This week I look at new manga releases, new digital manga released at Vizmanga.com, and I review the first two volumes of Cross Manage.
This week I look at new manga releases, new digital manga released at Vizmanga.com, and I review the first two volumes of Cross Manage.
This week I look at eManga’s September promotion, the bestselling and new releases at Vizmanga.com, and I review Backstage Prince vol 1-2 as a comfort manga.
Only one name strikes fear into the hearts of evildoers everywhere: Phoenix Wright, ace attorney. Join Phoenix Wright and his adorable assistant Maya–plus Miles Edgeworth, Detective Gumshoe, Franziska von Karma, and others–as they investigate twenty intriguing cases. And find out why Phoenix Wright has devoted his life to fighting injustice!
Publisher: Del Rey Manga
Age Rating: Teen
Genre: Mystery;Video Game Adaptation
Price: $14.95 (OOP)
I think it is safe to say my kids can influence my reading habits. Some people might say it’s good that I’m looking into what my kids are reading and playing. I’ve been reading the web comic Homestuck after they told me about it. And now, after my oldest daughter discovered the Phoenix Wright Nintendo DS video games, and basically told me the whole plot of them, I am now reading the Phoenix Wright manga. I read the first volume of the ongoing series of Phoenix Wright, and didn’t find it appealing from a mystery-lovers perspective. But having gotten this title for her, I decided to read it and see if it could win me over as the ongoing couldn’t. And it did so, in spades!
This volume is a thick 304-page anthology with 20 different stories written and drawn by 20 different artists, as well as 4-koma strips that appear between chapters. Like each creator, each story is different, some being cases, some looking at the characters relationships, and some just going completely meta! The first story, “Progress Toward Tomorrow” has Nick looking inward, trying to answer a simple question posed by Maya; Why did he decide to become a defense attorney? It’s a really nice story that has Nick questioning his reason and motives, and ultimately his effectiveness as a defense attorney. Fortunately for him, Miles is there to slap some sense into him, and get him out of his self-doubt. It was a nice story validating Nick’s choices and his friendships.
“Turnabout Kitten”, “Spirit Medium or Bust”, and “It’s Not Easy Being a Defense Lawyer” are three stories in a row that gave me some laugh out loud moments. Fortunately, no one else eats in the lunchroom at my work. In “Turnabout Kitten”, Maya finds a kitten, and Nick, determined not to have it in the office, tries to find a home for it. He calls Miles, Gumshoe and Larry, all with increasingly funny results, especially between Larry and Gumshoe. “Spirit Medium or Bust” has former client Mr. Grossberg trying to repay Nick and Maya for their help, and goes a little overboard. But the funniest of the three was the meta “It’s Not Easy Being a Defense Lawyer.” Everyone convenes on the Phoenix Wright Offices when they hear Nick isn’t getting any cases. They all have their own ideas, but end up ganging up on Nick for being a weak lead character.
The 4-komas had some great hits too. “Anything But That” is hilarious while also being the stuff nightmares are made of with Larry finding a new job. I also really liked “Let’s Turn It Around.” It explains a lot about Phoenix’s hair.
Because there are different artists for each story, the art does vary greatly, but I really didn’t have a problem with it. I actually liked the different styles. Kaname Uchimura’s big-eyed, shojo-esque portrayal in “Turnabout Misunderstanding” was cute, as was the SD-ish art in “Ball Search Team, Head Out!” by Tomo and “The Mystery of the Missing Manju” by Tsukapon. Not all of the more realistic artwork worked for me, but I think Daigo’s for “It’s Not Easy Being a Defense Attorney” was the style I liked best.
While I really enjoyed this volume, this isn’t the book to pick up if you’re just getting into Phoenix Wright. This is a title for someone who is already a fan, and who knows who the characters are and their relationships to each other. Even with knowing a lot about the characters, I was still thrown by Maya channeling Mia and who Mia was. I had to consult the Encyclopedia Daughterica for that information. If you’re a fan of the Phoenix Wright games, you really owe it to yourself to pick this volume up. It is out of print, but volumes are available new and used for reasonable prices. It’s mostly funny, sometimes emotional, but always enjoyable.
This week I check out some news stories, see what’s new at Vizmanga.com and review the first 11 volumes of Skip Beat for this month’s Manga Movable Feast!
Chaos reigns as the curtain descends on the age of the samurai. Atsuhime, born to the Satsuma branch of the Shimazu clan is to wed Iesada Tokugawa, the 13th shogun. However, soon after their marriage, Atsuhime’s beloved husband dies, leaving her to defend the clan as she is tossed about by the waves of history. Watch as this exceptional woman from Satsuma lives out a trouble-filled life while resolutely moving forward no matter what in this moving historical comic!
Well, what do you know, another historical title. What a surprise. Yes, I do love my historical titles. The last one I reviewed, King’s Moon, dealt with Japan just before the start of the Tokugawa Shogunate. This title, Hanagatari Tenshion Atsuhime, deals with the last years of the Shogunate, as told though the eyes of Atsuhime, the wife of the 13th Shogun.
Hanagatari Tenshion Atsuhime begins with the girl Okatsu playing in the fields behind her home in Satsuma. It is decided that she is to become the next wife of the Shogun, Iesada. After a few years and several name changes, she arrives as Atsuhime. She makes a not-so-good impression with the palace staff when she arrives and worse with Iesada himself when she slaps him and basically tells him off. This leads to a real relationship between Atsuhime and Iesada to the point that she turns against the Satsuma Clan in support of her husband, which seems to turn the Satsuma against the Tokugawa, leading into the Bakumatsu. Atsuhime, who becomes Tenshion sees two more Shoguns before the final fall of the Tokugawa Shogunate.
I really like Atsuhime. When she is first introduced, she seems to be a more timid woman, there to do as her clan wishes. That all changed when she faced Iesada, who sounded more like a whiny child. Her outburst breaks him out of his apathy, and she truly challenges him to rise up beyond his physical problems. She shows a strength that not only did no one truly see, but then gives some of that strength to Iesada, who despite his health problems becomes more active in living. She becomes the strength of the Tokugawa as she becomes mother to the next shogun, finds a way to relate to her daughter-in-law, the younger sister of the emperor, holds the palace together through a rebellion led by her own former clan, the Satsuma, and sees the last Shogun to his surrender, and then end of the Tokugawa Shogunate.
There is a bit of introspection toward the end as Atsuhime thinks about the decisions she made and if things could have gone differently. In the end though, she stands by her choices, being as resolute as the mountain her mother told her would always watch over her from her home in Satsume. Even after the Tokugawa fell, and she is given the option to return to Satsume, she chooses to remain with the family she created with the Tokugawa. She may be sad at the path her life took, but she never regretted it.
Hanagatari Tenshion Atsuhime was presented in the way I like my historical manga. It just tells the story without having to resort to long narrations to bridge scenes or time changes. It did have a few narration bridges, but they were brief, and the story carried the narrative most of the time. It made it feel more like a story and less like a documentary. I really enjoyed this title and am glad I got to read it before Jmanga closed.
In Victorian England, a young girl named Emma is rescued from a life of destitution and raised to become a proper British maid. When she meets William, the eldest son of a wealthy family, their love seems destined. But in this world, even matters of the heart are ruled by class distinctions.
I didn’t expect to like Emma. I have a split track record with Kaoru Mori’s work. I loved A Bride’s Story, but wasn’t impressed with her short story collection Say Something and Anything, especially the maid stories. But as I started reading, I couldn’t help being enchanted by the charming characters she populates the series with, and sets up so simple an obstacle, but it still seems just as insurmountable.
Emma starts with the unceremonious meeting of Emma and William, the former student of Kelly Stownar, who was William’s governess, and is Emma’s employer. William is immediately smitten with Emma, which Kelly picks up on, while Emma seems not to notice. But William is not the first or only man to be drawn to her, as the pile of love letters she receives shows. Even Prince Hakim, William’s friend from India is taken by her charms at first glance. This first volume introduces these main players, and gives a little insight into who they are.
I absolutely loved every character in this volume. There isn’t a single one that I found annoying or dislikable. William is wonderfully nervous around Kelly, and a little over-excitable when he’s around Emma. Emma herself comes off rather innocent, or naive. While she is able to turn down most of her would-be suitors, William elicits a blush from her. I loved Kelly, who seemed to take great joy in making William feel uncomfortable with her memories of his childhood, but didn’t discourage his interest in Emma. Hakim brought a lot of comedy, with his elephants marching through London, or his motorcar whizzing around the inside William’s house. I also loved his Indian women attendants. Their expressions never change, whether they are draped over Hakim or driving the motorcar, they are always straight-faced, almost bored-looking.
The introduction of William’s father, Mr. Smith, also introduces the main conflict of the story. In order for William and Emma to be together, they must not only overcome class distinctions, but also the attitudes of the people around them. Kelly doesn’t have a problem with Emma marrying up obviously. She seems to be encouraging their relationship. It’s William’s father, and his other family and friends that will be the biggest obstacle to their budding relationship. Mr. Smith makes his feelings very clear at the end of the volume about the relationships between classes, describing them like people from two different countries who just happen to speak the same language.
Because of Karou Mori’s obsession with Victorian England, this title is filled with historical details. From the fireplaces and wallpaper in the homes to the clothing of both the men and women, reading Emma is like watching a BBC historical drama. I’ve never been a fan of the Victorian era, but I love Mori’s depiction of it. The men in their suits and hats and the women with their hair done up and their long dresses and ball gowns, I love the look of them all. But most important was the attitudes and beliefs of the people at them. Mori really gets these, from the working class grocer who doesn’t see the worth in his daughter going to school and learning when she will just get married, to Mr. Smith’s constant harping on William about proper manners. Social etiquette was a big deal to the upper class, as they saw it as one of the things that separated themselves from the lower classes. Having good social graces was just as important as one’s family and blood line. Mori really seems to get this, and isn’t just using stereo types to portray the classes.
This first volume of Emma was an engrossing read that just makes me want to read more. I’m really glad this MMF gave me an excuse to read it. Of course, the problem with reading the first volume of a hard-to-find OOP series is that if you turn out enjoying it, that means finding the rest of the series will be like pulling teeth. The volumes will tend to be difficult to find or worse, very expense. An incomplete set of the series just recently sold on eBay for $135.00! This is probably the only bad thing about the entire volume that I could find. And with Jmanga ending their service, the chances of seeing this series in print again is very unlikely. Unless Yen Press, who has published two of Mori’s other titles, sees some worth in. Though Yen Press has done some license rescues lately, I’m not holding breath for this one, which is really a shame.
Like most teens at Central City Middle School, Joey Jones is in desperate need of a hero. But the hero of his desire isn’t someone in tights, instead it’s the latest technological fad, a remote-controlled bot called The Heybo. Without much in terms of savings, Joey’s little hero seems out of reach, but in a twist of fate not only does he come to possess one of these machines, his new Heroman comes to life to help him save the Earth from alien invasion!
I wasn’t impressed with Stan Lee’s first collaboration with a Japanese artist, Ultim0, so I didn’t hold out a lot of hope for Heroman. For most of this volume, my low expectations were met. But once the story started to incorporate more Japanese hero elements, it started to pique my interest.
The protagonist of Heroman is typical of most Stan Lee protagonists. Joey is poor, and living with his grandmother, since both of his parents are gone. He has to work a part-time job as well as go to school to help supplement the household income. He has no self-confidence and only a few friends; Cy, who needs crutches to walk, and Lina, a girl from a well-to-do family who likes Joey, but whose brother hates Joey because he’s poor, and picks on him because of it.
This is the main part of the title that I disliked so much. Joey and most his friends are so two-dimensional. I didn’t feel any life or motivation from from any of them. Lina is so much the damsel-in-distress that it was annoying, and her brother Will’s obsession with her borders on disturbing. Only Cy doesn’t seem to fit the “sidekick” bill. He is more self-confident than Joey, and while he does encourage him, it’s never from the position of an inferior. Cy almost comes off as he should be the hero, and Joey his sidekick. But if that were true, it wouldn’t be interesting, as it’s the struggle to become a hero that makes books like this appealing. And as is typical of all Stan Lee related projects, there’s a character that looks just like him. He is a customer in the coffee shop that Joey works at. I think he must have stipulation in any contract he signs that his likeness has to be included.
I actually started to like Heroman more when Joey started acting more like the protagonist from a super sentai than an American super hero. When Joey realizes that he’s made himself a target because of H.M.’s strength, he doesn’t embrace that strength. He tried to distance himself, and pretend that it’s not his problem. It will all go away if he just isn’t near H.M. Of course, things don’t work out that way. The aliens are determined to defeat H.M. and come after him and Joey. It’s only when Joey accepts his role to fight with H.M. that he not only gains confidence, but also a new power for H.M. This is a very Japanese superhero trope. The structure of the alien invaders, the Skrugg, is very reminiscent of sentai villains, with underlings based on everyday objects (insects) swearing allegiance to the boss, and trying to defeat the heroes. Hero Man himself, reminds me of the giant robots of the sixties, specifically, Jonny Sokko and Giant Robot. The robot never spoke, like Hero Man, but you could still feel the connection between them. Jonny would also risk his life for Giant Robot, and Joey starts to do the same for H.M.
While I felt a lot of this volume of Heroman left a lot to be desired, there is still some potential that could turn this title around. Serious fans of super heroes and/or super sentai probably won’t like the fusion of the two genres, but casual fans of either would probably find something of interest. I’d like to read the next volume to see if this fusion of east and west can live up to the potential I see, or if it’s like Ultimo, potential wasted.
Review copy provided by publisher.
The Public Morals Club has been infiltrated by the Student Council as ninja Yui joins the club to spy on them. But with his reasons for switching being done in secret, not everyone on the Student Council is as understanding. It could be the end of Public Morals Club if the club can’t get a stamp of approval from the Student Council Auditor. Then a member of the Student Council, Ayabe challenges Mafuyu to a one-on-one battle, where the unthinkable happens. Mafuyu loses.
It’s been 5 volumes since I last read Oresama Teacher. I’ve enjoyed the series for the most part, but I’ve never been so enamored that I wanted to do anything more than just read it. These two volumes fall into the same category. A lack of Takaomi and more emphasis on Mafuyu, Hayasaka, and new club member Yui did make for some fun reading, but not enough to bring the series up that extra notch.
Yui has been having trouble gaining the trust of Mafuyu and Hayasaka, and with the club needed the stamp of approval from the auditor, this seems like the perfect opportunity to get it. The only obstacle is Wakana Hojo, the auditor who isn’t too happy with Yui’s apparent defection. I liked the Auditor story a lot, mostly because of Hojo and Yui and the unspoken feelings between them. Hojo and Yui have known each other since Middle School, and Hojo has liked Yui, but Yui is completely clueless about his own feelings let alone Hojo’s. It takes Mafuyu verbally hitting Yui with a 2×4 for him to at least start to understand that everything is not black and white, especially when it comes to feelings. Hayasaka also turned out to be the hero of this volume as his studious ways allowed him to create an activity log for the club that, along with the arrival of Super Bun gets the club their stamp.
Then, Mafuyu is challenged by Reito Ayabe, another member of the Student Council, and loses. It’s her first time losing, as far as she can remember. This was my favorite chapter in volume 11. Seeing Mafuyu shaken up and trying to deal with her loss was a good development for her. She had to stand up and face her fear. Ayabe seems like a jerk at first, but Mafuyu has a habit of disarming people, which she does to him over lunch where she finds his home cooked meal so much better than her convenience store lunch. Their second battle goes differently, as Mafuyu continues by telling him she just wants to get to know him, and wins through words instead of force. I hope Ayabe becomes a friend to the Public Morals Club. I rather like him and his odd affliction.
The short chapters that precede or end the main chapters weren’t bad either. I enjoyed seeing Hojo’s past with Yui and Hayabusa, the Student Club President that explains her feelings for Yui. And the Christmas chapter with Hayasaka and Mafuyu as Super Bun was fun too. I like that Hayasaka sees Super Bun as a hero and bud, and not a romantic figure. Hayasaka’s hero worship of Super Bun is too funny,and it would get really weird if it went anywhere else.
The one think I didn’t care for in these volumes are the continued hints that there might be feelings between Mafuyu and Takaomi. Mafuyu blushes deeply when Takaomi tries to put her hair in a pony tail to help her Super Bun disguise. Then Takaomi lets his guard down slightly when he tries to wrap Mafuyu’s arm after her fight with Ayabe. I really dislike Takaomi’s manipulation of Mafuyu and find him repulsive. Mafuyu really deserves better than him, and has better suitors in Hayasaka, and her old 2nd, Kangawa.
Oresama Teacher manages to pull off to fun volumes, but their re-readability is too limited for me to let them take up precious bookshelf space. As fun as they are, the characters aren’t compelling enough despite Mafuyu and Hayasaka being a good couple to watch.
Review copies provided by publisher.
It was love at first sight. the moment Hee-So’s eyes met Won-Jun’s she knew it was meant to be. Their relationship took off when Hee-So confessed her feelings on national TV, but less than a month later, Won-Jun is ready to call it quits without any explanation at all. Hee-So’s had a lot of boyfriends–Won-Jun is number twelve–bu being dumped is never easy. She not ready to move on to the thirteenth boy just yet. Determined to reunite with Won-Jun, Hee-So’s on a mission to win over her destined love once more.
I read the preview of 13th Boy in Yen Plus why back when it first came out, and wasn’t impressed. I thought it was going to be another “stalker girl” title like Sarasah, which I hated. But with being given a second chance to read the first volume, I decided to give it a shot. And like Won-Jun to Hee-So, I don’t hate it, but I don’t know if I like it yet.
13th Boy is not your average high school romance. It starts out like it might be. Hee-So, is the earnest, sometimes blunt girl madly in love with a cute boy in her class, Won-Jun, who comes off as cold, and almost robotic. For a few moments, I thought maybe he was one. But things quickly go askew when Beatrice, Hee-So’s walking, talking cactus is introduced. Yes, I said walking and talking. I don’t know what’s stranger, that Beatrice can talk, or that Hee-So takes it so calmly. There’s no explanation for what Beatrice could be, but the end of the volume hints at something supernatural. And then there’s Won-Jun’s best friend, Whie-Young Jang. He comes off kind of jerky, but there more to him than he seems. He can do magic. He’s shown levitating a book and makes his and Hee-So’s legs disappear so some classmates won’t see them.
I wasn’t expecting a supernatural element to this story. It started out like a typical high school romance with a weird mascot character, but there seems to be a lot more going on. The idea that there is a destined love for everyone is strongly emphasized in this volume. Hee-So is banking on Won-Jun being hers. And for all the scoffing Whie-Young does about it, I get the feeling he might think the same of Hee-So to him. The last scene with Won-Jun and Whie-Young sets up the love triangle, which seems to be destined to be a bumpy ride for all three of them.
While I wasn’t wowed by this first volume of 13th Boy, I am intrigued enough to be willing to check out more. I didn’t hate it as much as I thought I would, and while I don’t care for the stalker-obsession that manhwa seems to favor for its female leads, the integration of a destined love at least lessens the impact.
Ruerune, a high school boy with the ability to sense alien creatures, and Pi, a girl science geek, set up an ”X-file”-ish club to help the inhabitants of an alien world. A wonderful work from Singapore’s acclaimed manga artist FSc!!
What is love, anyway? Ninako Kinoshita’s friends tell her it’s one thing, but Ninako wonders what this mysterious feeling is. When she meets Ren Ichinose, the handsome, enigmatic guy that all the girls worship, her life takes an unexpected turn. With just a few words and a smile, he changes her world. Ninako’s friend Daiki throws her for a loop when he expresses romantic interest in her. She cares for him, but can she return his feeling? As she tries to short out her confusion, Ninako realizes that there are many different facets of love–strange and wonderful sides…
Falling in love for the first time is a strange, wonderful and sad feeling all at the same time. Watching Ninako slowly realize that the feelings she’s starting to experience are those of first love was a fun and delightful experience.
Strobe Edge starts out seeming like the typical love triangle. Ninako is a first year in high school, and a little gullible. She is also completely clueless about the feeling of her best friend since elementary school, Daiki. Her chance encounter with the school’s “idol prince”, Ren, seems innocent at first. But, as she gets to know him, and sees the real him outside of school, it’s hard for her not to have feelings for him, even knowing he already has a girlfriend, or Daiki’s true feelings, doesn’t chance her mind.
And I really can’t blame her, since Ren does seem to be a really good guy. He buys Ninako a new cell phone charm when he accidentally steps on it. He helps her on the train when she is being harassed by another passenger, and misses his stop and walks her home after she has hurt her ankle at school. He even gives up his seat on the train for a pregnant woman, telling he’s about to get off even though his stop is still a ways away. Daiki doesn’t seem like a bad guy either though. He’s the loyal best friend who waited too long to tell Ninako how he felt, though it might not have mattered, since Ninako just doesn’t feel the same way.
I really enjoyed watching Ninako change little by little. Her starting to appreciate girly things, like the butterfly charm Ren gets her, and just thinking about painting her nails and being glad they looked nice as Ren helped her home. I also liked how her feelings for Ren grew slowly and weren’t the usual instant love that so many romance manga like to do. She starts out just wanting to show her friends that they take the same train, but her awkwardness endears her to him and she is even graced with a smile that he never seems to have at school. Even her stalker-ish behavior when she waits at the train station to see if he really has a girlfriend wasn’t creepy. She just had to know, and even knowing doesn’t change her.
The fact that she doesn’t change fundamentally is what really makes her a good character. She doesn’t try to be someone else for Ren. Her changes come from her feelings. The volume had a nice twist at the end with Daiki, and Ninako reaching out to Ren even though she knows what his answer will be was a really sweet moment. You really can’t help but root for Ninako and that is what really made me like this title. I cared about Ninako, and what happened to her, especially since she knows this is just her first love and wants to cherish the feeling even if it means breaking heart as well.
Strobe Edge is starting out to be a sweet romance. While I do hope that the triangle between Ninako, Ren and Daiki continues, I really just want to follow Ninako on her journey of discovering love. I actually think following all of them would be interesting. The art is well done, and different enough from a lot the other romance titles that it should stick out in a good way. I really looking forward to more volumes of this series. If you are a fan of love and not just romance, you should too.
Review copy provided by publisher.
Ichigo, Uryu, and Renji continue their battles with the espadas Nnoitora and Szayelsporro in their attempt to rescue Orihime, but things aren’t going so well. It takes some surprising interventions to save the boys from defeat.
I haven’t enjoyed Bleach since the end of the Soul Society arc, but continued to read the series since it was serialized in Shonen Jump. These two volumes are a bit of an exception, as they stand out by being more entertaining than most of the volumes in the Hueco Mundo arc so far. Two characters that I hadn’t cared much about show another side that has me thinking twice about them.
I never really liked Nel, the little hollow girl who’s also a big cry baby, and always following Ichigo around. She was annoying and always making things for Ichigo. She finally makes amends in this battle, as she regains her original form, a full-grown, and well endowed, espada called Nelliel. How she came to be the little girl with no memory is revealed as she takes on Nnoitora. The battle is sadly short-lived, but not before Nelliel transforms into her Capricorn Knight form. I liked that form and would have liked to have seen it in action more. Pesche and Dondochakka also prove to be more than just comedy relief as they reveal their combined Cero against Szayelsporro who joined Nnoitora in his treachery against Nelliel.
It’s not enough of course, for both Ichigo and Renji and Uryu get their buts handed to their by the espadas they are fighting, so it’s time for reinforcements. Enter four of the captains from Soul Society; Kenpachi, Unohana, Byakuya, and Mayuri. Unohana, as captain of the 4th company is only there to heal the injured, but Byakuya gets a battle with Zommari which unsurprisingly doesn’t last long, and Kenpachi takes over Ichigo’s battle with Nnoitora, but the majority of the volume goes to Mayuri taking on Szayelsporro, the espada scientist vs the Soul Society scientist. Their battle becomes a game of one-upmanship, as each tries to prove he is not just more powerful than the other, but also more clever. But it’s obvious who the winner will be. Mayuri is consistantly one step ahead of Szayelsporro, and uses his adjutant Nemu as the bait to lure him into his web. I’ve never really liked Mayuri and his superiority complex, but I liked Szayelsporro even less, so I’m okay with Mayuri winning. He had some good taunts, and even got a laugh at his wall-eyed, tongue out taunt.
I was bothered by a few things. I liked Nelliel’s character design as a whole, and do understand why so little of herself would be covered when going from little Nel to full-size Nelliel, but what is she doing on the cover of the volume? Is that pose even physically possible? I’ve looked at it a lot as I’ve been writing this review, and it just baffles me more every time. While I can at least deal with it, I really didn’t like was a scene with Orihime. When Nnoitora sends Tesla to finish off Ichigo, she starts to yell out to Ichigo, but Nnoitora silences her by sticking his fingers in her mouth. Really? Was that really necessary? Covering her mouth wasn’t enough? And she just meekly accepts this. Fan service I’ve learned to live with, but this was crossing the line for me.
Bleach lost me as a devoted fan a while a go, but I keep holding out hope that it will get better and I will enjoy it again. These two volumes show that all hope isn’t lost, but it still has a long way to go to win me back. A little less fighting, a little more humor would definitely help.
Review copy provided by publisher.