I’ve only read one of the four Viz Media titles that have been nominated for this year’s Eisners, Master Keaton, and to be honest, it’s the one I hope wins. I plan on reading All You Need Is Kill because it was on the YALSA GGNT list, and this just adds another reason. I know a lot of people like One-Punch Man, but the chapters I read of it back in January just didn’t do much for me. But it’s a superhero title, so that might make it more appealing to Eisner voters. The Hello Kitty graphic novels Viz’s Perfect Square imprint have done have been good for early readers, so the tribute Hello 40 is no doubt done just as well. I might have to check that one out too.
I have really grown to like digital manga. Considering the lack of space I currently have, and the difficulty I have in letting things go, being able to stack digital files is a lot easier than physical books. And they’re a lot easier to carry. I can carry several different titles to suit what ever my mood is in just my tablet, and it’s a lot easier to eat and read on a tablet that can stand on its own and doesn’t need one of my hands to hold it open.
The Vizmanga app has been one of these platforms that I’ve been buying my manga on, though reluctantly lately. One of my problems with it is that there is no way to back up the titles I purchase. They can only be downloaded and viewed through the app. This isn’t so much a problem if something happens to my device. I can just download them again on the new one. But what if something happens to Viz and their servers go down? They say everything will still be available and working through the app.
Well, that’s not entirely true. Viz’s mature titles are not available to download and read through the app. They can only be read online through a PC/Mac with flash. This is actually very limiting. The whole purpose of digital manga is to be able to read it anytime, anywhere, just like the print, but more conveniently. Limiting the ability to read manga I supposedly own is not convenient. I am more often in an environment where I can’t get online with my device and the available PC is not flash enabled. Yes, I can read something else, but that isn’t really the point. I love digital manga because it’s supposed to give more freedom in what I read and when. Viz banning their own titles from their own app is actually ludicrous to me. If you are going to sell Mature manga on your site that is supposed to be available through your app than make ALL OF IT available. Don’t say “You can read all of these titles you’ve bought anytime, anywhere, but don’t even think about those titles.”
I’ve partially solved this problem by not buying anymore Mature manga through the Vizmanga app or website. I should be able to read any title I’ve bought anytime I want, and should not be limited by whatever hangups a publisher has about their own titles. But this now means I have my digital manga divided up between apps, and even some series. I shouldn’t have to have multiple apps to get titles from the same publisher, but to make digital manga work for me, I just have to, and I really think that’s wrong.
Viz’s Select line adds 2 former Tokyopop titles that I’m familiar with, but met with two different ends. Grenadier is a five-volume series I picked up because a friend has seen the anime, and told us about the most intriguing element of the story. The lead, a buxom blond, kept her bullets in said bosom and would reload her gun with some jiggling. Not joking. I picked up Red Hot Chili Samurai because it was a historical detective series. In the end, I gave Grenadier to said friend, and chased down the last two volumes of Red Hot Chili Samurai I could find. Tokyopop published 5 of the 8 volumes, but only four were easily found. I guess I’ll be finishing up the series with Viz.
Gyo is one of those titles, that just one look inside stays with you forever. The story of nature gone horribly wrong features some the most disturbing images, such as fish running around on crab/lobster/spider legs, as well as some of the most absurd, like a man being stalked by a shark. A shark head peering around a corner is one of the funniest things I’ve ever seen. Together, you get a title that is quite frankly unforgettable, and well deserving of the hardcover deluxe omnibus Viz is giving it.
No matter what the culture, knowledge has been equated with power. For centuries, this knowledge has been stored as words in books. Whether it’s a list of names or a wizard’s tome, books have been regarded as being magical. It’s no different in manga. There are several titles that feature books and the power of words with the ability to create, transport its readers to other worlds, and even kill.
Fushigi Yugi and it’s prequel Fushigi Yugi Genbu Kaiden, both feature a magical book, The Universe of the Four Gods, that pulls the main characters, Miaka and Yui in the original, and Takiko in the prequel, into its story. Each of the girls is found to be a Priestess of one of the four gods, and Miaka and Takiko are tasked with finding the celestial warriors after which they can summon their god and make a wish The book itself isn’t used much in the story, but is the catalyst for the girls to start their adventures. Fushigi Yugi is available in 6 omnibus editions and Genbu Kaiden just finished its print run at 12, and both titles are available at Vizmanga.com
Read or Die and the related Read or Dream, isn’t so much about books themselves having power, but what they are made of, paper as having the power. In Read or Die, Yomiko Readman, a papermaster who can control paper and shape it into anything she wants. Yomiko is a secret agent for the British Library, and uses her powers to keep the peace. She loves books and often spends her money on them rather than food. Read of Dream is a spin-off of read or Die and follows three sister papermasters in Hong Kong, who run a detective agency. The three sisters, Maggie, Michelle and Anita, are very different and control different elements of papermastry. Like Yomiko, Maggie and Michelle are big book lovers, but surprisingly Anita hates books. Both titles are four volumes each and are available in print.
In Muhyo and Roji’s Bureau of Supernatural Investigation, Muhyo is an executor, a graduate from the Magical Law School that allows him to be Judge, Jury and Executioner on supernatural beings found to be breaking the law. He does this through his Book of Magic Law, a thick tome that holds all the laws of magic and allows Muhyo to pass judgement on the wrong-doers and summon the envoys that take them to either heaven, hell or the river styx. The Book of Magic Law is Muhyo’s proof of being an executor and no one can use his book but him. The series went 18 volumes and is available in both print and digital.
In the world of Kiichi and the Magic Books, people known as Librarians travel the land bringing books that people can borrow and read. Mototaro, one such librarian is also special. He has the power to make images in books come to life. Part of the reason he travels is to find old books that have become unstable; the pictures come to life on their own. This series was published by CMX and is unfortunately out of print, but a great story if you can find all five volumes.
In Death Note, while the book, the Death Note has power, it’s what’s written inside that makes it work. The Death Note is a book used by Shinigami, Death Gods, to send people to the afterlife. One Death God, Ryuk, drops his death note into the human world to see what happens. It is found by high school boy Light Yagami. With the death note, he can write anyone’s name into and that person will die of a heart attack if no means of death is provided. Light uses the Death Note to go on his own personal killing spree, intent on cleaning the world or criminals, until only people he deems worthy live. Death Note was a big hit when it came out and had anime adaptation, though came under some criticism as kids around the world came up with their own “death notes”, writing names of people they wanted hurt or dead in them. There are 13 volumes in print, digital, box set, or omnibus editions.
Books aren’t always necessary to hold power, sometimes just a word is all that is needed. Alice 19th is about Alice, a high school girl destined to become a Lotis Master. Lotis Masters use the power of words to reach the inner heart of others and banish the darkness from their hearts. Here, there are no books, just words used to find the darkness in people, and turn that darkness into words to be banished. There are also maram words, dark reflections of lotis words. Alice 19th was written by Yuu Watase, the creator of Fushigi Yugi and Fushigi Yugi Genbu Kaiden. It went for 7 volumes and can be found in both print and digital.
In Natsume’s Book of Friends, there is a book, but it’s what’s written in it that matters. Takashi Natsume has the ability to see spirits and yokai. He moves in with some relatives and finds his grandmother’s book of friends, a book filled with the names of yokai his grandmother fought and won the names of. With the book, Natsume has power over these spirits. While he doesn’t want this power, there are other spirits who do, and Natsume is hunted by them until he befriends Madara, a power ayakashi, who makes a deal with Natsume to protect him until he dies a natural death, at which point Madara can take the book. Here, names have the power, as it forms a contract between the spirit and the human, and only Natsume’s breath can release the name and end the contract. This series is still ongoing with 17 volumes available in print and digital.
Viz Media has been expanding its line of titles recently, reaching into the superhero genre that is usually reserved for American comics. While much of shonen manga features characters that could be seen as super-heroes, they aren’t quite like the superheroes Americans grew up with. With the growing popularity of superheroes in American mainstream media, it’s not too surprising that we’re seeing more superhero manga coming over.
Tiger and Bunny – This series began as an anime which spawned the manga series. It follows the veteran hero Wild Tiger as he take on newbie partner Barnaby Brooks Jr. Both men are NEXTs, people born with super powers. They protect the city of Stern Bild and compete on the TV show HERO TV with several other heroes and have corporate sponsors. Wild Tiger takes being a hero seriously, including the secret identity and fight for Justice. Barnaby seems to be in it for her fame and fortune. These two very different personalities with the same power constantly clash, but not all masks are obvious. The first two volumes of this series were included on the YALSA Great Graphic Novels for Teen list for 2014. There are six volumes out, and it is available in print only.
One-Punch Man – This series is a digital only exclusive for Viz Media and is serialized in Weekly Shonen Jump. Saitama has trained for years to become a superhero. He trained so much that he lost all his hair. But his hard work paid off and he became so powerful that he could defeat any villain with a single punch. But it seems he’s too good, as there is no villain out there to challenge him and give his live meaning. The series follows his search for an arch-villain as takes on all kinds of monsters, joins the Hero’s Association and becomes involved in the battle to save the Earth! Just like any good superhero would. This series began as a web comic where it went viral and jumped to print in Japan, but not here yet. There are six volumes available.
My Hero Academia – This series just started in Weekly Shonen Jump. It is a simultaneous release with the first chapter running during Weekly Shonen Jump‘s anniversary month. The series follows Izuku Midoriya an ordinary human in a world of the extraordinary. He is a rare mutation that has no superpowers, but wishes nothing more than to be a superhero. One day he meets All Might, the world’s most famous superhero. He ends up helping All Might, showing he has the most important quality for being a hero; heart. All Might decides to help Izuku and gets him into Yuhei High School, where heroes are cultivated. The mangaka of this series, Kohei Horikoshi, had another series serialized in WSJA. Barrage gained a following here, but only ran for 2 volumes. There are two volumes of My Hero Academia out in Japan, but it looks to have a much brighter future. Viz will release the first volume in print and digital in August.
Ultraman – This series is based on a Japanese TV superhero that originally ran in the 1960s. Ultraman is an alien from the Land of Light. He comes to Earth and takes over the body of a human pilot before he dies, giving him a second chance on life as well as a secret identity for Ultraman. Giant monsters called Kaiju have been attacking Earth, and Ultraman lends his strength to stop them. This manga is written as a direct sequel to the first TV series. Shinjiro is the son of Shin Hayata, the Scientific Special Search Party pilot that first joined with the Giant of Light. Many years have passed since there, and the world is at peace, but the darkness is growing again. Shinjiro, now a teenager, learns he has inherited the “Ultraman factor” from his father, and must take up the mantle of Ultraman to stop this new menace. The series is currently serialized in the online magazine Monthly Hero, and there are 5 volumes out so far. It will be published under the Viz Signature imprint and the first volume will be released in August.
Ratman – This series was originally published by Tokyopop who only released 4 volumes. Viz has picked it up for their Viz Select line. It is about Shuto Kasuragi, a teenage boy who dreams of being a hero. He is kidnapped and tricked by the Jackal Society into using a watch that gives him super powers but also makes him a villain. Instead of giving in or giving up, Shuto uses his new-found powers to become Ratman, an anti-hero who will still fight on the side of justice. You can see a lot of elements from this earlier series in some of the newer ones. Corporate-sponsored heroes, a boys who wants nothing more than to become a hero, and a Hero Association to validate all heroic deeds. The series ended in 2013 and went for 12 volumes. Viz released the first digital volume on March 24th.
Ultimo – This series isn’t a superhero series per say, but it originated from one of the fathers of Marvel Comics, Stan Lee. In collaboration with Hiroyuki Takei, the creator of Shaman King, the story has a lot of Stan Lee’s touches. Teenager Yamato has both money and girl problems, but his life is turned upside down when he finds Ultimo, a peculiar looking puppet. He awakens Ultimo and is drawn into the fight between him and his arch rival Vice, who are battling to see if good or evil is more powerful. The series not only has over-the-top battles, but also delves into reincarnation and time travel. There are currently 12 volumes available in Japan, while the US has 10. The series will reach its climax this July in the new Shonen Jump magazine spin-off. It is available in both print and digital.
I’ve enjoyed the manga adaptations of video games that have been released so far: Legend of Zelda and Pokémon most notably. What makes these adaptations so fun is the deviations they can take from the original work, making them more interesting or filling in the story better. I’m happy to hear this volume will be no different.
Since Shojo manga doesn’t tend to get the attention shonen does, its encouraging when it gets a big update like this, especially to a site mainly known for US comics that doesn’t cater to feminine tastes. There are a lot of really good titles in this update. I would personally recommend Library Wars: Love and War, Otomen, and Skip Beat. Please Save My Earth and Ouran High School Host Club are on my list to check out as well. They all should be on yours too if you haven’t. Most of them are complete and there’s no waiting for the next volume.
Taichi Hiraga-Keaton, the son of a Japanese zoologist and a noble English woman, is an insurance investigator known for his successful and unorthodox methods of investigation. Educated in archaeology and a former member of the SAS, Master Keaton uses his knowledge and combat training to uncover buried secrets, thwart would-be villains, and pursue the truth… When a life insurance policy worth one million pounds takes Master Keaton to the Dodecanese islands of Greece, what will he discover amidst his scuffles with bloodthirsty thieves and assassins?
Master Keaton Volume 1
By Naoki Urasawa; Story by Hokusei Katsushika, Takashi Nagasaki
Publisher: Viz Medial
Age Rating: 16+
Master Keaton is one of those licenses that was always talked about but never dreamed it would become reality. Or maybe, dreaming was all fans of the series could do. A 24 episode anime was released here by Pioneer/Geneon back in 2003, but that was as much of the story as fans could hope to get. I was so thrilled when Viz Media announced it last year. It is one of the few titles I will pre-order, sight unseen.
I almost had my doubts at first. Urasawa has been hit and miss with me. I loved Pluto, but didn’t care for Monster or the latter half of 20th Century Boys. But I am happy to say I was not disappointed with Master Keaton. What initially drew me to the series was the title character, Taichi Hiraga-Keaton. He is both an archaeologist and an insurance investigator, combining to things I love; archaeology and mysteries. I really liked Keaton as the absent-minded professor type. He is easy-going, and a bit of a dreamer, but behind this non-threatening facade, is a keen eye and a sharp wit. Even though it is a convenient plot point, I love his quirk of taking seemingly random things that end up helping him get through his current adventure.
Most of the chapters are stand alone cases, with a few multi-chapter stories. Sometimes Keaton gets a case due to his knowledge of archaeology, but in almost every case his skills as a former S.A.S. member and survival skills trainer come into play. Both these skills mesh nicely in the two-part story “Hot Sands, Black and White” and “Qehriman of the Desert.” Not every chapter is a case. This volume also introduces Keaton’s daughter Yuriko and his father. These stories are more about his relationships with his family. He helps out Yuriko when she has problems with a teacher at school, and a girl who thinks his father is also her father. These chapters were just as enjoyable as the more action-oriented chapters. They give more insight to Keaton’s character. “Journey With a Lady” was another wonderful chapter where Keaton’s patience is tested, and ultimately rewarded.
This series is from 16 years ago, but the art is still very Urasawa. The characters are recognizable as his work, and match well with the story. Urasawa’s more technical skills are put to the test as he has to draw, old ruins and life-like statues to fit the archaeological side of the story, and he does it well. The backgrounds are very detailed too, giving the feeling of the place Keaton is in, whether it is England, Italy or the Taklamakan Desert.
Master Keaton is a great series. The stories are well written, and very engaging. I didn’t want to put it down once I started. The investigations are readily solved, with all the piece set in place before hand. There is plenty of action and mystery to keep fans of both happy. I certainly am. I highly recommend it.
Back in September it was announced that Hiroshi Shiibashi’s latest original manga, Illegal Rare was ending, and the final two volumes were to be released in October and November. Shiibashi is the creator of Nura: Rise of the Yokai Clan, a series about Yakuza yokai and ran for 25 volumes.
Illegal Rare is another ensemble series about the supernatural. Humans and supernatural creatures live together in the same world, but these “Rares” are being hunted to extinction. To protect them, the Illegal Rare Counter-Protection Unit was formed. It is championed by Fukumen, a police officer that wears a mask. He goes to Axl, a member of the very rare and highly hunted Black Vampyr clan, to help him. In the first chapter, he rescues a mermaid, Mirror and she joins the unit as well.
Illegal Rare is similar to Nura. It has a big cast, and features supernatural monsters. The monsters have branched out beyond the traditional Japanese monsters, yokai, and now include western monsters such as vampires, mermaids, and werewolves. The lead is a good-looking monster, and the main female is timid by loyal to the lead. Maybe it was too similar to Nura, and that’s why it didn’t succeed. I liked Nura, especially as it got into the later volumes. It’s too bad this series didn’t get the same chance. With Nura‘s final volume coming out in February, maybe Viz will pick up this series as well. I hope so. I’d really like to read it, even only digitally.
Viz announces lots of new debuts in digital including digital editions of print titles as well as new additions to the Viz Select line, all former Tokyopop titles. They are offering more bundles, mostly starter sets this time featuring classic manga, Signature titles, and mature manga. All have good titles and at $20, they’re a good deal if you looking to sample.
I love to do crafts and have dabbled in quite a few, including beading. I’ve made mostly earrings back when my eyes could see the tiny beads and my more nimble hands could hold them and string them on the needle and thread. Now, I am more content to read about it.
Otokomae! Bead Club is a one shot volume by Kyousuke Motomi. Her name is well-known among western shojo manga fans. Two of her titles, Beast Master and Dengeki Daisy were licensed and released in the US by Viz Media. Her newest title, QQ Sweeper has also just been picked up, with the first volume out later this year. This title is an earlier series first published in 2004 in Shogakukan’s Betsucomi magazine. It ran for three chapters, and the compiled volume includes a side story and extra.
The story follows Oikawa Ibuki, a high school girl who has just transferred schools so she can start over. She is very strong and versed in the martial arts, but she wants to be more gentile and feminine, and find a boy who is stronger than her. On her way to her first day, she meets Takumi Urabe, a mysterious boy who carries a shovel and seems able to command crows. In her introduction, she claims to like to do beading, and is then introduced to the beading club, an eccentric group of kids who all share a secret. And Ibuki has just been made a member!
I was drawn to Otokomae! Bead Club just because of the title, but when I learned who the mangaka was, this title became an instant want. I’m really surprised it hasn’t been licensed by Viz yet. It’s only one volume, and features a lot of elements that have proven popular in other titles; a boy who commands crows, a girl who is really tough be wants to be seen as gentle. Throw in Motomi’s fun characters and playful art, and it’s got to be a sure seller! Maybe if QQ Sweeper does well, we can get this title as well.