As I looked through my piles of manga, I realized I had more unread Viz Signature titles than I thought. I actually have more, but these were single volumes and made for quick enough reads that I could get them in. While they are two different titles in tone, they do not differ very much when it comes to my reactions to them. I am a sci-fi fan, but can I be a fan of these two titles? Read on to find out.
In a city so dismal it’s known only as “the Hole,” a clan of Sorcerers have been plucking people off the streets to use as guinea pigs for atrocious ‘experiments” in the black arts. In a dark alley, Nikaido found Caiman, a man with a reptile head and a bad case of amnesia. To undo the spell, they’re hunting and killing the Sorcerers in the Hole, hoping that eventually they’ll kill the right one. But when En, the head Sorcerer, gets word of a lizard-man slaughtering his people, he sends a crew of “cleaners” into the Hole, igniting a war between the two worlds.
I discovered Dorohedoro through the Sigikki.com site. I’m so glad it was put up there, because, based on the volume description, I would have completely bypassed this series, and that would have been a serious crime. While this volume does have violence and some gore, it also introduces some of the best characters I’ve read about in a long time.
The volume description makes Dorohedoro sound like a serious battle title, with Caiman and Nikaido hunting down and killing sorcerers and En and his sorcerers fighting back. It sounds like a slaughter fest, but that description is misleading. Caiman is searching for the sorcerer who changed him and killing any he finds. And En does call his best cleaners, Shin and Noi to put them on Caiman and Nikaido’s trail, but that’s all that’s happened so far. This volume is more about introducing the world, the characters, and what they are capable of in a fight.
Of course, even if this title had more fighting, it still would be meaningless unless it had a good cast of characters, and Dorohedoro has them in abundance! I loved Caiman from the first page. The volume starts with a sorcerer’s head in Caiman’s mouth. It’s a pretty dramatic way to introduce him, but it’s soon shown Caiman isn’t all about the drama. Unlike so many shonen characters seen nowadays, Caiman isn’t dark or depressed about his situation. He makes the best he can of it and keeps a good attitude. He also has a healthy appetite, so it’s a good thing Nikaido runs a restaurant. She’s not only Caiman’s meal ticket, she’s his friend and partner. While Caiman is the excitable type, Nikaido is more calm and cool. She keeps her head in any situation, and is capable of taking care of herself. They make a good team.
Even the bad guys in this series are likable. Fujita, the partner of the sorcerer who is first seen getting Caiman’s treatment is a lackey to En, the head sorcerer. Like all henchmen, he’s a bit of a bumbler and has bad luck. He tries to do his best, and you can help but feel sorry for him. He really looks up to Shin and Noi, En’s top cleaners. They are the efficient killers you expect them to be, but under their masks, look and act normal. I really enjoyed watching them at their dinner with En. Trying to read the menu, and looking for the expensive items since their boss was paying not only make them more human, but also entertaining.
What I really enjoy about Dorohedoro is the fact it doesn’t take itself too seriously. While we do see Caiman and Nikaido continue the search for one specific sorcerer, just as much of the book shows them at work, and taking it easy. It isn’t just about the fighting, it’s about all aspects of the characters lives, and for me, that differentiates it from so many of the other titles out there. Dorohedoro deserves its mature rating with graphic fights that send body parts and internal organs flying, and a bit of swearing, but if you can get past those two things, you will be rewarded. I’ve enjoyed this volume even after multiple reads, and look forward to reading more.
I’m working to get back on schedule after my 2 week manga break. I decided to take it easy and finish up a couple of Shojo Beat titles that I’ve only have the last few volumes left to read. Honey and Clover and Sand Chronicles are two titles I associate together, since they started in Shojo Beat very close together. I enjoyed reading both in the magazine, and decided to continue getting the volumes after the Shojo Beat was canceled. They both went 10 volumes, but I only have the ones starting after the end of the magazine. I’m only going to talk about Honey and Clover here, and will give Sand Chronicles its own review, for reasons that should become clear.
I had previously reviewed Volume 8, which I really liked. The unicorns that stood guard over Yamada’s virginity were hilarious! And that was one of the things I really liked about Honey and Clover; it had its share of drama, punctuated with moments of humor. A lot of that light-heartedness disappears in these last two volumes. An event at the beginning of volume 9 really changes the tone, and most of the rest of the chapters revolve around resolving this one event. There is some tying up of loose ends. It’s finally revealed why Morita needed all that money. Hagu finally resolves the Morita and Takemoto triangle by turning it into a polygon, and like most of the characters, I didn’t see that turn coming.
I wouldn’t say the story ended with a happy ending, but it was satisfying enough. I didn’t feel cheated or that anything was left hanging. Relationships were resolved, or left unresolved as the case may be, as were the character’s personal stories. This is the end of the a chapter in this particular group’s life, and it made sense to end the series here as well. After following these characters for 8 volumes, you would think the coming end would elicit some sort of emotional response though the last two.
But to be honest, I didn’t really feel anything. As I read through these last two volumes, I felt kind of “So, this is the end.” After caring about these characters and following their stories for so long, I’m not sure why I felt so little about them going their separate ways. I think maybe it’s because so much of the last two volumes focused on Morita and Hagu and not so much on the others. It was the ensemble cast that I really liked about this series, and not the individuals so much. When that interaction was lost, so was my interest. It was a good closing chapter on the lives of these young people. It just didn’t affect me much. Would it also be heartless to say the whole situation with Hagu didn’t really upset me? The whole thing felt contrived, and may have contributed to my lack of feeling.
Sand Chronicles is a completely different story. For good or for ill, that story has stuck with me much more than Honey and Clover. It has made me cry on more than one occasion, and for all that I decry melodrama, this is one melodrama that I will read again. This is why the final three volumes need a post of their own.
My next series will be Antique Gift Shop, a manwha from Ice Kiun/Yen Press. It’s ten volumes and will free up a lot of space on my bookshelf, which I desperately need. I also have to find some time to read for the next MMF, which as just been decided to be on the SigIkki line from Viz. I have several volumes from that line that I’ve been meaning to read/review, and this is the perfect motivation to get me to do so.
- Honey and Clover Volume 9-10
- Sand Chronicles Volume 8-10
- Yen Plus March 2012
There is no Manga Wrap Up this week, as I didn’t read any manga. I’m still working on my prose book, so maybe next week. Instead I thought I would finally give my thoughts on the final print issue of Shonen Jump and the way Viz Media handled the move to digital from the perspective of a long time subscriber. The final issue is a 392 pages, and harkens back to the good old days.
The issue is mostly just like any other issue of Shonen Jump with the same monthly chapters of Bleach, Naruto, One Piece, Psyren and Yu-Gi-Oh! 5Ds, as well as the prerequisite Yu-Gi-Oh! trading card, this time from the new series, Zexel. What makes this issue so much bigger, is the inclusion of the three new titles that will be in Alpha; Toriko, Nura: Rise of the Yokai Clan and Bakuman. Psyren and Yu-Gi-Oh! 5Ds will not be moving to the magazine, but Viz did announce that they would be available on Vizmanga.com. The chapters for the new manga, as well as for those moving the Alpha are part of the “Warp into SJ Alpha”. Basically, these are the chapters that precede the starting digital chapters in the first SJ Alpha issue and are accompanied by a short paragraph explaining that chapter.
Okay, I had mixed feelings about this particular move to digital. On the whole, I approve of most of Viz’s digital strategy so far. If they would just bring out an Android app and stop pushing all the iCrap, it would be great. I know a lot of people have been calling for Viz to catch up the Japanese releases, which we’ve seen with Naruto and One Piece. SJ Alpha is another jump, taking the Shonen Jump titles to within 2 weeks of Japan. And here’s where I have the problem. Shonen Jump was ahead of the volume releases in the US, but WAAAAYYYYY behind the Japanese. So, going from Shonen Jump to SJ Alpha means BIG jumps for loyal readers. Naruto and One Piece aren’t so bad. They are only a 38 chapter jump. But when you get the other titles, it’s not so pretty. Bleach is a 147 chapter jump; Bakuman is 83 chapters from the last digital volume; 129 chapters from Nura‘s last digital volume, and 92 chapters from Toriko‘s last digital volume. Some of these jumps in story are outrageous!
Yes, I’ve been through these jumps before, with Naruto twice and once with One Piece. But when Viz did these, they at least had the courtesy to include features in the magazine that gave the subscribers an idea of what was going on in the jump, so when the chapters resumed in the magazine, they wouldn’t be totally lost. Not this time. Now, we are dealing with enormous jumps in story, between 7-13 volumes worth, and several story arcs worth and what do we get in the last issue? One paragraph? Really??! This is how subscribers, many of whom have been with the magazine since the beginning and who DON’T read scans (like me), are rewarded for our loyalty? Viz can’t even be bothered to thow us a bone and just give us a list of volumes, what story are they fall in, and a brief synopsis of the arc? They managed it with 30 volumes of One Piece. The second Naruto wave had features for 2 or 3 issues giving the low down to subscribers about what was going on. Are readers of scans, who are still gonna complain about the lag (OMG! Two weeks?! I want it the same day!!), MORE important that the paying fans? It sure seems like it since the way this jump has been handled only rewards those who have been reading scans all this time, and punishes the legal readers.
And talk about missed opportunities! Viz did a special “Preview” issue before the first Alpha issue came out, and what did they put in that preview issue? The first chapter of each of the SJ titles! How completely useless is that? First, all of those chapters have been available on the Shonen Jump website, some for years! And reading the first chapters does ABSOLUTELY NOTHING for someone starting with SJ Alpha. All of the titles are so far ahead of what happened in their first chapters, that it’s practically misleading to present them as representative of the titles now. Naruto and Bleach are nothing like how they started, and not in a good way. One Piece has changed greatly too, but it’s been for the better. This preview issue could have been better used to prepare readers for the jump instead of just rehashing old material.
I’m really disappointed in the way Viz handled this jump. It feels like there was little to no planning for it. It was announced publicly in October, and by being generous, we can say the next two issues were probably already set, but that still gave Viz 4 more issues to tell subscribers about what was coming up and prepare them. The online issue could have been done at any time. This is a fail on so many levels. And I’m not the only person to feel this way. The comments section of the first issue was filled with people just as surprised as I was by the jump. I don’t know if I’m going to keep my subscription beyond the 6 month committment I made after this. Apparently, I’m not a valued customer anymore. It would have taken so little make this right, and yet I’ve seen nothing from Viz to rectify it. The way it looks to me is that Viz threw their subscribers under the bus in favor of a phantom demographic. And in business, perception is everything.
What a wonderful treat to find in my mailbox! Viz Media has rescued 07-Ghost, a title originally published by Go! Comi before they went out of business. I know 07-Ghost wasn’t a popular title with everyone. Even I had a few difficulties with the first volume, but I was still sucked into the story and absolutely loved the character designs. I’ve only been able to get a hold of the first three volumes, the third being a lucky find at a Borders not long before every store was closed. I’ve wanted so much to read more, but never though anyone would pick it up. This is a wonderful Spring gift, and just before Wondercon. I wonder if Viz will have more surprises there. November can’t come fast enough! Thank you Viz!
ANN has two news stories today that make me go “Want Want Want Want!” Two new manga series are starting, or more accurately, re-starting in Japan. And there’s probably a better chance of a snowball fight happening in hell before we see either of them in English.
Kindaichi Case Files is a murder mystery series that was originally licensed by Tokyopop. They released 18 volumes and then put the series on hiatus. Then Kodansha yanked the license back, along with all their other titles, leaving fans (few as we may have been) sad and bereft. Another 18 volumes of manga exist that we will probably never see in English since the first attempt did so poorly. Though, I would lay some of that blame on Tokyopop, as they did not market the manga very well. Now, as the series turns 20, the title is returning to the pages of Weekly Shonen Magazine with the same writer and artist team. It was bad enough that I had to lament not being able to read the original series, but now there will be MORE that I won’t be able to read?! Kodansha! Bring back Kindaichi Case Files! Even if you just pick up where Tokyopop left off, or even go digital only on Jmanga! Kindaichi Case Files is a fun whodunnit with great characters and mysteries that appeal to the supernatural, but always have a natural explanation. We deserve to get to read more of it!
Master Keaton is a manga series I have wanted ever since I first heard about it. The son of a Japanese zoologist and well-born English woman, studies to be an archeologist and solves mysteries. A mystery solving archeologist is sooooo up my alley! Add Naoki Urasawa to the mix, and you have a manga made in heaven! But due to some posturing by both Urasawa and a friend of the original writer, we will probably never see this series in English. It is such a dumb reason to be deprived of what looks like a great series. And now, to add insult to injury, a sequel, Master Keaton Remaster, will be starting in Japan, in Shogakakun’s Big Comic Original, 18 years after the first series ended serialization. This is so unfair! Not only is Urasawa returning to draw the manga, but Takashi Nagasaki, who supervised Pluto, another awesome series, will be writing the story. This is just awesome piled on top of awesome! Can I have some hope that since the series is getting a sequel, it might be available for licensing? Do I dare hope such a thing? Viz, omnibus editions of Master Keaton would look so good on my bookshelf. If it is possible, you must make this happen! The English-speaking world should no longer be deprived of this series!
This week I didn’t work on any particular series. I said it was because I wanted to catch up on some newer review copies, but really, I couldn’t decide what series I wanted to to work on next. I thought I would be making some room on my review copy shelf, and I will be moving 3 volumes off my shelf, and on to my younger daughter’s shelf. Another 5 may be moving on my keep shelf, with another 3 to add to them.
First, I read a trilogy of Pokemon movie adaptations. The Rise of Darkrai, Giratina and the Sky Warrior, and Arceus and the Jewel of Life are movies 10-12 in the Pokemon universe. I will be doing a full review of them for Good Comics for Kids. I first read The Rise of Darkrai, and then I got Arceus, and noticed it referenced back to Darkrai, and a title I didn’t have yet, Giratina. So I traded for Giratina and finally read all three volumes. Since I’m doing a full review of these volumes, I’ll just say that like all trilogies, the middle volume was the weakest.
I finished up Pokemon quickly and moved on to a shojo series from Viz. I’ve had St. Dragon Girl volume 1-5 for a while, and had started on the first two volumes, but kept getting distracted. I finally decided to finish the volumes I have. I think this series is going to be another keeper. It’s only 8 volumes total (unless Viz licenses the sequel series), and it’s filled with beautifully drawn dragons. That alone is enough for me to want to keep on my shelf. I’m going to give this series a dedicated review in the near future.
Since the Osamu Tezuka Manga Movable Feast is next week, I’m going to try and read and review two titles that I’ve gotten recently. I liked the preview chapter of Princess Knight that was run in Shojo Beat issue 25, back in July 2007, so I’m looking forward to reading the whole series. I’m also going to give Apollo’s Song another try. I couldn’t get anywhere with my last attempt at writing a review. Maybe I’ll do better this time, with another reading.
I’ve already pulled more books, so next week I’ll be getting back on track with my cleaning up titles. I’ve already filled up my box, so it may be time for another trip to the library soon.
- Pokemon: The Rise of Darkrai
- Pokemon Giratina and the Sky Warrior
- Pokemon: Arceus adn the Jewel of Life
- St. Dragon Girl Volumes 3-5
Here we are at week four of the great Manga Wrap Up, and thanks to being sick on Monday, I was able to get through four volumes of the next series I’ve decided to finish, Black Cat. I was off by how many volumes I had to read. I thought I had to start at volume 14, but I actually had to go back to volume 10 to find anything I remembered, so the extra time came in good use, but the being sick sucked.
Black Cat is about Train Heartnet, a former Chonos assassin who gives up his life of killing turns Sweeper, or bounty hunter. His weapon of choice is a gun that he can make fast and impossible shots with. His partner, Sven Vollfied, a former IBI agent also turned Sweeper. He possesses a “Vision Eye” that allows him to see a few seconds into the future, and makes all kinds of gagdets to help them catch their quarry. Joining them is Eve, a young girl whose body is filled with nanites that she can control and transform into any kind of weapon. She was created as an ultimate weapon, until Train and Sven freed her. Now, she travels with them, wanting to be a Sweeper as well. Train’s past comes back to haunt him in the form of Creed Diskenth, also a former Chonos assassin who want Train to join him in taking over the world, along with his revolutionary group, Apostles of the Stars.
I really enjoyed reading the back half of this series. All of the introductory of plot and important characters was done and it could get straight to the problem at hand; stopping Creed. One of the things I really like about Black Cat is that it doesn’t have a bunch of multiple arcs with multiple big bosses to beat. Through the 20 volumes there is only Creed and his minions. That isn’t to say that there aren’t obstacles, but the series doesn’t have to be a series of battles, powers up and more battles that I’ve started to grow tired of in shonen manga. Train only gets one major power up throughout the series, and it’s just at the half way point. He’s already strong enough, and smart enough, to take on all of Creed’s lieutenants. He only needs the power up to stop Creed, and even then, he still has aces to pull out of his sleeve before resorting to that power up to finally defeat Creed.
The story is tightly written. Once Train and his friends decide to go after Creed once and for all, the story is dedicated to following that path. The characters, which have seen some growth up to now, really come into their own in not only prepare for the battle, but in accepting who they are the path they have chosen. Sven finally accepts his “Vision Eye” as his own, and not just a gift from a friend. Eve grows not just in her ability to transform herself, but also accepts the path of protecting instead of just killing. And Train throws away the ideas of revenge and decides to take Creed alive so he can pay for his crimes. And along the way, as they battle the Apostles of the Stars, our heroes are able to reach out to the misguided members and show them there is another way to live.
These back volumes also give us more of Train’s past, as we learn about what happened to Saya, the Sweeper that pushed Train off the assassin path, and there’s even a bonus story that shows how Train and Sven met and became partners. The final volume ties up loose ends nicely as we get a glimpse of where our heroes, and villains, are a few years into the future, and things seem to be looking well everyone. It’s a happy ending, and not at all forced.
Yabuki called this series “Part 1”, implying that there would/could be more stories with these characters. I really hope so. He created a great bunch, and I would love to read more about them. I especially liked Train, with all of his cat-like traits, and his love of milk is really cute. Yabuki has a great sense of humor that borders on wicked. I loved one scene when they are attacking Creed’s hideout, and Eve uses a new attack that renders the guards….naked. The strategic positioning of some cats was hilarious! Black Cat is a series I may have second thoughts about giving away.
Since I finished up Black Cat so quickly, I decided to keep with the “Black” theme and also finished off Black Jack by reading the last two volumes. I’ll be doing a full review of these two volumes, but let me just say I felt these were the weakest of all the volumes I’ve read. Not bad, just not as good.
- Black Cat volume 11-20
- Black Jack volume 16-17
Next up is Chibi Vampire. I know I stopped on volume 7 on this series, so I only have seven more to go. If time permits, I will finish up another series, though not one I’ve been reading regularly, Zombie Loan.
Troublemaking student council chairman Hanabusa thinks the best way to solve the problem of two similar clubs at school is to have them fight to the death! Actually, the losers just have to disband their club. But a silly club rivalry quickly gets out of hand when Mafuyu is kidnapped by the enemy!
Oresama Teacher succeeds in turning out another uneven volume. A fun chapter is sandwiched between two less-interesting ones. Even though the first chapter does have some good moments, they aren’t enough to tip the balance completely.
Mafuyu and Hasakaya, as the new formed “Public Morals” Club goes up against the Yojimbo Club, as their charters claim to do the same thing. This chapter sees the return of Nastuo-Mafuyu, as she tries to get Hakasaya to learn to dodge hits in a fight. While I didn’t care very much for these chapters, they did have their moments. Hakasaya and Nastuo-Mafuyu have a good heart-to-heart talk, and Mafuyu comes to understand Hakasaya better. It was nice to see Hakasaya show that he cares about Mafuyu, even if it means doing something dumb. But that’s what we expect from the good guys, right?
Yuto, the second from Mafuyu’s old gang comes to visit Mafuyu and deliver some treats made by them. He meets up with Hakasaya and the Bancho, and they try to find Mafuyu, and consequently miss each other for pretty much the entire story. What was really funny was the misunderstandings that went on between Yuto and Hakasaya and Bancho over who Mafuyu really was. Yuto has all of his memories of Mafuyu (slightly rose-tinted) as a demon fighter, while Hakasaya and Bancho think of her as a weak girl. The chapters were funny and the best of the chapter.
The volume ends with Takeomi needed to blow off steam from work, and drags Mafuyu off to the beach with him. This chapter felt rather odd to me. If this is supposed to be a teacher/student relationship story, it’s going at it in a really strange way. Takeomi and Mafuyu looked more like friends, or even siblings. I didn’t feel any kind of connection between them beyond their past. I’m still not sure what to think about Mafuyu’s missing memories of Takeomi.
I’m still teetering on the fence with this series. It has shown it can be a really funny series, but only if it can keep the focus on the students and their relationships. I still really enjoy Mafuyu and Hakasaya’s relations, and Bancho needs more page time with Mafuyu. I still detest Takeomi. He still doesn’t seem to have a good reason to become a teacher. He’s still too much of a delinquent to be an interesting character for me. The other “villains” in this series, such as the Student Council President is the same. So, the good and bad points of Oresama Teacher are about even at this point, but it’s still not a series I want to keep or re-read.
Week two ends on a better note than last week. After so much talk, I finally finished reading Rurouni Kenshin. I can’t really say I cared much for the last arc. I liked all the flashback scenes and Watsuki did a good job of balancing it’s telling with the present. But there was so much fighting, and lot of it seemed pointless. The big battle with Enishi and his “allies” was just to show how powerful everyone had grown over the series. And the battle against the 4 Stars felt like it was just filler. The ending did tie up everything nicely. I liked that everyone went their separate ways, following their own paths instead of staying together in Tokyo. I was glad to see some hope for resolution for Enishi as well. That is one of the things I liked about the series overall. There was feeling of hope and redemption all the way through the series. Kenshin never gave up one anyone, and redemption was always in reach, if one chose to reach for it.
The ending did have a cliché feeling to it, especially with Kenshin and Kaoru’s son Kenji being such a crybaby, mama’s boy, the exact opposite of Kenshin. It wasn’t bad, it just felt meh. But I like Watsuki’s suggestion for a sequel even less. I would rather like to see Kenji and Yahiko and Tsubame’s son fighting together as buddies but competitive rather than against each other.
Overall, Rurouni Kenshin is a great series and really deserves the praise it has gotten. I think the first volumes and the Tokyo arc are the strongest of the series. At least, they are the volumes I enjoyed the most. The light humor was more prevalent in these volumes. I don’t mind the darker elements that were introduced as the series progressed, especially since the series still ended on a happy note, but I do like the lighter elements more.
- Rurouni Kenshin Volume 21-28
Next up, I’ll be starting the Tokyopop series Bizenghast volume 1-7. I’ve only read the first volume of this series, and it was several years ago, so I’ll be starting back at the beginning.
Mafuyu is heading home for the weekend to get some much-needed TLC. But neither her mom nor her hometown seem to be in the mood for a warm welcome. Trying to walk off the weird feelings, Mafuyu and some of her old East High comrades are caught in a trap set by the gang from West High! Can she help her former friends without compromising her fresh start?
The progress that was starting to be made in volume 2 gets eroded away at by a couple of manga tropes. The volume ends up being uneven as a good beginning is weighed down by a meh end.
This volume starts out by giving us a glimpse at Mafuyu’s past when she goes home for the weekend and meets up with her old gang. They are caught up in a rivalry with another school over turf. We meet Mafuyu’s former second and third, who are now the bancho and second. I liked Kohei, the current bancho. He really looks up to Mafuyu, but not quite the idolizing that Hayasaka does. He might even have feelings for her. Yuto, Kohei’s second, I didn’t care for quite as much. He a total masochist, always putting himself into positions to get hit by Mafuyu, and fantasizing about it. I found his character just a little too stereotypical.
The whole story with the gang was good. The boys push Mafuyu away as they prepare for a big fight, and she has to come to terms with the fact that they have moved on and don’t need her anymore. I liked that the gang was still fumbling some as they filled the whole Mafuyu left, and that the reason they pushed her away wasn’t just to stand on their own. Kohei’s inability to express his feelings for Mafuyu was just as responsible. The scene at the train station at the end was sweet.
Sadly, the rest of the volume couldn’t keep up with the beginning. The volume ends with two stories featuring Takeomi and introduces another new character, Student Council President Miyabi. Takeomi’s story is a big shojo trope, with Mafuyu discovering that he is her next door neighbor. The story really could have done without this. I didn’t like Miyabi either. He almost ties with Takeomi in my dislike for him. There is nothing interesting about him. He’s about as cliché as you can get, being the son of the School President, enjoying being evil, and has a “power” to dazzle anyone into becoming his slave. I really found his “power” to be outrageous, and not really fitting with rest of the series.
I was starting to feel good about Oresama Teacher after volume 2 and really hoped it could keep up the momentum. But the second half of this volume really puts on the brakes and has me thinking I may have been right after the first volume, and the second was just a fluke. I’ll give the series one more volume to convince me.
“Manga wrap-up, manga wrap-up
Let’s finish up these series
Manga wrap-up, manga wrap-up
Cause there’s no more room in here!”
“Cause there’s no more room in here!”
Hey! Welcome to my first post of the new year chronicling my attempt to catch up on all the titles I’ve fallen behind on and may even give away! I even have a theme song! (Bronies will recognize the tune. I blame my youngest daughter for its creation. 🙂 ) Anyway, this first week didn’t go quite the way I had planned, but that should come as no surprise.
I started 2012 by preparing for the January Manga Movable Feast. This month features the works of Usamaru Furuya. I’ve been saving Genkaku Picasso for this and finally read volume 1. I will have to get 2-3 now. I really liked it. Too bad it’s not available digitally, but at only 3 volumes it won’t be so hard to fit on the shelf. I hadn’t planned on reading Furuya’s version of No Longer Human from Vertical, but I decided it wouldn’t hurt to check out the first volume. I flew through that one, as well as volume 2. I really didn’t think I would like it, as I don’t care much for “classics”, this one was a compelling read, and well worth the time.
Also not on the long-term reading list, but still a volume I’ve had for several months, I read volume 4 of Degenki Daisy. It s a series I like, but since it’s available digitally, I’m going to move it over to that realm as a space saver. I’m not sure how much of a re-read it will be, so going digital with it is probably the best option. Volume 4 will be my last physical copy. If Viz has another good sale, I’ll probably replace 1-4 as well.
It took me until Friday night to finally get into the pile I want to work on. I picked up Rurouni Kenshin, but it had been soooo long since I read it, I wasn’t sure what volume I had stopped on. I know I had finished the Kyoto arc and was starting on the final. I ended up re-reading volumes 18 and 19 before determining volume 20 is where I want to start. I finally got to that Saturday afternoon.
I knew this was going to be a long, uphill battle. With so many other books to distract me, it might be harder than I anticipated to get through this pile. But I am determined to do it. As my new theme song says, there is no more space. So, the final tally for the week is:
- No Longer Human v1-2
- Genkaku Picasso v1
- Degenki Daisy v4
- Rurouni Kenshin v18-20
Check back next week to see how far I get with Kenshin. Only 7 more to go, in this series.