This week I check out the going-ons at Vizmanga.com and review the Yen Press title Spice and Wolf.
This week I have some comments on Kodansha and their position on older Del Rey titles, and have a series review of the Yen Press title 13th Boy. Review copies provided by publisher.
This week I take a look some news items; Square Enix shutting down their manga service site, New licenses from Yen Press and Seven Seas Entertainment, some new digital manga coming to the Vizmanga site, and the top-selling manga in March and April according to Nielson’s Bookscan service.
Square Enix E-manga Service Shutdown
Yen Press License: Bloody Cross
Thermae Romae on Barnes & Noble Nook and Amazon Kindle
New Manga on Vizmanga.com
Seven Seas Entertainment Licenses: Mad Hatter’s Late Night Tea Party & Alice Love Fables
Nielson Bookscan Top Selling manga for March and April
Music courtesy of Kevin MacLeod of Incompetech
I’ve finally done it. I’ve thrown the idea around for several years, but with help and encouragement from my husband, I have recorded my first podcast. In this first episode I talk about several recent news stories as well as a few manga I’ve read recently. In the future I will have more extensive reviews, and maybe even a guest or two! Have a listen. Comments and suggestions are strongly encouraged.
The First Episode!
Manga I’m Reading:
- Until Death Due Us Part Volume 2
- Umineko: When They Cry Volume 1
- Knights of Sidonia volume 1
- Paradise Kiss Volume 3
Music courtesy of Kevin MacLeod of Incompetech
Researcher Mr. Smith has left the Eihon family and is on his way to Ankara. As he awaits his guide in a village, he meets the widow Talas, but his honorable intentions toward her are not seen that way by her uncle who has his own plans for her, and lands the Englishman in jail. Rescued by some familiar faces, his journey takes him through a fishing village along the Aral Sea, where a pair of twins are plotting to land themselves some rich, healthy brothers as husbands.
These two volumes of A Bride’s Story leaves Amir, Karluk and the Eihon family behind, and follows Mr. Smith as he travels across the desert on his way to Ankara, where a colleague waits for him with an item he’s been searching for. We meet two different kinds of brides in these volumes, the five-time widowed Talas and the over-eager twins Laila and Leily. While I still enjoyed these volumes, the new characters didn’t grow on my as much as the Eihons did in the first two volumes.
Mr. Smith gets the spotlight in volume 3. After arriving in the village where he is to meet his guide, he meets a young woman, Talas. She offers to put him up until his guide arrives. She and her mother-in-law have been alone for a while, after the death of five sons and the father. Talas thinks having Mr. Smith stay will make her mother happy. I liked Talas. She was quiet and unassuming; the opposite of Amir in a lot of ways. She’s had a hard life, going through so many husbands so quickly without ever producing an heir, but she bears it all with a quiet strength. Her mother is much the same, having lost 5 sons and her own husband, she continues on alone, thinking only of Talas’ happiness.
Mr. Smith becomes caught in the middle of this, as the mother tries to get him to take her as his bride. It’s interesting to see him struggle with what to do. He doesn’t have a wide emotional range, and often has a bewildered look on his face, except when he has learned some new cultural aspect. When he finally comes to a decision, the circumstances change on him. The change shows how different betrothal and marriage is treated between Europeans and the Western Asians, and the importance of a father in a woman’s life. Even when it is explained to him, he doesn’t seem to fully get it. He doesn’t show any emotion about it until he is alone, and a single act shows his disappointment.
In volume 4 we don’t see much of Mr. Smith, as his arrival in the seaside town causes a stir when his cover story of being a doctor has him overwhelmed with patients from all over the area. This leaves the story open for trouble-making twins Laila and Leily. The two girls are determined to get husbands, and spent most of the volume plotting ways to get them. I really didn’t care much for the twins. They bordered on obnoxious for me. But their story gave an excuse to concentrate on the women’s side again. Laila and Leily were recounted with stories from the older women of how they found their husbands and the tricks they used to land them. And when husbands are found for the girls, their mother has to give them whirlwind lessons in being proper wives, teaching them cooking, cleaning and sewing.
I still enjoyed this series. The cultural aspects shown in every volume are fascinating. In these two volumes we see the importance of being generous and hospitable, as an impromptu meal becomes an event to be shared with. We also get a glimpse on being a groom, as Mr. Smith’s guide, Ali, explains why he took the job even though it was dangerous. He wants to take a bride, but has to come up with the betrothal money himself since his family is poor. So far, we have only been seeing that the bride’s family has to do, and haven’t heard much about what the groom must do as well. Information on the wedding preparations start to get more in-depth as Laila and Leily’s wedding approaches which of course, will delay Mr. Smith who will want to stay and see an actual wedding.
While my enthusiasm cooled a little over these volumes, volume 4 mostly, I still love it. The cultural details that Mori is able to present in the story without it feeling like a lesson is great. This series could easily be used as a teaching aid for the time period. And of course her meticulous art continues to delight. The different costumes she used for the different regions are just beautiful. I’ll continue to give this series my highest recommendation, because, personal feelings or no, this is still one of the best series you will ever read.
Along the nineteenth-century Silk Road, Amir Halgal, a young woman from a nomadic tribe, is betrothed to a twelve-year-old boy eight years her junior. Coping with cultural differences, blossoming feelings for her new husband, and expectations from both her adoptive family, and her birth family, who now wish to see her wed to another, Amir strives to find her role as she settles into a new life and a new home in a society quick to define that role for her.
I remember when this title was first announced and how excited people were to get a new Karou Mori title. Having not read anything by her at the time, I didn’t see what the excitement was about. But after hearing some discussion of the title, I decided to check out the first volume. I absolutely loved it, and had to buy volumes 2 and 3 immediately afterward. The charming characters and immersion into 19th century Central Asia was a delight to read.
These volumes start by introducing Amir and her young husband, Karluk Eihon. They first meet on their wedding day, and while both seem surprised at seeing the other, both also accept each other. Many of the chapters show their everyday life, with Amir showing Karluk’s family, now her family, her way of doing things, while she learns theirs. There are also stories about other members of the Eihon family, and the Eihon’s nomadic relatives. Also introduced almost immediately is the stirring trouble with Amir’s birth family, who have decided they need her back since her younger sister, who was married off to another tribe, died and they will lose the grazing land they got in the deal. This leads to an armed conflict between the two families, as well as some between Amir and Karluk.
I absolutely loved Amir and Karluk from their first introduction. I adore Amir and her enthusiastic and earnest personality. She can be impulsive, such as when she jumps up to hunt rabbits immediately when she learns the Eihon family hasn’t had rabbit stew before. When given a gift, she feels the need to return the favor and proceeds to shoot down a bird to exchange. She is dedicated to Karluk and treats him like an equal and not a child. Karluk in turn tries to be a husband to her, but still has some problems with being intimate with her. When they are sleeping together in the Yurat while visiting Karluk’s Uncle, he feels more like a child with his mother than man and wife. He proves himself though when he defends Amir from her own father when the Halgal family try to take Amir back by force. He takes his duties as husband seriously, trying to protect her from danger. They make a really cute couple.
The supporting characters are great too. Seleke, Karluk’s older sister, tries to be strick with her four children, but ends up doting more. Their parents are kind and supportive. I loved Balkirsh, the grandmother and matriarch of the family. She doesn’t meddle in the affairs of other family members, but will step in when necessary. She diffused the confrontation between Amir’s brother and her grandson-in-law, and was able to get Amir to rest while Karluk was sick with a cold. She’s feisty, and doesn’t mince her words. And then there’s Mr. Smith, an Englishman living with the Eihons. He is an anthropologist, studying the life and culture of Western Asia. He is constantly asking questions about customs in the village, or for help with translating documents he has found. He is played a lot for comedy relief.
Mr. Smith and to some extent Amir, is also used to show the culture and customs of the area. Amir, who has come from a semi-nomadic tribe, has a lot to learn about town living. One of the biggest is that the townspeople are much more modest. Amir is constantly causing a stir, such as when she misunderstands Mother and thinks she must clean her clothes and runs out in her underwear. Amir’s hunting skills fascinate the townsfolk, as she hunts rabbits from horseback and brings back deer. The children become fascinated by her bow, and soon she is teaching them how to use it. Through Mr. Smith, more general cultural elements are explained. The importance of embroidery and cloth for dowry is shown in detail, as is entertaining. The townsfolk try to compete to entertain the messenger who bring letters for Mr. Smith.
Because this is “A Bride’s Story”, a lot of focus is put on the women. There is the impression that women are seen as nothing more than property, especially when Amir’s family tries to reclaim her, and the Eihons counter that they have no claim. But it’s not like the women are treated poorly or without rights. Balkirsh commands a lot of respect, even from Amir’s brother when he first comes to reclaim Amir. And as is shown with Amir, they can be hunters and herders, and not limited to the household. I don’t see the arranged marriages as a way to control women, but as part of the complex social structure passed down through the generations. Compared to European women of the time, the women of western Asia had a lot more personal freedom.
The art is just exquisite. The detail that Mori puts into the clothes and rugs is amazing. The costumes are beautiful and varied, reflecting their different origins. It’s not just material that is so ornate. Wood carving and even the making of bread is shown to be decorated with beautiful designs, and their creators are shown to put great care into their craft. I loved the chapter with the carpenter, and the time he spends creating ornate doors and posts. I also love the wide-eyed expressions that both Amir and Karluk have. It makes Amir’s enthusiasm all that more infectious, and Karluk just looks cute, even when he’s trying to be heroic.
I can’t say enough good things about this series. I loved it from cover to cover, and it just gets better with every re-read. Amir’s story is funny, exciting, and touching. A Bride’s Story is one of the best series you will read, filled with great characters, fun slice of life moments and charming characters that you will never want to leave. It’s a great investment of both time and money.
Ding-Dong! Dead-Dong! Class is about to begin, and you don’t want to be late on your first day of school! Join Tsugumi Harudori in the “NOT” class at Death Weapon Meister Academy, a school dedicated to training transforming weapons like Tsugumi and the Meisters who will wield them. Many “NOT” (Normally Overcome Target) students aspire to join the elite “EAT” (Especially Advantaged Talent) class, but it may take Tsugumi some time to find her confidence — and a partner — at this crazy school!
Soul Eater NOT! is a spin-off series of another Yen Press title, Soul Eater. Soul Eater was a debut title for Yen’s manga magazine Yen Plus, starting its US serialization there. I didn’t care for Soul Eater, so I wasn’t sure what my reaction to Soul Eater NOT would be. I was pleasantly surprised by the slice-of-life story, that moved a slower pace and had some likable characters. Not interesting, just likable. If the characters weren’t used for mostly fan service, I would like this title a lot more.
Soul Eater NOT! starts by introducing Tsugumi Harudori. She is just starting at Death Weapon Meister Academy, in Death City, Nevada, United States of America. She has the ability to turn into a weapon, which is a genetic mutation one is born with. She has come to DWMA to learn to control her power and live a normal life. Tsugumi is a plain, rather dull, and indecisive girl. On her first day she meets two meisters; Meme who to say she has short-term memory problems would be an understatement and Anya, a upper-class European girl who wants to see what the “common people” are like. Both girls want to partner with Tsugumi, but she just can’t decide, so the three of them live and work together until a decision is made. Meanwhile, a witch is at work within DWMA, experimenting on people, and Tsugumi, Meme and Anya always seem to get involved with the situations some how.
The three main characters, Tsugumi, Meme, and Anya are all fairly likeable characters. At least, there’s nothing annoying about them. Tsugumi is an average teenage girl whose only remarkable trait is how unremarkable she is. She wants to become stronger, like Maka, a Weapons Meister who she meets on her first day, and is a main character from Soul Eater. Tsugumi puts her hair up in pigtails to emulate Maka, but the look doesn’t work for her. I liked Anya a lot. She tries to be so aloof, but really wants to be included in the things Tsugumi and Meme do. Her modesty over the cafe uniforms was cute. I didn’t like that she never got to pair with Tsugumi. She would make a better partner for Tsugumi, as she proves when she uses Tsugumi in fight. Meme is the closest to an annoying character this title has. Her inability to remember simple things gets annoying fast. She only seems able to fight efficiently when she is sleep walking. Her only real purpose seems to be for fan service. She has the largest chest of the three girls, and is always slipping into bed with Tsugumi. I really didn’t care for this aspect of the title at all.
I liked a lot of the supporting characters too. Eternal Feather is a year ahead of the girls and is very helpful and sympathetic to them when they become prey of the “witch of the girl’s dorm”, Kim. This makes what happens to her at the end of volume two really sad. I liked Kim too, with her tsundere ways. She acts tough, but really has a kind heart. I also really liked the Master of the Death’s Back Cafe where the girls work for money part time.I’m not sure what to think of the two boys in their class, Akane and Clay. Even though they are in the NOT class, they seem to be working to get into the EAT class. They are working with their teacher Sid to weed out witches which may be hiding at the academy.
And there is definitely one running around. This is more of a subplot to add some action to the otherwise slow-paced slice of life that Soul Eater Not usually is. The girls aren’t actively involved with hunting the witch, but they always seem to be around when the witch is making a move. While this part of the plot hasn’t taken over the story, I hope it stays that way. What I like most about Soul Eater Not is the slice of life stories following the girls around school and interacting with the other characters in their dorm and that they meet in town. As long as the story stays that way, and the witch plot stays in the background, I’ll be happy.
Soul Eater NOT is a better than average title, and while it does have some fan-service-y moments, they aren’t as bad as they could be. The characters are quirky enough to be likeable, but not really memorable. As long as the story stays on the lighter side, it will continue to be a fun title to read and enjoy.
After twenty years of searching, Celty, the headless black rider, has at last found her missing head bobbing through the streets of Ikebukuro on someone else’s neck! Though Celty prsues, the girl escapes on the arm of Mikado Ryuugamine, taking refuge in his apartment. Both the legendary rider and Yagiri Pharmaceuticals come bearing down on Mikado and the scarred girl. But when Yagiri crosses the line, the true leader of the Dollars steps forward to take command of the vast network of members at his disposal. though this unobtrusive boy holds a disturbing degree of power in the palm of his hand, Celty is preoccupied by the powers that still control her head. At the end of the day, will her search all have been for naught? Or has she found something even more precious along the way?
Story by Ryohgo Narita; Art by Akiyo Satorigi; Character Design by Suzuhito Yasuda
Publisher: Yen Press
Age Rating: Older Teen
ISBN: 9780316209328; 9780316209335
With such a large cast, it’s hard to believe that these last two volumes of Durarara!! could tie everything up easily, but that’s precisely what it does. All of the relationships are resolved (for the moment), and characters’ secrets are revealed. Some are surprising while others aren’t so much.
There are at least three different relationships going on in Durarara!! We really get in the mind of Celty (can’t really say head), as she really starts to consider the ramifications of getting her head back. Fear of death, and her, a Dullahan, being in a relationship with Dr. Shinra, a human, really shake her confidence. Shinra, who is usually just being a jerk, is surprisingly understanding with Celty. He shows some real tenderness and affection for her, but also deserves the punch in the face she gives him. But, in the end, Celty is happy with her situation, and not so obsessed with finding her head. Which might not be such a good thing as well learn late on.
Seiji Yagiri gets what he deserves as the head he believes is his “soul mate” turns out to not be what he expected. He really needed the beat-down that Shizou gave him about it. His “pure love” proved to be nothing more than skin deep, making him easily fooled, and well deserved of the one who now has the face of his “soul mate.” I did enjoy the scene of them together at the end, pretending to like each other, but each still having their own agendas. Perhaps he really did find his soul mate. Even Mikado got a start on his relationship with Sonohara. They had the typical “too shy to admit their feelings” relationship throughout the series, but by the end, Mikado finally got up the courage to ask her out, but not before kicking Masaomi for trying to horn in on her first.
Most of the mysteries presented in the series were resolved by the end. Who started the Dollars and why is revealed, and its leader was a complete surprise to me. I was also surprised by Shizuo. I started out not really caring for him, but his actions in these last two volumes really warmed him up to me. His archenemy Orihara wasn’t so surprising his motives. He’s always seemed to be a dark character, but his true ambitions aren’t revealed until the end. They are quite grand, and involve Celty’s head. His theory about Dullahans is interesting, but his intend working from that theory isn’t good for Ikebukuro or its inhabitants.
While Durarara!! started out slow for me, I ended up really enjoying the series. What really helped is how the characters were developed over the four volumes, and became either people I liked or who got what they deserved. Durarara!! is based on a series of light novels, and I would love to see more manga adventures with these characters. There are 11 novels to pull from, and the manga ends really feeling like that could be more. And Yen Press has answered my unspoken prayer as Durarara!! Saika Arc is scheduled to begin in March. I can’t wait now! Durarara!! turned out to be a fun ride that is definitely worth reading, and might be worth keeping.
It was love at first sight. the moment Hee-So’s eyes met Won-Jun’s she knew it was meant to be. Their relationship took off when Hee-So confessed her feelings on national TV, but less than a month later, Won-Jun is ready to call it quits without any explanation at all. Hee-So’s had a lot of boyfriends–Won-Jun is number twelve–bu being dumped is never easy. She not ready to move on to the thirteenth boy just yet. Determined to reunite with Won-Jun, Hee-So’s on a mission to win over her destined love once more.
I read the preview of 13th Boy in Yen Plus why back when it first came out, and wasn’t impressed. I thought it was going to be another “stalker girl” title like Sarasah, which I hated. But with being given a second chance to read the first volume, I decided to give it a shot. And like Won-Jun to Hee-So, I don’t hate it, but I don’t know if I like it yet.
13th Boy is not your average high school romance. It starts out like it might be. Hee-So, is the earnest, sometimes blunt girl madly in love with a cute boy in her class, Won-Jun, who comes off as cold, and almost robotic. For a few moments, I thought maybe he was one. But things quickly go askew when Beatrice, Hee-So’s walking, talking cactus is introduced. Yes, I said walking and talking. I don’t know what’s stranger, that Beatrice can talk, or that Hee-So takes it so calmly. There’s no explanation for what Beatrice could be, but the end of the volume hints at something supernatural. And then there’s Won-Jun’s best friend, Whie-Young Jang. He comes off kind of jerky, but there more to him than he seems. He can do magic. He’s shown levitating a book and makes his and Hee-So’s legs disappear so some classmates won’t see them.
I wasn’t expecting a supernatural element to this story. It started out like a typical high school romance with a weird mascot character, but there seems to be a lot more going on. The idea that there is a destined love for everyone is strongly emphasized in this volume. Hee-So is banking on Won-Jun being hers. And for all the scoffing Whie-Young does about it, I get the feeling he might think the same of Hee-So to him. The last scene with Won-Jun and Whie-Young sets up the love triangle, which seems to be destined to be a bumpy ride for all three of them.
While I wasn’t wowed by this first volume of 13th Boy, I am intrigued enough to be willing to check out more. I didn’t hate it as much as I thought I would, and while I don’t care for the stalker-obsession that manhwa seems to favor for its female leads, the integration of a destined love at least lessens the impact.
New York Comic Con, or NYCC, was this weekend, with all the manga publishers making appearances and announcements. Vertical, Viz, Yen Press, even Kodansha and Jmanga had panels to announce their new titles and new alliances.
From on high, the gods make sport of the mortals who toil below them. None knows the cruelty of these beings better than Ganymede, a beautiful prince who was torn away from his family by the gods’ divine hands. Granted immortality, Ganymede now whiles away his days in an inescapable miniature garden for the amusement of the gods, particularly Apollo. But the gods themselves are no stranger to the boredom of eternal life, and as Ganymede quickly discovers, they will do anything to keep themselves entertained, both at his expense and at one another’s…
I love mythology, so anytime there’s a series that comes out that has to do with some myth or legend, I want to check it out. This made Olympos a must for me to read. While I wasn’t too sure about the title at first, it had completely won me over by the end. Olympos brings up some interesting ideas about gods and immortality.
Olympos starts by introducing the reader to Ganymede, a beautiful prince who it trapped in a miniature garden. His current plight is shown, and then it flashes back to the past to show how he came to be there, and became immortal. But he isn’t really the protagonist of the book. It’s really about Apollo, the sun-god who kidnaps Ganymede and becomes his captor and tormentor. Apollo is bored, and Ganymede is just one of his diversions. After learning about Ganymede, the story focuses on Apollo and the other gods who he interacts with; Poseidon, Hades, Artemis and even Zeus.
At first, Apollo appears to be a complete jerk. He torments Ganymede mercilessly with escaping from the garden, forces him to watch his brother die, calls all humans insects, and tips a stone onto some humans building a temple to him. He also mocks Posiden, the middle brother and god of the oceans, calling him an idiot. But as I read more of his story, he became more sympathetic. The more he interacts with humans, including Ganymede, the more we see how hollow his life, and really the lives of the gods are. Even though Apollo looks down on humans as inferior, he is fascinated by the things they can do that gods can’t, such as lying, or saying things they can’t do. While he never stops looking down on Ganymede, the pair do grow some, and come to understand where each other is coming from, and it’s that understanding that made me more forgiving of Apollo’s cruel behavior.
I really enjoyed how well each character fits his description from the myths. Apollo is very capricious in his behavior toward humans, though we don’t see his amorous side. The portrayal of his relationship with his sister was intriguing as well. Poseidon is show to be very argumentative with his fellow gods and trying to get Apollo and Hades to join him in overthrowing Zeus. Hades is pragmatic and cryptic, as you would expect the god of the underworld to be, while Zeus is kept a complete mystery. As god of the sky, he is portrayed as not really seeing those around him, especially humans, though he did grow curious about Ganymede. I also really liked the idea of “the gods can not speak false”, and how that affects Apollo.
The art is just stunning. All the gods are drawn as bishonen, as is Ganymede. There is a lot of beautiful, flowing hair for everyone. Zeus is shown to be all feathers and wings, and Hades is all in black with horns, though he can appear differently depending on who is looking at him. Another touch I really enjoyed was Apollo having eyes the color of sunrise/sunset. Aki put a lot of thought into the look of the characters to match their personalities and it shows in the beautiful artwork.
Olympos is a fantastic read. The almost tragic circumstances of everyone makes it very different from most other manga out there, since it isn’t because of fate or the gods, or any of the other reasons usually given. It’s just the way their life is, and that is infinitely more interesting than having some higher thing to blame. Immortality might not be as great as we think it might be, and boredom a fate worse than death.
Another San Diego Comic Con has come and gone, and it’s left us with a lot of announcements to sort through. Viz Media, Yen Press, Kodansha Comics and newcomer Jmanga all had panels filled with news and announcements. But who had exciting announcements and who were more ho-hum? Read on to find out more!
Viz Media started off their first panel by announcing that their digital manga would be available on android devices. That seemed like an exciting announcement until you go to the Google Play site and get the message that the app isn’t compatible with your device. It seems Viz has made their app for only phones and not tablets. This really disappointed me, since I prefer reading comics and manga on my tablet, but at least android users can finally download their Vizmanga.com manga. They really should have just said phones instead of “devices”. That was really misleading. I’ll be satisfied when they’re available for any device. The only other big announcements from Viz was from their Weekly Shonen Jump Alpha panel. Blue Exorcist, a current title will be joining the digital magazine as a monthly title as will a new series, Takama-Ga-Hara, which just started in WSJ. It’s about a boy with superhuman powers who wants to become a mangaka rather than a fighter like his brothers. It might be interesting.
Jmanga.com was the big winner for me with its announcements. They also announced their manga would be available on android devices, but they really mean “devices”; both phones and tablets will be supported, and will be available in October. I very excited about this! They also announced, and only got permission to do so minutes before the panel, that they would be releasing Kodansha titles previously released by Tokyopop and Del Rey. This is great news too! There were a lot of good titles that went OOP when Tokyopop lost the Kodansha licenses. On my personal wish list of titles to return are Kindaichi Case Files, which ended before its last volume as did Dragon Voice. And it’s a crime that Fruits Basket is no longer available. This title really needs to return digitally. On the Del Rey side, seeing Nodame Cantabile return would be awesome too. One other license that Jmanga announced was Mythical Detective Loki, by Sakura Kinoshita, the artist of tactics. I’ve been wanting this series ever since I first found out about it at least 7 years ago! I can’t wait for this to come out.
Yen Press has been a staple at SDCC since 2007. They don’t seem interested in making their manga available to everyone. Their position for not going on android is that they are “waiting for it to work right.” What does that even mean? Android seems to work just fine. Mainstream comics have no problem with it, Dark Horse has a great app, and Viz and Jmanga are moving to it. What of it doesn’t work? They did promote their Nook app, that only works on Nook devices (not the app for other devices or web), so it keeps it to a small audience and will never grow. Their license announcements weren’t too exciting either. Not really interested in any more James Patterson titles, and getting more YA supernatural titles will get just as tiresome.
Of their Japanese licenses, BTOOOM! sounds like .hack meets Survivor, and not too interesting. Another might be interesting if the mystery side is played up as much as the horror. Welcome to the Erotic Bookstore looks the most intriguing. It’s the memoirs of a woman working in a bookstore that opens up an erotic section. It sounds like it’ll be really fun. Another interesting statement was that they seem to be backtracking on their “no license rescues” stance. They say they are looking at some Tokyopop titles, even though they declared they wouldn’t after TP closed and fans asked them to.
Kodansha spent their panel talking mostly about their current line up, with little in new titles. They didn’t even bring any digital initiatives, and remain iOS only. There was a lot of talk of Sailor Moon, and Negima ending. Of their new titles, there were a few. Along with Negima‘s last volume will come a spin-off, Negiho, which puts Negi as a teacher of young girls. Yeah, still just as disturbing. Natsume Ono fans will be glad to get her collection of short stories, Danza. And I don’t know if this is a new announcement or not, but it’s new to me. Missions of Love is a shojo about a cellphone novelist who gets involved with the most popular boy in school.
Winners and losers for San Diego 2012? Jmanga takes it for me all the way. They had the most announcements that really excited me. Loser would be Kodansha with nothing that even piques my interest. Viz beats out Yen Press by at least making an effort to reach out to android fans. But con season isn’t over yet. With Otakon and NYCC still come, there are still chances for more and exciting announcements.