Sakura is the granddaughter of a mysterious moon princess who slew demons with her Blood Cherry Blossom sword. All her life Sakura has been forbidden to look at the full moon without knowing why. Then one night, unhappy over her impending marriage, Sakura gazes up at the moon, only to see a demon attacking her…
Mafuyu, determined to make the best of the situation and make her mother proud, decides to turn over a new, feminine, well-behaved leaf. But her yanki soul can’t be kept down, and the night before school starts she finds herself defending some guy who’s getting beaten up. One slip wouldn’t have been a problem, except the guy is…her teacher?! How can Mafuyu learn to be a girly girl if her teacher won’t let her forget her yanki past?
Kiri’s friend Kanako gives a present to one of the members of the Scissors Project. Her act of kindness is interpreted as a bribe to get a makeover, and they reject her out of hand for being too ugly. Kiri decides to help Kanako and give the boys a lesson in what true beauty is.
Fourteen-year-old Kisaki Tachikawa has psychic powers. She works for PSI, a secret government agency that fights aliens. She’s in love with her partner Giniro, but PSI won’t allow operatives to get involved. Just when Kisaki thinks she may be getting closer to Giniro, she finds out she’s going to be transferred to California!
Kohako is a normal student in the General Education department with absolutely no musical skill, but all that changes when she catches a glimpse of an elusive fairy who lives on campus. The fairy grants Kohako a magic violin, and before she knows it, she’s nominated to participate in the school’s music competition with five very attractive boys. Will she win love and fame, or will bitter rivalry rule the day?
Seventeen-year-old Chiyuki Matsuoka was born with heart problems, and her doctors say she won’t live to see the next snow. Toya is an 18-year-old vampire who hates blood and refuses to make the traditional partnership with a human, whose life-giving blood would keep them both alive for a thousand years.
Setsuna Mudo has some serious problems. He is always getting into fights, doesn’t care for authority, and worst of all, has incestuous feeling for his sister, Sara. To top all this off, he also seems to be the reincarnation of the angel Alexial, who is being punished by God for rebelling against him. Now, Alexial’s twin, Rosiel is trying to kill Setsuna before Alexial awakens, the demon Kurai wants Alexial to awake and lead the demons against heaven, and all Setsuna wants to do is run away with Sara.
Angel Sanctuary Volume 1-4
By Kaori Yuki
Publisher: Viz Media
Age Rating: Older Teen
I read the first volume of Angel Sanctuary a few years ago, and at the time didn’t care much for it. But after reading, and enjoying, other works by the same creator, Kaori Yuki, I decided to give the series another try, and read a few more volumes to give it a real chance.
The story revolves around Setsuna Mudo, your typical angst-ridden teenage boy with the usual problems you’d expect a teenage boy to have; getting into fights and not caring for authority. But the one problem he does have, that makes him unusual, is the incestual feelings he has for his sister, Sara. He tries not to express them, coming off more like an overprotective brother, but his inner thoughts are consumed by her. This has completely alienated him from his mother, who seems to sense there’s something wrong with her son, and doesn’t trust him with Sara. This plotline dominates the first four volumes, as Setsuna struggles with his growing feelings and finally gives in to them, convincing Sara to run away with him.
But Setsuna has another problem. He is also the reincarnation of the Archangel Alexial. The demons, led by Kurai, want to awaken Alexial, so she can lead them against the armies of heaven. But the angels fear Alexial, and one angel, Katan, takes it upon himself to use forbidden magic in the form of a computer program, Angel Sanctuary, to free Rosiel, the only angel that has a chance going up against Alexiel. Rosiel is too consumed by revenge and himself to care much for heaven’s problems, and will use anyone or everyone to kill Alexiel.
When I first read this series, I was bothered with the incest angle. But after reading more of Yuki’s titles, I came to realize it was just a plot device she used to create angst in her characters. And there is a lot of angst in this series. I nearly lost all interest in the series, as the first three volumes is consumed with Setsuna and Sara willing to sacrifice their own happiness for the sake of the other. The actual angel plot took a back seat to this as the importance of Setsuna’s and Sara’s relationship was emphasized, as it becomes the catalyst for Alexiel’s awakening. I understand the need to emphasize a point, but was 3 volumes of angst-ridden teens really that necessary?
The angels of Angel Sanctuary are not your typical “dressed in white with halos and hands together in prayer”. They are little different from humans, with many of the same desires and animosities. They are also the biggest jerks you could ever imagine. They think nothing of raping a demon survivor of a massacre they had just done. Female angels are persecuted for being temptresses, and they have little to no interest in humanity. They seem to be more preoccupied with a power struggle of who will be in charge now that God has had to go to sleep as his power weakens. They will go to any length to succeed. The entire time I was reading these volumes, I couldn’t help but notice the striking similarity between the way these angels acted and the angels in the TV series Supernatural. The angels in that show were in a struggle with each other to cause Armageddon while God was absent. The Supernatural angels were just as big of jerks, and cared just as much about humanity. I wonder if the creators of Supernatural were familiar with this manga?
My interest returned with the fourth volume, as the story turned toward a more traditional quest plot. Setsuna is determined to rescue Sara, and must take a Orphean journey to the underworld to find her. Along the way, he will have gain followers, both angel and demon and return before his time is up (literally). He starts out with a familiar face as a guide, and while he may have it in for Setsuna, there do seem to be indications that he may become Setsuna’s first follower. The quest plot was infinitely more entertaining than the angst-ridden teenagers of the first three volumes. I may continue with the series, but only because of this turn of events. If I had stopped reading at three, I wouldn’t have considered continuing.
The art is ver recognizable as Yuki’s, with longs of beautiful boys and long, stringy, flowing hair. You can tell this was written early in her career, as the art is rougher and not as refined as Godchild. It doesn’t look bad, but you can tell it’s not her latest work.
I wanted to like Angel Sanctuary, since I’ve enjoyed so many of Kaori Yuki’s other titles, but the first three volumes made it really hard. A little bit of angst I can take to establish a conflict. Spread it out over length of the story, such as Godchild does, if you must, but concentrating so much at the beginning really turns me away. I think I will investigate further volumes of this series, just to see where it goes, but I think I’ll borrow, or if it ever becomes available digitally. I want to know better what I’m getting before investing in a 20 volumes series, especially with such a shaky start.
Leaving her internship at Sushi Hyuga to go on her family’s annual trip to France is the last thing Hanayu wants to do. On the other hand, a pastry-research trip in Europe is Hayato’s idea of a dream come true–can the two aspiring chefs ever catch a break? Plus, Hayato has become suspicious of patisserie assistant Maezawa, who has expressed an interest in Hanayu. As it turns out, both Hanayu and Hayato may have their wires crossed about what Maezawa is really after!
I read the first 2 preview chapters for this series back when Shojo Beat was still around, and wasn’t impressed. Further reviews from fellow reviewers didn’t inspire me to look further into the series, and I’m not a foodie, so this volume had three strikes against it going in. But it actually wasn’t so bad. There wasn’t anything great about it. It’s a fairly average title, but I didn’t regret the time I spent reading it.
Hanaya and Hayato, the leads that I found so annoying in the preview chapters of volume 1, aren’t so bad by this volume. Hanaya no longer has to plot to get Hayato to marry her, which is what I disliked so much about her initially. She and Hayato have admitted their feelings for each other, and by this volume, Hanaya is working in Hayato’s family sushi shop. I found the characters much more likeable this time around, which greatly improved my reading experience.
Hanaya’s family plan a trip to France, and with Hanaya and Hayato trading places, each of them gets the chance to become immersed in their preferred environment. Hanaya, while already working at the Sushi shop, hasn’t actually been able to work in the kitchen. In this volume, she gets some time in, and shows her ability to combine foods and flavors that compliment each other, creating new and interesting dishes. Hayato gets to go on a pastry-tasting trip with Ashifuba, Hayana’s father, where he shows his ability to identify who made a pastry just by sight and flavor.
As is typical with any romance, there are forces seemingly conspiring to keep Hanaya and Hayato from staying together, especially now that they’ve decided to be together. The threat of Maizawa turns out to not actually be one, but the volume ends on a cliff hanger that just could. It’s actually a pretty cliché route to go, especially with the way the series has been set up. But it wasn’t poorly done, just not unexpected.
Overall, this volume wasn’t a bad read. It could have been worse, but it wasn’t an inspiring read either. There’s nothing really interesting about the characters in general. The lead characters particular talents are mildly interesting but not enough to really be a draw. Hanaya’s side of the story was definitely more entertaining. It focused more on the food and preparation than on the angst Hayato was facing. The art is average, but some of the characters are rather distinctive-looking. Maizawa comes to mind. I did like that as well. Mixed Vegetables isn’t a bad time killer, but it’s not a keeper.
As Yura continues her foray into the glamorous world of acting, she’s starting to learn that success is often marred with setbacks and compromises. Although she fails to land the lead role in a new drama penned by famous screenwriter Maki Todo, she does succeed in getting offered the part of the heroine’s friend. However, her boss Keiichi cautions Yura that her increasing popularity will result in greater scrutiny of her private life by the paparazzi. Can Yura continue growing as an actress while keeping her budding relationships with Q-ta and Haruka in check?
The short answer? No. When I started reading Honey Hunt in Shojo Beat magazine, I thought it had a lot of potential. I really enjoyed the first 2 1/2 volumes. They concentrated on the building of Yura’s career and her confidence as an actress, with just bits of budding relationships thrown in here and there. Volume 4 reverses that trend, and not in a good way.
Yura seemed to be on track to start her career. She showed she had guts by telling her parents off on TV, and then decided to be an actress herself despite her shy personality and the sheltered life she lived until then. She had shown she had talent and got the gig to start in a series of ramen noodle commercials. She was finally starting to go somewhere. At the start of this volume, the commercials were successful, and her face was starting to be seen everywhere. She auditioned for a part on a prime time TV drama, and even though she didn’t get the lead, she did get a part, and it’s soon to premiere.
But instead of continuing on the strong career story line, this volume careers off into the relationships with twin bothers Q-ta and Haruka, and then, just for good measure, and because a love triangle isn’t enough, Yura’s boss, Keiichi, is introduced as a possible love interest. Huh? This comes out of absolutely nowhere. Every scene we’ve seen with Keiichi, is him pushing Yura to concentrate on building her career, but with a few panels, it all gets twisted around, and made to look like his interference with her relationships with the twins is personal. It makes what he’s done seem like petty jealousy. I really didn’t like this twist on Keiichi. He really didn’t deserve it. I became interested in this title to see Yura best her mother, not to her fall for every guy that comes around and visa-versa.
And Yura shows herself to be pretty dumb. This disappoints me too, since I thought she was smart. She gives up her chance to have her first “family” celebration while watching her debut on the prime time TV drama to run off and be with Q-ta, and she lies to do it. Sure, you can chalk it up to her sheltered upbringing, and being naive, but is she serious about her career or just having a boyfriend? I’m getting to like Yura less and less.
I did like the bonus chapter at the end that was the first episode of the drama. In a manga all about making TV shows with scripts and rehearsals that we only get glimpses of, it’s nice to be able to actually see the full story. Aihara’s art has a rather distinct style. It’s clean and simple. It also appears to be more refined from her previous series Hot Gimmick. I enjoy it more.
Honey Hunt was on a good track, but if it continues in a direction that emphasizes Yura’s relationships over her career, then I’m not interested. She needs to smarten up and fly right, because I want to see her show up her mother on the stage, and not in the bedroom.
Review copy provided by publsher. Images © Viz Media
The print run for the newest volume of One Piece has been reported to be 3 MILLION copies. That’s right, 3 million. As the post points out, that’s even more copies than the Japanese edition of Harry Potter and the Order of the Phoenix, which previous held the record for largest print run of a first edition. That’s quite an accomplishment, especially for a comic. American publishers can only dream of print runs like this. What’s really sad though, is how under appreciated One Piece is in the US. It should on the NYT list ever week with Naruto and Bleach! Viz is doing a good job of making the manga available with their 3-in-1 for the early volumes and the catch-up to the Japanese releases.
Ayu still can’t give up on her love for Mayama, even though his relationship with Rika seems to be deepening. Nomiya’s growing interest in Ayu might be a balm to her broken heart, but he’s moving to Tottori for six months! Is Ayu cursed to suffer hopeless love affairs forever?
This volume is all about the love polygon of Mayama, Ayu, Rika and Nomiya. Ayu seems to be deliberately torturing herself by working with Mayama and Rika, and seeing their relationship grow. Rika is preparing for the Valencia Art Museum Annex, a project she and her late husband submitted for and won, and seems prepared to also make it her last, something Mayama’s not prepared to let Rika do. And Nomiya, the player, finds himself doing something he never thought he would, falling for Ayu.
There’s a lot of drama going on in this volume, especially with Rika. She still haven’t been able to get over her husband’s death, no matter what kind of face she puts on. A flashback from Hanamoto shows what a difficult time she had after the accident, and how she became a ghost of herself, like part of her was lost with Harada. Mayama seems to sense that too, as he watches over Rika, even to the point of invading her privacy by reading her emails. But it doesn’t feel like he’s trying to be controlling or possessive. He senses that she doesn’t want to keep living and fights to keep her alive, despite her. It’s this that seems to make a stronger impression on her than his feelings for her.
Ayu’s drama isn’t any less than Rika, but it isn’t quite as serious either. Her problems are dealt with a lighter tone. Though we see her suffering, her way of dealing with it is by eating. A lot. And when Nomiya gets involved, the humor really ramps up, as Ayu is shown to be surrounded by unicorns, intent on protecting Ayu’s virtue. Very aggressive and mouthy unicorns. It’s a really good balance of humor to the some of the tenser moments in the volume. The unicorn appearances are my favorite scenes.
Honey and Clover continues to be a good romance that balances the drama without going over the melodramatic cliff, and makes a really good read for older audiences. The relationships are realistic, making you want to laugh and cry. This volume picks up right where Shojo Beat left off, so if you were following it in the magazine, this is a must have. Even if you weren’t, Honey & Clover is a title anyone who loves a good story should be reading.
Sudou Mikuzu has a very special talent – she can see ghosts. And because of this predisposition, she’ become a magnet for all sorts of unwelcome monsters. Luckily for her she’s just met Seto, a friendly, cross-dressing young exorcist. Sudou needs protection from all the creepy phantoms bugging her, and Seto needs to practice his exorcism skills. consequently, the pair decides to team up and help each other. In return, Sudou promises to back a cake every time a ghost gets zapped!
At first glance, Heaven’s Will appears to be a typical supernatural romance title with a cross-dressing twist. Once you start reading though, you’ll find that it’s actually the start of an interesting that should have been given more of a chance to develop. The characters really grown on you, and the story, which has some sad twists to set it up, could have gone on to do so much more.