept other fans from asking any real questions.  One girl was nearly in tears asking David to accept a letter from her.  It was really pathetic.  And this writer just reflects that same attitude.  The show is not about the actors or the characters love lives.  It’s a police procedural show.  It’s the cases that come up and how Brennan and the team work together to find the clues and answers to the solve them.  Relationships are just part of the character building, but if they ever become the focus, than this show will have lost it’s magic and be done.  The episode before this, “Bones on the Blue Line” showed just how the producers felt about people’s emphasis on the relationships.  Brennan spends the whole episode protesting that her books are about the science and no one listens to her.  Mr. Hanson must feel the same way with so many fans demanding that Booth and Brennan get together, and the 100th episode was ruined by telling those fans it’s not going to happen.

I for one don’t want it to happen.  Booth and Brennan have a great relationship without being romantically involved.  It reminds me a lot of the 10th Doctor and Donna Noble’s relationship.  Donna was a better companion because she wasn’t always making googly-eyes at the Doctor and was an equal of sorts with him.  Booth and Brennan are the same way.  They are equals in their own fields.  Brennan is the scientist and find the answers while Booth is the intuition and sees the interpersonal relationships that fills in the blanks that science alone can’t.  That’s what makes this show great.  They can bicker and disagree all they want, but at the end of the day, they are equals in their own fields and sometimes even learn something from each other.  Quite frankly, Booth has been a disappointment to watch, with his mooning over Brennan.  I want them to get back to their old buddy, bickering selves and leave all this romance behind.  It’s all about the forensic and cases, and not about the ‘shipping.

What’s Up with Del Rey Manga?

X-Men Misfits 1This is something that’s been wondering around in the back of my mind for a while now, but found a voice on Twitter this week.  With the news of Del Rey’s cancellation of their X-Men manga reboots, the question came up asking if Del Rey was having problems.  That seems a very valid question.  A look at Del Rey’s sporadic release schedule and the fact that they’ve gone to releasing omnibuses to complete some series’ does suggest problems.  But that wasn’t my take.  Del Rey is a division of Random House, one of the power house publishers, so I don’t think it’s a financial problem.  I think it’s more of an attention span issue.

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Why Not?

I was reading the comments on this post at Anime Vice.  Most of the debate over justification for scanlations didn’t interest me, as I’ve seen them all before, but one comment did sort of bother me.  Fellow Manga Village reviewer and blogger John Thomas had joined the conversation and made a simple statement.  “Why not just learn to read Japanese?”  It was the response to this that made me go “Huh?”

I have to confess, that is the one answer I loathe seeing in scanlation debates, and it appears every time.

He goes on to give excuses of no time, too expensive, too difficult, etc., which then steers the conversation toward learning Japanese.

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The Truth Is Out There…

conspiracy-theoristsYou know you’ve hit it being online when you’re thought to be part of some big conspiracy.  I’ve always wondered about conspiracy theorists.  Why do they feel the need to concoct some big, elaborate theory or have some big shadow corporation controlling everything?  There are people who believe NASA’s trips to the moon were hoaxes (Mythbusters disproved their theories).  And there are people who believe the US government was behind the 911 attacks (yeah, like our government could co-ordinate something so well planned and keep it a secret.)   And now, manga bloggers are in cahoots with publishers to bring down the scanalation community.

Continue reading The Truth Is Out There…