Gender-Bender titles aren’t usually my thing, but because it’s twins switching places rather than some science/magic causing it, it might not be too bad. We’ve seen lots of titles of a girl passing off as a boy in an all-boys school plenty of times. Seeing how a boy deals with pretending to be a high school girl would be much more interesting. Hopefully it won’t hurt to read.
Kosei Arima was a piano prodigy until his cruel taskmaster of a mother died suddenly, changing his life forever. Driven by his pain to abandon piano, Kosei now lives in a monotonous, colorless world. Having resigned himself to a bland life, he is surprised when he meets Kaori Miyazono, a violinist with an unorthodox style. Can she bring Kosei back to music, and back to life?
Your Lie in April Volume 1
By Naoshi Arakawa
Publisher: Kodansha Comics
Age Rating: Teen
I knew nothing about Your Lie in April when it was first announced other than it was a musical title that was often compared to Nodame Cantible, a musical title that featured a straight-laced violist/pianist as the male lead, and a highly unorthodox pianist as the female lead. Having now read Your Lie in April, the fact that the two leads are a violist and pianist with one being straight-laced and the other unorthodox, the two stories really have nothing to do with each other.
Playing the piano was everything to Kosei Arima. He lived and breathed playing to please his mother, who was determined he would become the great pianist she was. But when she died, in a way, so did Kosei. Her dream was his dream. Without her, he had no reason to live. No dream of his own. He has been stuck, marking time, unable to move forward. Kosei is haunted by the piano. He can no long hear himself playing, but he also can’t move on from it. His life is the same, day in and day out.
Then he meets Kaori Miyazono. She is the classmate of his childhood friend Tsubaki. Kaori wants to meet their mutual friend Watari, and Tsubaki gets Kosei to tag along. Kaori is the opposite of Kosei in many ways. She is full of life, always smiling and energetic. She performs in much the same way. She participates in a competition, but plays the assigned piece her own way, ignoring the tempo and even her own accompanist. She isn’t playing to impress the judges, but to entertain the audience and have fun all at the same time.
I really liked both Kosei and Kaori. They don’t get off on the best foot at first, but Kaori ends up making a big impression on Kosei. Her performance is the opposite of everything his mother told him it should be like, and he has a hard time processing it. Kaori becomes kind of obsessed with Kosei, determined to make him her accompanist for the next round of the competition. I really liked that she didn’t feel sorry for Kosei when he told her about how he can no longer hear the piano. Her reaction was great, and pretty much the same as mine. I also liked that Kosei didn’t automatically assume the feelings he was starting to have for Kaori was love, but instead thought there were inspiration.
Tsubaki and Watari, their friends, make good supporting characters. They both support Kosei in their own ways. Tsubaki cares for Kosei like a little brother, and just wants to help him move on with his life, in whatever direction it takes him. I loved the way she plotted with Kaori to try to convince him to be her accompanist. Watari, despite being a bit of a playboy, has some insightful things to say to Kosei about life and specifically girls. His words have a surprising impact on Kosei.
Your Lie in April vol 1 was a really fun read. The art is well done. The characters were all portrayed very playfully. Kaori was always playful. I loved when she knocked Kosei away from the cat he was feeding so she could pet it. Tsubaki had some good moments with trying to get Kosei to lighten up and Watari was funny when he got a text from another girl. The final scene of the manga, with the four friends rushing off to the competition was another wonderful scene, filled with exuberance. It was a strong ending to a strong first volume. I can’t wait to read more.
Homely and shy, Himé is burdened by the name her mother gave her, “Princess.” Wanting nothing more than to be unnoticed and live a modest life, Himé gets a jolt of inspiration when she tries a dance class where she meets Tango. her teacher/dance partner, Tango happens to also be her classmate at school. Unfortunately, Tango is desperate to keep his ballroom dancing a secret, believing it will ruin his cool image if anyone at school finds out. Will Tango quit teaching Himé in order to keep his secret or will he be the partner Himé believe he is destined to be?
Let’s Dance a Waltz Volume 1
By Natsumi Ando
Publisher: Kodansha Comics
Age Rating: Teen
I haven’t read a Natsumi Ando series before. It’s not like I haven’t had the chance. I’ve had her series Zodiac P.I. in a to-read pile for ages, but have always had some reason to pass it up. The start of this new series is the perfect opportunity for me to stop procrastinating and finally read one. Let’s Dance a Waltz is about competitive ballroom dancing, a subject you wouldn’t think would be all that interesting, but Ando makes it so with engaging characters and an almost shonen take on dance.
Four characters make up the core of this first volume. Himé Makimura is the protagonist. She is shy and rather mousey in looks and personality. She comes to the Minami Dance School to try out dancing after the owner encourages her by telling her she could become a princess. Tango Minami is the son of said owner, who used to ballroom dance competitively, but has since given up. He works at the dance studio to make extra money. He prefers dancing on his own, and is considered good-looking and cool at school. Yusei and Sumiré are the star dance couple at the studio. They are also Tango’s childhood friends. They both want Tango to start dancing competitively again, and see Himé as the chance they’ve been waiting for.
I really liked this first volume. I wasn’t too thrilled by the emphasis on body image and conforming to societal expectations, but Himé’s hangup about her looks and living up to what she thinks is her mother’s expectation is completely believable. I actually liked Himé with her round face, and fuller figure. I also liked that other than one jerk boy, no one criticized Himé’s size or appearance. Even Tango was more worried about his reputation being ruined than Himé’s appearance when he first dances with her. Sumiré admired Himé’s muscle structure and both Yusei and Sumiré were supportive of Himé’s abilities with little concern for her weight. This made the reveal at the end more believable and easier to take.
The relationships were handled very well. I especially liked Tango’s and Himé’s up-and-down relationship. Himé just wants to dance with Tango, but he ignores her, for fear their schoolmates will find out, but when she starts avoiding him to keep her practices with Yusei a secret, Tango is suddenly bothered by the loss of her attention. Sumiré was a bit of a trap too. Just when it seems like she might be jealous of Himé, she turns out to actually be very supportive of her wanting to dance, and dance with Tango.
I also liked how Ando portrayed the ballroom dancing. Instead of just showing the couple dancing around a dance floor, she likened Himé’s partners to a different experience. When she first dances with Tango, she feels like she is a princess, but when she dances with Yusei, it is like she at a fancy 8-course dinner. These scenes reminded me a lot of The Drops of God, where wines are described in wild and far out ways. While it’s exciting to see to talented dancer at work, the addition of these other sensations adds to the experience.
Let’s Dance a Waltz Volume 1 was a really fun read. The characters are very engaging and the story has sparked my interest. Ando’s art is superb. The characters are varied in appearance and dress. The dancing was well done as well, with some of the ballroom gowns looking gorgeous. I can’t wait to see what a dance competition will be like, and what new experiences Himé will have on the dance floor.
The awkward feelings between Louise and Bruce are growing, though it seems like Louise will never realize what’s going on in Bruce’s head. But when Bruce’s family runs into even more financial trouble and he needs money fast, a modeling competition may be the best–and most embarrassing–way to solve all his problems at once.
The second volume of Orange Junk starts a new arc that takes the characters out of school and into a modeling competition. The change of venue brings in new characters, including a rival for Louise’s affections, and plenty of new opportunities for comedy and drama.
I really enjoyed this second volume, possibly more than the first. While the series does use the shojo tropes well, all the time spent at school was starting to drag. This volume changes that as the characters move into new environments. Bruce’s mother has to be hospitalized, and as the bread-winner with no insurance, it’s up to him to try to find a way to cover everything. Enter the male modeling competition with a cash prize for 1st place. While Bruce is away, Drew and Louise spend more time at Bruce’s helping out with his siblings and being all domestic. Drew is really cute with the kerchief on his head, baby on his back and broom in his hand. While Louise isn’t much help domestically, it is a chance to get out of her house and away from the drama brewing there. While we don’t see it as much in this volume, there are subtle hints that things may be getting worse instead of better.
The modeling competition is really where all the fun and excitement is. Bruce’s change from tough guy to chic is amazing, though I do like his “hedgehog” hair better. It’s cute seeing how uncomfortable and vulnerable he was answering the personal questions, going through the makeover, and walking the runway in a speedo. A couple of new characters are also introduced. Ryan is one of modeling competitors, who Louise calls Flower Boy. He looks much younger than his stated 21 years, and isn’t really interesting in winning the competition. He becomes friends with Bruce. Miles Reagan, who Bruce’s sister Jenny calls “Refined Boy,” is the son of the man who cause Louise’s family to go bankrupt. He has feelings for Louise and thinks he can turn her around and get her to reciprocate them. The scene where he first talks to Louise with Ryan and Bruce is really funny and shows everyone’s level of comprehension of the situation. It was great.
Miles’ declaration to win Louise back is going to be a problem for Bruce and Louise as the pair have been slowly realizing their feeling for each other. Both spend a lot of time blushing as Bruce dreams of Louise, and through the competition, Louise sees a lot of more of Bruce’s body. It’s hard to imagine Miles having any kind of chance getting between them, but some things he says to Louise implies more was going on than she knows between their families. But he comes off so smarmy that I really don’t want to see him either win the competition or even Louise’s friendship.
This second volume of Orange Junk was very addicting, making it hard for to pull away. The competition should really start heating up now that Bruce has decided to get serious, and the stakes were raised by Miles. I love that it’s the guy that gets to be the model and objectified instead of the girl. This twist is part of what really made this volume fun for me. I’m really looking forward to seeing where the story goes in the next volume, and am really glad Sparkler added it to the magazine, so I can get in monthly chunks.
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When Louise’s wealthy family loses everything, she has to pull herself up by her bootstraps and start over in a new high school – where the smartest boy is the meanest, and the hottest boy is the weirdest. But Louise needs tutoring, so the three become a team…and it’s heaven, hell, and everything in-between.
In general, I don’t care for the riches-to-rags stories. I don’t find financial hardship to be funny no matter who is writing it, so I had my doubts about Orange Junk when it was announced as a new addition to Sparkler Monthly. But I have a terrible case of curiosity and decided to check the series out on my lunch break at work. I ended up reading all 7 available chapters over lunch and break. Orange Junk spins an engrossing story filled with appealing characters and a story that balances the humor and drama just right.
The protagonist of Orange Junk is Louise Barton. Her family used to be wealthy, but her father’s company went bankrupt and they lost everything. They move into a regular neighborhood where Louise has to go to the local public high school. It’s like a whole new world for her, but she does adjust and makes friends. Bruce Daniels starts out as Louise’s nemesis. He is quick to anger and is always getting into fights. He also hates rich people, so sees nothing good in her. Andrew Grey is the third member of the trio. He is a new student like Louise. He lost his parents and now lives with his Grandmother who spends a lot of time traveling. He is good-looking and a bit clumsy. The trio become friends when Bruce is forced to tutor Louise in math to keep their teacher Jack from telling his mother about his fighting and Drew lets the use his house when rumors start to fly at school.
I really like all three of these characters. I wasn’t sure I would like Bruce at first. He was so quick to judge and jump to conclusions about Louise. He is hyper-sensitive about his family’s financial situation, while Louise isn’t. She seems to have accepted the change in her lifestyle, though she does hold a bit of a grudge against her father’s partner who was responsible for the family’s downfall. For most of the first volume they spend a lot of time bickering. I loved that Louise called Bruce and hedgehog, and imagined him as a pineapple when his mother described him as tough on the outside but sweet on the inside. They do finally come to an understanding, mostly with the help of Drew. He starts to hang out with Louise and Bruce during their tutoring, and the reason why is not one you would expect. I thought is was a good twist.
The humor is strong emphasized in this first volume, but dramatic elements still get dropped in. The trios’ back story is revealed as well as glimpses into their family lives are shown. Bruce is tricked into revealing his when Louise opens up to him first. All three have very different homes to go to. Bruce’s is lively and happy. Louise’s is still filled with anger and resentment. You can’t see the bonds in Louise’s that you can in Bruce’s. Drew’s family quickly becomes Bruce and Louise since he is essentially alone, but he always has an upbeat attitude and smile.
The art of Orange Junk is charming. It has a shojo feel to it, while having a life of its own. Both Bruce and Drew are good-looking in their own way. Louise is comely, though I like her better with her hair down. I also really like Bruce’s hedgehog spikes. The characters also have their own fashion styles, and I enjoyed seeing them in different outfits.
Orange Junk is a fun series that delighted me, all the more since I wasn’t expecting it to. It has a lot of shojo manga tropes, but handles them in a way that they don’t feel old or tired. I was riveted as I torn through the pages, the story and characters growing on my with every chapter. If you are a fan of shojo manga or just good stories, check this series out.
Become a member and get Sparkler Monthly every month with a $5 monthly subscription, pay for a year at $50 and save $10, or become a VIP for $125 and get back downloads of serialized titles as well as Cherry Bomb adult stories.
Words are powerful. Insults and rumors can derail a career; a bit of encouragement can give someone the strength to pursue their dreams. When a high school boy skipping class to sketch shoe designs and a taciturn woman drinking a morning beer meet in a Tokyo park, they say little, but the woman bids farewell with an ancient tanka poem. Will the boy figure out the poem’s meaning-and its corresponding response-before it’s too late?
The Garden of Words
Written by Makoto Shinkai; Art by Midori Motohashi
Publisher: Vertical Comics
Age Rating: Teen
The Garden of Words is based on an anime movie that was released in 2013. It takes place over a short period of time, just a few months in the summer, during Japan’s rainy season. But in that short period, two people find enough to say to give flight to the hopes and dreams for both of them.
This story focuses on two people, Akizuki, a high school boy who dreams of being a shoe maker, and Yukino, a young woman who seems lost and without purpose. These two meet one rainy day under a gazebo in a Tokyo park, and continue to do so on rainy mornings where they begin to talk and open up to each other, but never introduce themselves. Things become complicated once their true identities are revealed, and feelings are confessed.
I liked Akizuki and Yukino. They are both sympathetic and likable leads. Akizuki’s determination to follow his dream no matter how silly it seems to others is cool. His hesitation to tell anyone his dream is reasonable for a teen who expects ridicule from his peers and discouragement from adults. He still works hard toward his goal, constantly drawing shoe designs and practicing working with leather. He spends his summer break working to earn money for tuition and supplies for a trade school. Yukino is just the opposite. She has an experience that turns her dream job into a nightmare, and worse, is practically bullied by those who should respect her for something she had no control over. It’s really sad what Yukino goes through, but Akizuki’s kindness is just what she needs to escape the mire she’s been trapped in.
The Garden of Words is the story of recovery and self-reliance. Akizuki and Yukino were drifting in their lives, knowing their dreams but having their doubts. Meeting each other in the garden, where they would support each other with just kindness and friendship, they both found their paths and could take them, even if they weren’t necessarily together. It is a beautiful story filled with emotion. Midori Motohashi’s art is delicate and expressive, displaying the characters feelings perfectly. In one volume, a sensitive story of life and love is cultivated to illustrate the redemptive side of the human condition.
Sachie Wakamura just lost her mother, and her estranged grandfather has shown up to take care of her. The only problem is that Grandpa is the head of a yakuza gang! Sachie tries to continue living her normal life, but she can’t run far since Rakuto, one of the most popular guys in school, is part of her grandfather’s gang and her new protector. Soon, Sachie finds herself falling for her bodyguard. But she’s the granddaughter of Rakuto’s boss, so he can never show his feelings for her. Can Sachie find a way to fit into her new family and seize her chance at romance?
Wild Ones Volume 1-10
By Kiyo Fujiwara
Publisher: Viz Media
Age Rating: Teen
Price: $8.99-9.99 USD
When I first read the first two volumes of Wild Ones, I liked it. It wasn’t amazing or groundbreaking in any way, but it seemed fun and the characters interesting. Then I binge-read the entire series. It unfortunately lost its charm pretty quickly as it fell into a rut of the same romance clichés and no character building.
Wild Ones follows Sachie Wakamura, the unknowing granddaughter of a Yazuka gang. After her mother dies suddenly, Sachie is thrown into the strange new world of big manly men having no idea how to deal with a girl and her girly things. She is treated like a princess and given a protector, Rakuto, who while being part of her grandfather’s gang is also the prince of her high school. The story follows the high school years of Sachie, Rakuto, and romantic rival Azuma as they try to figure out their feelings for each other while trying to keep their yakuza connection a secret for their school friends.
I wanted to like Wild Ones. I really liked the first volume, and while feeling more luke warm, still liked the second volume. But the further I went into the series, the less I found myself enjoying it. I didn’t mind the clichés at first. I like the “friendly yakuza boss” trope, so I was fine with that. And I don’t mind so much the all the usual shojo tropes that show up in most titles as they can have their uses. Going to the beach, the onsen, the school festival, introducing a romantic rival or character from the past to warn on of the protagonists off, all of these things can be useful in changing and growing the characters and their relationships. The problem with this series is that, they don’t.
The characters never really change throughout this series. Sachie’s and Rakuto’s relationship never goes past the protector/protected stage. After every situation where one would think their relationship should move forward, instead it resets to the status quo. The introduction of Azuma as a rival to Rakuto never really goes anywhere, since Sachie never shows any interest in him other than friendship. He is shown to keep trying, but I kept wondering, what was he trying for? What made him think Sachie would ever look at him differently even if he showed up or pushed Rakuto out of the picture? He was there just for comedy relief/conflict with Rakuto. He never came off as a serious threat to their relationship.
The other story element that just became boring after being played so many times was the trying not to let anyone find out their from a yakuza family. It came up in nearly every volume, from Sachie blurting it out, to her being seen with some of the men, to a former yakuza threatening to expose them, Sachie, Rakuto and Azuma are always on damage control to keep their class mates from finding out. This can be funny one or two times, but it comes out so many times, that the tension is drained, so when it finally does happen, it’s more of a shrug than the deal breaking moment it should have been.
Wild Ones had it entertaining moments. Sachie and Rakuto’s budding relationship did have some sweet scenes. They are a couple you want to see together. Rakuto’s dedication to Sachie is almost envious, and Sachie can be tough but nice without becoming a tsundere. They just couldn’t outweigh all the problems. The art is well done. I liked the character designs even if at times they seemed a little generic. It’s not a title I would strongly recommend, but it’s not a bad way to spend a weekend reading either. It’s best borrowed from a friend or the library.
Some review copies provided by publisher.
With their new series, Moritaka and Akito start beating Eiji Nizuma in the Shonen Jump rankings for the first time. But in the actual book sales Eiji is somehow still on top. The duo is as determined as ever to achieve their dreams, but a new scandal threatens to destroy everything!
Bakuman Volume 19
Written by Tsugumi Ohba; Art by Takeshi Obata
Publisher: Viz Media
Age Rating: Teen
This is it; the second to last volume of this series. When I read the first volume back in 2010, I didn’t think I would enjoy it or it would be able to hold my attention. But against all odds, it not only got past the problems I had with the first volume, it surpassed all my expectations. Ten years have passed since Moritaka, Akito and Azuki started chasing their dreams, and now those dreams appear to be in reach.
The volume starts on the manga side of the story, showing further the rivalry between Ashirogi and Nizuma. I really like the rivalry between these. It’s very friendly. Both sides can not only appreciate the other’s work, but they can come out and say it, while in the same breath vow not to give up. These kinds of rivalries are rarely shown. Usually the two sides are shown as adversaries, with one having to win. The wonderful thing about Ashirogi’s and Nizuma’s rivalry is that it never has to end. Both sides can continue to push the other to grow. It’s a positive competition that would be nice if more people embraced.
The real conflict in the volume comes from the voice actor side. Azuki is a rising star, but voice actors are like idols, and to fans, to have a boyfriend is sacrilegious. For ten years Moritaka and Azuki have been able to keep their relationship a secret, not just for Azuki’s career, but for the promise they made. A slip up by one of Azuki’s fellow voice actors and a jealous middle school classmate blows their cover and the rumors start to fly over the internet, and into the press.
The good part of this potentially crippling event is the support Moritaka and Azuki get from the people around them. There are the regulars like their editor, and Azuki has her mother’s support, but the best reaction comes from Fukuda, a fellow manga artist that started at the same time as Ashirogi. He is very impassioned, melting down into tears when he hears about Moritaka’s and Azuki’s relationship, to indignation at the way they are being treated by fans. He doesn’t back down even he asked to by his editor.
It’s really kind of sad, but both Azuki and Moritaka have to keep reiterating that they have done nothing wrong. They have done nothing to hide their relationship because there has been nothing to hide. They have kept it as pure as humanly possible, but there seems to be this constant assumption that they have done something wrong. Ishizawa, the trio’s middle school classmate who failed at becoming a manga artist, is truly a terrible person as he deliberately tries to derail Azuki’s career with his rumors posted anonymously online. What’s even sadder is that he’s not a fictional character. There are too many people online just like him ready to destroy other’s lives for no more than petty jealousy.
Bakuman continues to be a fantastic read. After spending the last 18 volumes watching these characters change and grow, it’s almost sad to think it’s nearly over. As a reader you are rooting for Azuki and Moritaka, and hate any more obstacles that get in their way. The real strength of this volume is that the obstacles are introduced reasonably and who they come from are believable. I’m looking forward to the last volume and seeing how it all works out.
It was hate at first sight… rather a knee-to-the-head at first sight when Raku Ichijo meets Chitoge Kirisaki! Unfortunately, Raku’s gangster father arranges a false love match with their rival’s daughter, who just so happens to be Chitoge! However, Raku’s searching for his childhood sweetheart from ten years ago, with a pendant around his neck as a memento, and he can’t even remember her name or face!
Nisekoi: False Love Volume 1
By Naoshi Komi
Publisher: Viz Media
Age Rating: Teen
Nisekoi started out as a digital only series that did well enough to move up to a print release. I’d heard others raving about it before it was officially licensed, so despite my poor luck with rom-coms, I decided to give this series a try. So far, it’s not too bad.
The basic premise of the series is far from original. Boy who doesn’t want to be a gangster like his father gets thrown into relationship with rival gangster boss’ daughter to keep the peace between the two gangs. And of course, they have to hate each other, so there is plenty of conflict as they pretend to like each other for the benefit of the gang members. But Nisekoi surprises by actually making this premise entertaining.
Raku and Chitoge are key for making the series work. Their first meeting if far from ideal, as Chitoge uses Raku as a landing pad when she jumps the school’s wall since she’s running late for her first day. Their dislike for each other is established very quickly, while everyone at school thinks their constant bickering is cute and a sign they really like each other. This feeling extends to their extended families, the gangs, so the pair finds themselves trapped, otherwise a lot of people could get hurt.
Chitoge is the one who has the hardest time making the false relationship work. She is quick to anger, and the first to resort to violence. We don’t know how she feels about being part of a gang, other than how difficult it can be to make friends, but she has definitely embraced the violence of her father’s trade. She does have her softer moments, but they are few and far between, and for some reason only Raku gets to see them.
Raku definitely doesn’t want to be the heir to his father’s gang. He has dreams of living a normal,legal life as a civil servant. He doesn’t like violence, and is the cook for the gang, being very precise in his measurements, down to nearly the gram. He also likes to rescue animals, creating what is essentially at zoo at his school. Raku’s nice streak extends to people, as he offers his Japanese notes to Chitoge when he sees her struggling the class, and even helps her in cooking class after she tells him she wants to make a good impression with their classmates.
Even though Raku has to pretend to like Chitoge, he is actually attracted to his classmate, Onodera, a quiet girl who is on the student government, and is nice to Raku, but who also harbors her own crush on him. This sets up the classic love triangle, with the nice girl to contrast against the violent girl. I don’t know how I feel about Onodera yet. She could be the girl of Raku’s dreams, literally.
For ten years, Raku has harbored the dream, a distant memory now, of a girl he made a promise with to meet again someday. Even though he doesn’t know the name or face of the girl, he has a lock that he wears around his neck, and the girl will have the key to open it. Onodera has a key that could go to the lock. The girl in his first dream has dark hair like Onodera. But then, after meeting Chitoge, he has another dream/memory of a different looking girl with blonde hair. Could there be more than one girl?
Most of the comedy in Nisekoi is based around Raku and Chitoge bickering and then suddenly having to pretend they really like each other. One of the members of Chitoge’s gang, Claude, the member who has been watching over Chitoge doesn’t believe in the pair’s sudden declaration of love, and spies on them at school, the one place they had hoped they could be themselves. They are forced on a date, and followed (and cheered on) by both gangs, though the rank and file guys have totally bought into the act, as bad as it is. Most of these scenes weren’t bad, but I found I liked Raku and Chitoge’s bickering more than Chitoge’s macho behavior, or the sudden 180s they have to do every time they are almost caught.
I don’t know if Nisekoi will be able to keep my attention for long. Despite enjoying this first volume, the potential for this to turn into a harem series, which I really dislike, is high. Raku and Chitoge’s bickering punctuated by quiet moments are what really kept me interested. The thought of adding more girls to the mix really sounds unappealing. But then, I know I’m in the minority on this point. Nisekoi: False Love was a fun read, and if given the chance, I’d read more, but it’s not on my must have list.
Indulge your love of supernatural romance with this new series from Viz Media. I wasn’t too keen on the license when it was originally announced back in February, but I’ve been wrong before. Keep reading to see if you feel it’s a must get next week.
VIZ MEDIA LAUNCHES NEW PARANORMAL SHOJO MANGA SERIES KISS OF THE ROSE PRINCESS
A Mystical Girl Brings Forth Four Magical Knights To Help Her On A Quest To Save The World From The Forces Of Evil
San Francisco, CA, October 22, 2014 – VIZ Media, LLC (VIZ Media), the largest distributor and licensor of manga and anime in North America, announces a thrilling new paranormal shojo manga (graphic novel) adventure with the launch of Aya Shouoto’s KISS OF THE ROSE PRINCESS on November 4th.
The new series will be available for the first time digitally as well as in print under the Shojo Beat imprint. KISS OF THE ROSE PRINCESS is rated ‘T’ for Teens and will carry a print MSRP of $9.99 U.S. / $12.99 CAN.
A digital version of KISS OF THE ROSE PRINCESS, Vol. 1 also will debut on November 4th for $6.99 (USD/CAN) from VIZManga.com and through the VIZ MANGA App for the Apple iPad®, iPhone® and iPod® touch, Android-powered smart phones, as well as through the Nook, Kobo, Kindle, iBooks and GooglePlay stores. Future editions of the 9-volume series will be released in-print and digitally on a bi-monthly basis.
Anise Yamamoto has been told that if she ever removes the rose choker given to her by her father, a terrible punishment will befall her. Unfortunately she loses that choker when a bat-like being falls from the sky and hits her. Anise is granted four cards representing four knights whom she can summon with a kiss. But now that she has these gorgeous men at her beck and call, what exactly is her quest?!
“Aya Shouoto uses her stunning artwork in KISS OF THE ROSE PRINCESS to bring us a tale of a modern princess and her four handsome knights in this reverse-harem series,” says Nancy Thistlethwaite, Editor. “Our reluctant but fearless heroine must pledge herself to save the world from the Demon Lord, but what will happen if she falls in love with one of her knights? Don’t miss the start of this exciting new series in November!”
For more information on KISS OF THE ROSE PRINCESS, or other Shojo Beat manga titles from VIZ Media, please visit www.VIZ.com.
About VIZ Media, LLC
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Sona-G is one of the most popular bands on the scene with a strapping vocalist and a hunky guitarist! Masumi, on the other hand, has all the trust in the world with her technical skills on the guitar, but she’s just been dumped and the world looks grey indeed. Then one day, Masumi finds herself playing second guitar for Sona-G! What’s going to happen to her decision not to fall in love…? This volume also features another two wonderful stories!
Sona-G Series Volume 1: Heaven is Not Needed
By Yuriko Matsukawa
Publisher: Digital Manga Guild
Age Rating: Teen
Price: $7.95/eBook only
Sona-G Series is a one volume anthology featuring three stories by creator Yuriko Matsukawa. The stories are all romances featuring girls finding love when they aren’t looking for it. While all three stories are entertaining and even fun reads, none are really compelling.
“Heaven is Not Needed” is the main story of this anthology as well as giving it its name. It is about high school girl Masumi Murakami who is asked by the wildly popular duo Sona G to play acoustic for them on a big gig coming up. But because her crush left her because of her skills on the guitar, she has quit playing. She is tricked into agreeing and joins Ayase and Hiroshi for the concert. Masumi is a good female lead. She has a strong personality, and doesn’t put up with a lot of Ayase’s sharp tongue, as he likes to bait her and use her pride against her. Hiroshi isn’t as brash as Ayase, but he’ll resort to a trick or two to get Masumi to play. The story takes a turn for the dramatic when Ayase’s young niece is kidnapped with the ransom being that Sona G cancel the concert. While the kidnapping did make a nice change of pace for the drama to be external, it also felt tacked on and rushed. There is no explanation given for the kidnappers wanting to stop the concert. The resolution of the potential love triangle between Ayase, Hiroshi and Masumi didn’t work for me either. I didn’t feel the connection between Masumi and her chosen one. This story tried to do too much and ended up feeling lacking in the end.
“Flower Garden” is about high school student Karin who is studying for college entrance exams. Her distant cousin Toshisada has come to live with her family while he takes entrance exams as well. But there is something weird about Toshisada; he is up at all hours of the night in the family garden doing odd things. He eats flowers and he never seems to be studying. His activities become distracting to Karin who gets mad at Toshisada until he reveals to her what he’s been doing and why. The writing for this story was much tighter and made for a better read. It didn’t seem like a love story at first as it focused on Karin’s indecision about her future, and Toshisada’s strange behavior. Everything comes together at the end, even though the romance is left up in the air, which I think is a good thing.
“Onions, Onions Everywhere” has another high school student, Mariko, living in her aunt’s apartment complex while her parents are working overseas. After a misunderstanding with her neighbor Mr. Miwa, a strange man who is always wearing sunglasses, she become friends with him and they trade sweets in a friendly competition. Mr. Miwa works in a sweets shop and after learning that Mariko hates onions tries to convince her of otherwise. Onions are a kind of strange topic to use to bring two people together, and an even stranger ingredient for a cookie, but it ends up working somehow. Mariko is pretty unwavering in her dislike of onions, but not unreasonable. Miwa’s reason for always wearing the sunglasses is unexpected, but still humorous. I wouldn’t try it myself, but I would be interested to know if anyone tried the recipe for Onion Cookies used in the story.
The art of Sona-G Series is very 90s-2000s, in both style and in the character designs. I don’t consider this a fault for the series, but not everyone may appreciate the sharp lines and spiky hair.
Overall, Sona-G Series was an entertaining read, but not one I would call a must read. The stories are light, and the romance doesn’t always seem to be the focus, which is an element I enjoyed. It helps to set the volume apart from other teen shojo titles. The girls here aren’t mooning over the men in their stories, but also aren’t unwelcoming when the feelings come, and those are romances I can ultimate appreciate.
Gen Tsukiomi appears to be a normal high school student but there is more to him than meets the eye. So when his old caretaker asks him for help in protecting his current charge, Hikari Kuze, Gen wonders what is going on. Besides being a ditzy junior high school student, is Hikari like Gen, with a secret of her own? In what often feels like a comedy of errors, Gen tries to figure out who is after them while struggling to maintain his quickly dwindling control over the situation. As if that wasn’t enough, a new romantic rival appears! But which one of them is he actually after?
Moonlight Kreuz Volume 1
By Yasumi Hazaki
Publisher: Digital Manga Guild
Age Rating: Teen
Price: $7.95/eBook only
Moonlight Kreuz had an interesting sounding premise with romance, comedy and werewolves. But the first warning was there, with the female leading being described as “ditzy.” And though I keep trying romantic comedies, I’ve yet to find one I really enjoy. This volume wasn’t a bad read, but neither was there anything that made want to pick up more.
The lead characters, Gen and Hikari, needed first and foremost to be interesting to me. Unfortunately, Hikari is exactly the kind of female lead I dislike. She has two forms; her human form which is small, clumsy and ditzy, and her werewolf form which tall, hot and powerful. She is much more powerful than Gen and is always coming to his rescue even though he’s supposed to be protecting her. I actually don’t mind that so much, and it’s nice that he doesn’t seem to mind, but he ends up comes off as rather bland. I don’t feel any real personality from him, while Hikari has too much.
The supporting characters are just as hit and miss. Hikari’s grandfather and Gen’s old Master is the typical lecherous, old man. His grandson Shino is the quiet ninja type who is always dressing in female disguises to help protect Hikari. Gen’s father is a powerful corporate executive who has an eye for the ladies. Only Hikari’s mother, who works overseas teaching Japanese, seemed the most grounded.
The villains aren’t much better. The volume starts with a bunch of horny werewolves who want to mate with Hikari so they will stop turning into wolves and be more human like Gen and Hikaru. They are mostly bumbling misfits who Hikari defeats easily. The tables do get turned as Gen also becomes the target of both the Wolf Association, and of an English werewolf named Claude who doesn’t care which of them changes gender, as long as he can get with Gen.
I know these characters and situations are supposed to be funny, but none of them really got much of a laugh from me. Hardly even a smile escaped my lips. Hikari’s and Gen’s relationship fell as flat as the humor. I just didn’t buy it, especially with Hikari looking more like a little kid trying to get her big brother to notice her. The art has a 90s feel to it, which I don’t mind at all. The wolf-form werewolves were given a moment to look scary, but were quickly turned much more humorous. You can understand the female werewolves wanting to get a human form since their wolf form is far from flattering.
On the whole, Moonlight Kreuz Volume 1 just didn’t work for me, which is really a shame because I was hoping it would. It was nice to see a supernatural romance with some creature other than vampires. The series is only three volumes long, so I wouldn’t mind reading the other two volumes to see if it improves, but this is a series I’d rather borrow than buy.
Review copy provided by publisher.