Explore our solar system, the Milky Way, and faraway galaxies with your intrepid heroines, Gloria, Kanna, and Yamane, in The Manga Guide To The Universe. Together, you’ll search out the universe’s greatest mysteries: dark matter, cosmic expansion, and the big bang itself. As you rocket across the night sky, you’ll learn about modern astrophysics and astronomy, as well as the classical findings and theories on which they’re built. You’ll even learn why some scientists believe finding extraterrestrial life is inevitable!
Rikuo has successfully defended his classmates from the vicious Inugami’s mad-dog attack. But that battle is just a hint of what’s to come. The sinister Tamazuki has remained in his human form so far, but now he’s unleashing his true form: a ferocious yokai leading the 88 Demons of Shikoku, a disciplined demon horde hell-bent on taking the Nura clan out. With Nurarihyon missing, Rikuo must step up as a warrior and a leader.
Rikuo really starts to step up as under-boss in this volume. With his grandfather, the Nurarihyon, gone, it’s up to him to defend the Nura territory. He finally shows some initiative when he sends Gozumaru and Mezomaru to infiltrate a Shikoku yokai gathering to gather intelligence. And he acts on that intelligence by taking the fight to Tamazuki rather than waiting for him and his forces to attack the Nura Main house. He’s pretty impressive in his night form during this fight until he gets blindsided, literally.
This battle with Tamazuki really shows the cycle of the generations within the Yokai clans. Tamazuki is ambitious and hungers for power, just as his father, Inugamigyobu once was, reaching out into Nura territory, while Rikuo considers creating a new 100 demon parade rather than working so hard to keep his Grandfather’s retainers together. Both young yokai can be seen as walking in their predecessor’s footsteps, while still making their own mark.
This volume of Nura was better in terms of moving the plot forward. It isn’t just about Rikuo having to deal with some threat and having his Night Form save the day. There is a confrontation between Tamazuki and Rikuo, but it and the events that lead up to it carry some weight. Yukki-Onna might even prove to be worth something more than a maiden-in-distress, though I don’t’ think I’ll hold my breath on that one.
Nura: Rise of the Yokai Clan continues to be a series that I don’t mind reading online for free (as part of a Shonen Jump subscription), but it still hasn’t shown itself to be a series worth keeping on the shelf.
Inspired by the Japanese thriller, these pages hold the macabre tales of a mother’s psychological torment in a rundown apartment complex, another man’s terror upon the open sea, and a message from a watery grave. A haunting will begin, and these people will learn that no one is safe from the mysteries that lie within the murky depths of Dark Water.
I picked up Dark Water, expecting another single story adaptation of a novel by Koji Suzuki. This impression is really emphasized by the cover text that claims it’s the book that inspired the “major motion picture.” So I was really surprised when I discovered it was only the first story of four that “inspired” the movie. A movie that was decent, and didn’t need a Hollywood adaptation that couldn’t improve on it any.
I was actually kind of disappointed when I discovered that Dark Water was just a short story, and not a full novel like The Ring. I really enjoyed the manga adaptation of that novel, and was hoping for another experience like that. While “Dark Water” was a tighter read, it wasn’t as interesting or scary as the longer movie. It really needed more disturbing moments to make what happened hit home. It’s not a bad story, but a few more scenes could have made it better.
Of the remaining three stories, the only one with a good “creepy” factor was “Island Cruise”. It did a good job of balancing the supernatural with the non-believer, who must hold on to his non-belief at all costs, or be literally dragged down into the water. “Adrift” was the shortest and left me scratching my head about what happens in it. I’ve read it several times now, and while I think I get the idea Suzuki was trying to get across, it was lost in the manga adaptation. “Forest Beneath the Waves” really doesn’t have anything dark or scary about it. It’s a story about a son connecting to a father he never knew through the place where the father died. This story really doesn’t seem to fit in a volume that is otherwise filled with menaces coming from the water.
Dark Water isn’t a title that will keep you up at night or make you wary of taking a bath. It’s isn’t dark so much as it is murky. It wants to drag you to the bottom, but instead ends up losing its way. I really can’t recommend this book to anyone but Koji Suzuki fans.
Somewhere in Japan there’s a cabin in which you might watch a program that will change your life…in fact, it will take your life. She will take your life. She calls out from the afterlife, from the dark bottom of a forgotten well. And if she calls you, one week is all you have left to find the answer to her curse.
In the late 90s to early 2000s, Japanese horror, also known as J-horror was really popular in the US, and the title to start it all was The Ring. Based on a novel, the original movie was so popular, it was remade with American actors for wide release. Of course, publishers were ready to cash in on the action with releases of manga adaptations of the novels and/or movies.
The Ring series starts off with a great creepy premise, but seems to lose steam with each volume. The first volume is a nice and thick and stays true to the novel. This first story was more compelling and didn’t make Dr. Ikuma into the villain the movies did. It has a good pace and makes the feeling of time running out seem real. The first volume was a great read, and I would recommend it even if you’ve seen the movie.
The Ring 2 follows the plot of the movie instead of the book, and isn’t nearly as compelling as first story. It recaps the first movie before replacing the lead with Takayama’s assistant Takano as she tries to stop Sadako from taking over Yoichi, Takayama and Asakawa’s son. The story doesn’t have the same creepy feeling and the art just looks bad at times. Birthday is a prequel that continues to follow the movie’s plot line and shows Sadako’s life just before she died. It’s sad but not really creepy. Spiral is an adaptation of the novel sequel of The Ring, and takes Sadako’s story in a more scientific direction. The idea behind the replication is interesting, but the overall story wasn’t.
The big problem all three of these volumes had was the constant re-telling, and re-writing of the original Ring story. The first third of The Ring 2 is a compacted retelling of the movie version of the story. Spiral completely ignores most the original characters of The Ring to tell it’s own version of Sadako’s story, and The Ring 0 goes with another modified version of the movie. All these different versions of the same story got confusing and really monotonous after the second version.
The Ring is a good, suspenseful manga, but keep your reading to the original. The rest really don’t add much to the overall story, and will leave you scratching your head more than worrying about that static-filled TV.
When the Straw Hats encounter a mysterious barrel on the open sea, little do they know that it’s a trap. Losing control of their ship, they’re steered toward Thriller Bark. Any rational sailor would think twice before going ashore on an island full of zombies. But with Luffy at the helm, the Straw Hats are in for a scare as they become the targets of the dreaded Gecko Moria!
After the long and emotionally draining Water Seven arc, Thriller Bark makes for some spooky fun with zombies, ghosts and a talking skeleton. But the story feels drawn out and really seems to drag on, as does the bittersweet background story for Brook. It feels more like a filler arc and an excuse to throw in some Zombies.
The Thriller Bark story arc starts out as a light-hearted story filled with lots of humor. Luffy is excited at the prospect of seeing ghosts and is inviting Brook, a walking talking skeleton to join the crew without knowing anything about him. The gags really run amok when the Straw Hats reach Thriller Bark itself, with Nami, Usopp and Chopper seeing zombies one minute and then gone the next. And the arrival of Luffy, Zolo, Sanji, Robin and Frankie is funny as they first tame a Cerberus-like zombie and then beat up all the zombies that pop out of the graveyard, and leaving them stick out of their graves, feet first. Oda does a really good job in the beginning of creating a spooky atmosphere with zombies popping out of pictures and stuffed animal heads on the wall coming to life.
The fun doesn’t stop there. Usopp gets a great spotlight in this arc, as his super-pessimistic attitude is finally shown to have a use. When faced with the Ghost Princess Perona and her negative energy ghosts, Usopp is invincible, since he already has such a low opinion of himself, he can’t be brought down any further. His battle with her was the best of the volume. The giant zombie Oars running around talking and acting like Luffy was pretty funny too.
All this humor is overshadowed by Brooks and the padding of the story to stretch it out. Thriller Bark is supposed to take place in the course of a single night, but it goes on for 5 volumes! It’s too long and too much is going on. The entire plotline with Absalom and Nami was clichéd and got boring fast. In arcs such as Alabasta and Waters Seven, the battles that each Straw Hat was in was entertaining. But they really weren’t in this arc. Brook’s background story wasn’t just tragic, it was downright depressing. While Robin’s back story, which was shown before Brook’s, was really tragic, there was still a ray of hope with Robin trying to continue the work of the Ohara clan. But there isn’t any feeling like that with Brook. The more your see of his story, the more down you feel. There doesn’t ever seem to be a light at the end, even when he joins the Straw Hats. It’s more like relief that such a dark period is over, and after all the humor the arc started out with, the darkness of Brook’s back story just doesn’t feel right.
The arc redeems itself at the end with a return to World Government story line. Kuma, another Warlord of the Sea comes to check on Moria, and possibly kill Luffy. But the Straw Hat’s loyalty and Zolo’s belief in Luffy saves him. The scenes with Kuma only increases my curiosity about the World Government and what their true motives are.
The Thriller Bark story arc has a good beginning and good ending, but too much filler going on in-between. This is still a good arc, with lots of great scenes for the characters. It just would have been better if it had been pared down. Three volumes would have been just right.
Masterless samurai Akitsu Masanosuke is a skilled and loyal swordsman, but his naive, diffident nature has more than once caused him to be let go by the lords who employ him. Hungry and desperate, he agrees to become a bodyguard for Yaichi, the charismatic leader of a group calling itself “Five Leaves.” although disturbed by the gang’s sinister activities, Masa begins to suspect that Yaichi’s motivations are not what they seem. And despite his misgivings, the deeper he’s drawn into the world of the Five Leaves, the more he finds himself fascinated by these devious, mysterious outlaws.
I love historical dramas, especially those set in Japan, so it should be little surprise that I like House of Five Leaves. But after reading the first two volumes, I find there is much more here than just seeing the characters in Edo-period costumes. House of Five Leaves is a character drama, with Masanosuke as the focus to introduce us to an interesting group of individuals.
Let’s look first at the focus. Masanosuke is not your typical samurai. He has a strong sense of honor and the skills one would expect from one born in the samurai class. It’s his demeanor that makes him so different. He is very shy and doesn’t have a lot of self-confidence. He walks slouched over, making himself appear smaller than his true height. He doesn’t like confrontations, and when faced with an audience, he gets stage fright and runs away. This last trait may have a lot to do with why he is like he is.
So it’s little wonder that he looks up to Yaichi, a man with a lot of self-confidence, and who can talk himself out of a confrontation. He moves through the world with an ease that Masa envies. He is also a very private and mysterious man. No one in the group knows much about him, and that just intrigues Masa even more. By the same token, Yaichi is amused by Masa’s seemingly contradictory nature. He chooses Masa at first because he knows his nature and honor will keep him from reporting their activity. But the timid samurai quickly intrigues Yaichi, who then tries to get Masa to join their gang.
While Masa fence-sits about joining, he is slowly drawn in, both by Yaichi’s machinations, and by others in the gang. Okate, a beautiful woman who has known Yaichi for a long time, is kind and patient with Masa. Umezo, the owner of the izakaya where the gang hangs out is gruff toward Masa at first, but warms up to him slowly, though his daughter Okinu likes him from the start. Matsukichi is the loner of the group and isn’t too impressed with Masa, though he goes along with Yaichi’s decision. An unofficial member of the gang, Goinkyo, helps out by letting them hide their hostages on his farm. He also helps out Masa, letting him stay with him when he falls ill, and tries to warn Masa away from Yaichi and the gang’s activities.
But even as Masa is drawn in by his new “friends” so it seems members are drawn to Masa. Both Umezo and Goinkyo tell Masa about their connection to each other, and why Umezo continues to work with the gang even though he doesn’t need the money. Both comment on how they talk too much when telling it all to Masa. Neither intended to tell Masa so much, but there just seems to be something about him that makes people want to unburden themselves. Perhaps it is the same thing that Yaichi finds so fascinating about Masa.
I really enjoyed these first two volumes. The characters are interesting, and the mystery around Yaichi is intriguing. Just like Masa, I want to find out more about him and his past, as well as that of the rest of the gang. I really like Masa too. He isn’t arrogant like many of the other ronin seen in Edo. And he likes cats, so he has to be a good person. The old Edo setting
Ono’s art is very distinctive. The facial expressions of her characters are very revealing. It’s easy to tell what they are feeling or in some cases thinking. I really like the way she does the eyes. They can be big, or droopy. They can really define a character. She also has a knack for making older men look rather attractive.
House of Five Leaves isn’t a story filled with action or intrigue. It’s a slow-moving story with a lot of talking. But don’t think for a moment that’s a bad thing. The characters are engaging and the historical setting just adds to their charm. Add an immersing story and you’ve got a gratifying reading.
When one thinks of the holiday season, it tends to be of being merry, giving gifts, and celebrating the end of the old year and the beginning of the new. But the holiday season also has a history of ghostly stories and ghoulish things. Here are two Del Rey Manga titles that try to fit into the Comeuppance Theater genre, but just don’t quite make the grade.
Continue reading Season’s Screaming: Only One Wish and xxxHolic
A mysterious illness is spreading rapidly through the halls of Fujimi High School. In a matter of hours, the campus is transformed from a place of learning into a hive of nightmares, as the infected students collapse and are reborn as flesh-hungry zombies! Only a handful of students escape the outbreak – among them Takashi Komuro and his childhood friend Rei. He manages to protect Rei from the initial onslaught, but how long can Takashi and the other students hope to survive when the whole school – maybe the whole town – is out for their blood?!
Highschool of the Dead is “interesting” in the same way that we are currently living in “interesting times.” It all depends on how you look at it. There were times when I was really interested in the story it was telling, as well as the characters. At other times I just wanted to roll my eyes, put the book down and walk away. And that is what made this series so frustrating to me. It has a real story to tell, if you can get past the rampant fan service and blood.
Let’s look at the good points about this series. First and foremost, there is a fascinating story being told in these pages. As the infected start to outnumber the uninfected, you can see the fabric of society start to break down. This is shown through the monologues Takashi often goes into, and the obstacles our heroes face. Throughout the volumes, Takashi is constantly commenting on how quickly he and his friends adapt to a new world where the old rules no longer apply, like smashing a cash register for cash is acceptable for survival, and the worse thing you can do to an enemy is to NOT kill them. In just 12 hours they can go from running for their lives to happily taking on a group of zombies without a second thought. It was these observations that drew me into the story most. But even as our heroes seemed to start to lose their humanity, they do find ways to reclaim it, such as in their saving of the young girl Alice.
Another aspect I really liked was the denial about the reality of the situation. When the outbreak first starts, Takashi comes right out and says they aren’t in a movie or video game, and yet everyone is behaving like a zombie from one. Though, he never gets to say the whole word “zombie”. He gets cut off. And later Hisashi, his friend and Rei’s boyfriend, dubs them all “they” because he can’t bring himself to believe they are something from the movies, and this is how they are referred throughout the books. No one wants to cross that line.
I also really appreciated that there are so many female characters that are smart and self-reliant. Rei, Takashi’s childhood friend is full of fire, and is bashing heads with her mop handle/spear. She also recognizes the danger Shidou poses and would rather take her chances with the zombies than him. Saeko is everything you would expect from the captain of the kendo club. Wielding her wooden sword, she is calm and cool in the face of danger, and always ready to protect the a person’s honor. Saya is constantly proclaiming that she is a genius, but it isn’t just boasting from her. She is the first to figure out that it’s sounds that attract the zombies. And even though she hides behind Hirano, she will get her hands dirty when necessary. The guys aren’t so bad either. Takashi shows a lot of leadership, even though he would say he’s just trying to keep him and Rei alive. And Hirano is hesitant at first, but once he gets a gun in his hand, he really proves his worth.
The biggest downside of this series is also the women. It’s not the way they act, but the way they are drawn. All of them are drawn with big breasts, with the school nurse Shizuka having back breakers. I’m not sure which is more unbelievable, the breast sizes or the zombies. It gets worse in volume 2 when all the women take a bath together, and they are comparing sizes and feeling each other up. It’s like a pseudo lesbian love fest. All through these three volumes, almost every other page has a panty shot. It gets really close to being overwhelming. It also takes all the wind out of the more serious elements of the story. You can have this wonderful monologue from Takashi about how they world they knew was gone on one page, to the women half-naked and bouncing around in the next. It’s hard to take the series seriously with gratuitous breast grabs going on.
The art is fairly standard for a shonen series. The characters are rather generic looking, though they are just distinct enough to tell apart at sight. I was much more impressed with the horror side of it. There were a lot of nice details on the zombies, with chunks of flesh torn out and bones sticking out. While graphic horror isn’t usually my thing, I found I could appreciate the look of the zombies. They are just what you’d expect for a zombie apocalypse.
Highschool of the Dead isn’t going to be a title for everyone. Both the horror and fan service will keep some readers from even picking up the volumes. But I think the story of society collapsing and how people react to it is an interesting one, and worth digging through the gore and gratuitous boob and panty shots to get to. I would recommend Highschool of the Dead to veteran manga readers and horror fans. Anyone easily offended or disturbed need not apply.
It’s been a year since Yen Plus went digital and things don’t seem to have changed much, at least not for the Japanese side of the magazine. It’s still meager at best, and is losing another title this month with the final chapter of The Innocent appearing. We can hope Yen Press will be able to announce something soon, otherwise having the two sides of the magazine is going to be pretty pointless.
Lonely Mitamura may be a teacher at the exclusive Sheol Soul School – an academy dedicated to the afterlife – but he has a lot to learn about human emotions and helping others. In fact, his star pupil Tsuru thinks she’ll teach him a little lesson by running off during a field trip in the living world. Now, Mitamura has only seven days to track Tsuru down with the help of a brand-new (deceased) sidekick. Will the clock run out before they find her?
Arrr, guess what time of year it be again. That’s right! It be International Talk Like a Pirate Day! And that means lot’s of “Arrrs” and “ye bes” and “yo ho ho”ing and sounding like ye should have a parrot on yer shoulder. A few years ago I did a post about pirate manga what was available to help enjoy the day. Normally I would do a post updating what’s new, but sadly, there hasn’t been any new additions in the last three years, except one.
It’s Ryuji’s first day as a junior in high school and it seems as if things are looking up. He gets to sit in between his only friend, Yusaku, and, more importantly, the girl he’s secretly crushing on, Minori Kushieda. But just when he thinks the stars are aligned in his favor, he unwittingly crosses the most feared girl in school, Taiga Aisaku, making her onto his arch enemy. To top it off, Taiga has moved in right next door to Ryuji and happens to be Minori’s best friend! Can this school year possibly get any worse?!
Toradora, like most romantic comedies, depends on its lead characters to sell the series. If you don’t like the leads, you aren’t going to care who they get together with, or if they get together at all! Unfortunately, that’s exactly how I feel about the leads and this story.
Toradora starts out by introducing Ryuuji Takasu. He’s a second year high school student who has squinty eyes that makes all of his peers think he’s glaring at them, and a flaky mother who couldn’t take care of herself if she were on her own. He has an accidental run-in with Taiga Aisaku, the “palmtop tiger”, called that because of her small size and fierce attitude. These two become entangled because they have crushes on each other’s best friends. But Taiga won’t let Ryuuji near Minori until she can get with Yusaku. So it’s hair-brained schemes and missed opportunities as Ryuuji tries to get Taiga and Yusaku together.
Right from the start, I didn’t like Taiga. I don’t mind the “tsundere” type, but she goes to an extreme that I don’t like. She is physically and verbally abusive to Ryuuji, calling him a “dog,” or “mangy mutt.” She’s pushy and demanding and a serious clutz. I know these traits are supposed to be funny and cute, but they really aren’t. Not to me anyway. Ryuuji isn’t a complete push-over. He takes on Taiga’s unspoken challenge to get her and Yusaku so he can try to get Minori, but he takes on the “dog” role too quickly for my taste. The banter between them just isn’t interesting. It’s either her telling him what to do, or him yelling at her and she ignores him. These two just didn’t appeal to me.
There’s nothing new or different about the story. As a rom-com, it has to really on the characters to give it life, and as I’ve said, they don’t work for me, so the story really fell flat. I didn’t find any of the physical comedy funny, especially Taiga clutzy moments. But Ryuuji’s reaction to Taiga’s kitchen did get a smile out of me. I have no complaints about the story, it’s just, without interesting characters it feels “been there, done that.”
Zekkyo’s art is very well done. Even if I didn’t like the characters, I did like their designs. There’s a good mixture of designs among the characters, and their attitudes really come through in the art. From Ryuuji’s squinty eyes, which I personally didn’t see as troublesome, but that just me, to Taiga switching from cute and vunerable to a mean and determined, there was no ambiguity about what anyone was feeling. I really could have done without Ryuuji’s mom. Her only purpose seems to be for fanservice, which along with her ditzy personality makes her very unappealing to me.
Overall, Toradora isn’t a bad title, it just got a “meh” reaction from me. Without liking the characters, I just can’t get into the story. I know I’m in the minority with regards to my opinion about this title, but that’s nothing new. I may give it another volume to see if anything changes, but as it stands, it’s a series I’m not going to follow regularly.